id: 157419
accession number: 1994.274
share license status: Copyrighted
url: https://clevelandart.org/art/1994.274
updated: 2025-05-29 19:16:17.881000
Anna, c. 1940. Charles L. Sallée (American, 1911–2006). Etching and aquatint; plate: 24.5 x 19.8 cm (9 5/8 x 7 13/16 in.); sheet: 30.5 x 25.5 cm (12 x 10 1/16 in.). The Cleveland Museum of Art, Gift of John Puskas, 1994.274. © The Estate of Charles L. Sallée
title: Anna
title in original language:
series:
series in original language:
creation date: c. 1940
creation date earliest: 1935
creation date latest: 1945
current location: 101A Prints & Drawings
creditline: Gift of John Puskas
copyright: © The Estate of Charles L. Sallée
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culture: America
technique: etching and aquatint
department: Prints
collection: PR - Etching
type: Print
find spot:
catalogue raisonne: Salsbury, Benay, and Kruse 70 (as Martha)
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CREATORS
* Charles L. Sallée (American, 1911–2006) - artist
Charles Sallée was born in Oberlin, Ohio, but later moved to Sandusky, where his father established a construction contracting company. Sallée learned the building trade from his father but decided to pursue a career in art. In 1931 he moved to Cleveland and attended art classes at Karamu House, then known as the Playhouse Settlement. He studied lithography and etching techniques at the Huntington Poly technic Institute, 1932–33. He attended the Cleveland School of Art, 1933–38, studying with Carl Gaertner, Viktor Schreckengost, Rolf Stoll, and Paul Travis. In 1939 he earned a B.S. in education from Western Reserve College and began teaching art in the Cleveland school system. In 1936 he joined the local chapter of the American Artists’ Congress. Sallée worked on several Works Progress Administration projects, 1936 creating prints, then painting murals. His WPA commissions included work for Sunny Acres Hospital, the Outhwaite Homes, and Cleveland Municipal Airport, as well as the Fort Hays Homes in Columbus, Ohio. He exhibited in the May Shows at the Cleveland Museum of Art (1935–46), and in group exhibitions at Howard University (1937) and the Library of Congress in Washington, D.C. (1940), the Tanner Art Galleries of Chicago (1940), the Associated American Art Galleries of New York (1941), and Atlanta University (1942). The North Canton Library in Canton, Ohio, organized his first solo exhibition in 1940. He was drafted into the Army Corps of Engineers during World War II and worked as a cartographer and camouflage designer. After the war, he began a career in interior design. For the next four decades, Sallée worked for various interior design firms in Cleveland, designing corporate offices, nightclubs, hotels, and restaurants for such clients as Cleveland Trust, Stouffer Hotel, and the Cleveland Browns.
Transformations in Cleveland Art. (CMA, 1996), p. 236
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measurements: Plate: 24.5 x 19.8 cm (9 5/8 x 7 13/16 in.); Sheet: 30.5 x 25.5 cm (12 x 10 1/16 in.)
state of the work:
edition of the work: possibly 25 to 50
support materials:
inscriptions:
inscription: inscribed, lower left margin, in graphite: ANNA; lower center margin, in graphite [later hand?]: WPA; lower right margin, in graphite: C. Sallée
translation:
remark:
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CURRENT EXHIBITIONS
title: Karamu Artists Inc.: Printmaking, Race, and Community
opening date: 2025-03-23T04:00:00
Karamu Artists Inc.: Printmaking, Race, and Community. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-August 17, 2025).
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LEGACY EXHIBITIONS
* {'description': 'The Cleveland Museum of Art (1/26/2014 - 5/18/2014); "Our Stories: African American Prints and Drawings"', 'opening_date': '2014-01-26T00:00:00'}
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PROVENANCE
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Benay, Erin. "Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest." Panorama: Journal of the Association of Historians of American Art 10, no. 1 (Spring 2024).
page number: Mentioned and reproduced: fig. 4
url: https://journalpanorama.org/article/peripheral-prints/
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IMAGES