{
"data": {
"id": 157339,
"accession_number": "1994.201",
"share_license_status": "CC0",
"tombstone": "The Tiber, Tuileries Garden, Paris, 1859. Charles N\u00e8gre (French, 1820\u20131880). Albumen print from wet collodion negative; image: 36.5 x 44.6 cm (14 3/8 x 17 9/16 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1994.201",
"current_location": "230 Photography",
"title": "The Tiber, Tuileries Garden, Paris",
"creation_date": "1859",
"creation_date_earliest": 1859,
"creation_date_latest": 1859,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "albumen print from wet collodion negative",
"support_materials": [],
"department": "Photography",
"collection": "Photography",
"type": "Photograph",
"measurements": "Image: 36.5 x 44.6 cm (14 3/8 x 17 9/16 in.); Matted: 55.9 x 66 cm (22 x 26 in.)",
"dimensions": {
"image": {
"height": 0.365,
"height_inch": 14,
"height_inch_fraction": 0.375,
"width": 0.446,
"width_inch": 17,
"width_inch_fraction": 0.5625
},
"matted": {
"height": 0.559,
"height_inch": 22,
"height_inch_fraction": 0.0,
"width": 0.66,
"width_inch": 26,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Written in pencil on verso: \" 4/21/81 LM FH80.655\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 311875,
"title": "Legacy of Light: Master Photographs from the Cleveland Museum of Art",
"description": "Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997).",
"opening_date": "1996-11-24T05:00:00"
},
{
"id": 178867,
"title": "Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art",
"description": "Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 26-June 16, 2005).",
"opening_date": "2005-02-26T00:00:00"
},
{
"id": 705705,
"title": "France in the Time of Manet and Morisot",
"description": "France in the Time of Manet and Morisot. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-August 23, 2026).",
"opening_date": "2026-05-10T04:00:00"
}
],
"legacy": [
{
"description": "CMA, November 20,1996 - February 2, 1997: \"Legacy of Light: Master Photographs from the Cleveland Museum of Art.\"",
"opening_date": "1997-02-02T00:00:00"
},
{
"description": "Cleveland, Ohio: The Cleveland Museum of Art; February 26 - June 16, 2005 . \"Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art\".",
"opening_date": "2005-02-26T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "After the 1789 French Revolution, the gardens of the Tuileries palace became a public park.",
"description": "In 1859, Charles N\u00e8gre received government support to produce 50 photographs of their statuary. He never completed the project and made only a small number of unique prints, of which this is one. This stone sculpture, created in the late 1700s, depicts a human personification of the god of the Tiber River. The waterway runs through Rome, which is symbolized by the she-wolf and twins. This is one of the garden\u2019s four sculptures depicting water deities.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79973469"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1994.201-the-tiber-tuileries"
]
},
"citations": [
{
"citation": "Cleveland Museum of Art, \u201cNew Acquisitions Enter the Cleveland Museum of Art\u2019s Permanent Collection,\u201d February 14, 1995, Cleveland Museum of Art Archives.",
"page_number": null,
"url": "https://archive.org/details/cmapr3939/page/n1"
},
{
"citation": "Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.",
"page_number": "Reproduced: P. 254",
"url": ""
}
],
"url": "https://clevelandart.org/art/1994.201",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1994.201/1994.201_web.jpg",
"width": "1138",
"height": "893",
"filesize": "714142",
"filename": "1994.201_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1994.201/1994.201_print.jpg",
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"filesize": "5379330",
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},
"alternate_images": [],
"creditline": "Leonard C. Hanna Jr. Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": "Mark Schwartz and Bettina Katz Photography Galleries",
"athena_id": 157339,
"creators": [
{
"id": 730,
"description": "Charles N\u00e8gre (French, 1820\u20131880)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Charles N\u00e8gre French, 1820-1880\r\n\r\nA key figure in early French photography, Charles N\u00e8gre provides a link to photography's roots in painting and other visual arts. N\u00e8gre (born in Grasse) was a successful painter who had studied with Paul Delaroche, Michel Drolling, and Jean-Dominique Ingres. Beginning in 1843 he exhibited his work in various salons, winning high awards in 1851-52. His paintings were praised and purchased by, among others, Napol\u00e9on III.\r\n\tLike many other 19th-century artists, N\u00e8gre initially began making photographs to aid his painting. In 1844 he produced several daguerreotypes before later switching to calotypes. He soon developed a personal style, using the textured quality of the paper negative to subordinate detail to overall effect in his images, an approach he continued in various media throughout his career. Among N\u00e8gre's innovative subjects were street scenes that combined an intimacy of vision with the immediacy of urban life, presented with a painter's attention to composition. Many of these were presented in an 1851 exhibition of the Soci\u00e9t\u00e9 heliographique. A founding member of the Soci\u00e9t\u00e9 fran\u00e7aise de photographie, he was also a consummate architectural photographer, receiving numerous government commissions.\r\n\tN\u00e8gre's technical innovations, especially in the photogravure process, a subject on which he was an acknowledged authority, contributed to the development of photography. He never gave up his painting, however, and became a drawing master at the Lyc\u00e9e Imp\u00e9rial in Nice after moving there in 1863 for health reasons. T.W.F.",
"name_in_original_language": null,
"birth_year": "1820",
"death_year": "1880",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1994-12-06T00:00:00",
"sortable_date": 1859,
"date_added_to_oa": null,
"date_text": "1859",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-29 08:11:29.995000"
}
}