id:			157797
accession number:	1995.199.17.f
share license status:	CC0
url:			https://clevelandart.org/art/1995.199.17.f
updated:		2024-04-05 11:03:11.824000

Camera Work: 'Twixt the Cup and the Lip, 1907. F. Benedict Herzog (American, c. 1859–1912). Photogravure; The Cleveland Museum of Art, Museum Appropriation 1995.199.17.f

title:				Camera Work: 'Twixt the Cup and the Lip
title in original language:	
series:				
series in original language:	
creation date:			1907
creation date earliest:		1907
creation date latest:		1907
current location:		
creditline:			Museum Appropriation
copyright:			

---

culture:	America, 20th century
technique:	photogravure
department:	Photography
collection:	PH - Photogravure
type:		Bound Volume
find spot:	
catalogue raisonne: 

---

CREATORS

* F. Benedict Herzog (American, c. 1859–1912)  - artist
F. Benedict Herzog American, about 1859-1912

Felix Benedict Herzog, a patent attorney, inventor, and pictorial photographer known for his elaborate, multifigure images, was born in New York City. An 1881 graduate of Columbia University, Herzog invented many electrical devices, telephone accessories, and improvements for telephone switchboards, including a police call system. Notices of his activity as a photographer appear in the years following 1900. In 1904 he joined the Camera Club of New York and in 1905, 1908, and 1910 took part in members exhibitions there. Five of Herzog's images were reproduced in Camera Work in October 1905 and January 1907. In 1905 his photographs also were displayed at the Lewis and Clark Exposition in Portland as well as in two international exhibitions. Two years later his work was discussed in The Century Magazine (May 1907) and Wilson's Photographic Magazine (December 1907).
	Noted for his great skill in handling drapery and posing groups of models, Herzog maintained a studio on upper Broadway where he created idealized compositions such as The Tale of Isolde, The Banks of Lethe, and Two Maids of St. Ives. Working in what critic Christian Brinton called the "grand style," Herzog often drew upon literature for his subject matter and sometimes combined negatives to achieve the desired effect in the final print. M.M.
---

measurements: 
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

---

LEGACY EXHIBITIONS

---

PROVENANCE

---

fun fact:


digital description:


wall description:

---

RELATED WORKS

---

CITATIONS

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1995.199.17.f/1995.199.17.f_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1995.199.17.f/1995.199.17.f_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1995.199.17.f/1995.199.17.f_full.tif