id: 157359 accession number: 1994.22 share license status: Copyrighted url: https://clevelandart.org/art/1994.22 updated: 2024-03-26 02:00:19.023000 Caribbean Sea, Jamaica, 1988. Hiroshi Sugimoto (Japanese, 1948-). Gelatin silver print; image: 42.1 x 54.5 cm (16 9/16 x 21 7/16 in.); paper: 44.5 x 60.4 cm (17 1/2 x 23 3/4 in.); matted: 63.5 x 81.3 cm (25 x 32 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, Mrs. John B. Dempsey, and Mr. Donald F. Barney, Jr., in honor of Brenda and Evan Turner 1994.22 title: Caribbean Sea, Jamaica title in original language: series: series in original language: creation date: 1988 creation date earliest: 1988 creation date latest: 1988 current location: creditline: Gift of Mrs. A. Dean Perry, Mrs. John B. Dempsey, and Mr. Donald F. Barney, Jr., in honor of Brenda and Evan Turner copyright: --- culture: Japan, 20th century technique: gelatin silver print department: Photography collection: PH - Japanese 20th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * Hiroshi Sugimoto (Japanese, 1948-) - artist Hiroshi Sugimoto Japanese, 1948- The photographs of Hiroshi Sugimoto explore the connections between modern and ancient worlds. His early interior views of unpeopled cinemas, aglow with the eerie light of a projected film, suggest modern-day shrines. With similar intentions, he began to photograph in museums, particularly exhibits that featured life-size taxidermy animals and wax human figures. Since 1977 Sugimoto has traveled the world to photograph barren seascapes. These subjects, which have become his hallmark, are shown with subtle variations in time of day, horizon line, and weather conditions, achieving from a distance the effect of a color-field painting by encouraging viewers to lose themselves in the haze. The black-and-white format, however, is a continual reminder of both the actuality of the subject and its perilous environmental state. As a child, Sugimoto (born in Tokyo) took up photography with a fervor. He graduated from Saint Paul's University, Tokyo (B.A., 1970), leaving Japan for the United States to study at the Art Center College of Design in Los Angeles (B.F.A., 1972). In 1974 he moved to New York City, opening an antiques business before launching full-time into freelance photography. In addition to a one-person exhibition at the Cleveland Museum of Art (1989), Sugimoto has shown his work at the Palais des Beaux Arts, Charlerol, Belgium (1993), the Museum of Contemporary Art, Los Angeles (1993, and tour), and the Metropolitan Museum of Art, New York (1995). His awards include a New York Creative Artists Public Service Grant (1977) and fellowships from the John Simon Guggenheim Memorial Foundation (1980) and the National Endowment for the Arts (1982). Sugimoto lives in New York and Tokyo. A.W. --- measurements: Image: 42.1 x 54.5 cm (16 9/16 x 21 7/16 in.); Paper: 44.5 x 60.4 cm (17 1/2 x 23 3/4 in.); Matted: 63.5 x 81.3 cm (25 x 32 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Embossed in paper on recto: "Caribbean Sea Jamaica 1980 19/25"; "901"; written in pencil on mount: "Hiroshi Sugimoto [signed]" translation: remark: --- CURRENT EXHIBITIONS title: Legacy of Light: Master Photographs from the Cleveland Museum of Art opening date: 1996-11-24T05:00:00 Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997). title: The History of Japanese Photography opening date: 2003-05-25T00:00:00 The History of Japanese Photography. Museum of Fine Arts, Houston, Houston, TX (organizer) (March 2-April 27, 2003); The Cleveland Museum of Art, Cleveland, OH (May 25-July 20, 2003). title: The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art opening date: 2006-06-09T00:00:00 The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Sims, Lowery Stokes. The persistence of geometry: form, content, and culture in the collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006. page number: no. 128, p. 123 url: Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. page number: Reproduced: P. 351 url: --- IMAGES