{
"data": {
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"share_license_status": "CC0",
"tombstone": "Crown (ad\u00e9n\u0301l\u00e1), 1900s. Africa, West Africa, Nigeria, Yor\u00f9b\u00e1-style maker. Cloth (probably cotton and wool), glass beads, reeds, cardboard, wood, plant fiber, cotton, and quills; diameter: 26.8 cm (10 9/16 in.); overall: 105.9 cm (41 11/16 in.); cone: 35.1 cm (13 13/16 in.); fringe: 55.3 cm (21 3/4 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1995.22",
"current_location": null,
"title": "Crown (ad\u00e9n\u0301l\u00e1)",
"creation_date": "1900s",
"creation_date_earliest": 1900,
"creation_date_latest": 1925,
"artists_tags": [],
"culture": [
"Africa, West Africa, Nigeria, Yor\u00f9b\u00e1-style maker"
],
"technique": "Cloth (probably cotton and wool), glass beads, reeds, cardboard, wood, plant fiber, cotton, and quills",
"support_materials": [],
"department": "African Art",
"collection": "African Art",
"type": "Garment",
"measurements": "Diameter: 26.8 cm (10 9/16 in.); Overall: 105.9 cm (41 11/16 in.); Cone: 35.1 cm (13 13/16 in.); Fringe: 55.3 cm (21 3/4 in.)",
"dimensions": {
"diameter": {
"width": 0.268,
"width_inch": 10,
"width_inch_fraction": 0.5625
},
"overall": {
"height": 1.059,
"height_inch": 41,
"height_inch_fraction": 0.6875
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"cone": {
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"height_inch": 13,
"height_inch_fraction": 0.8125
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"fringe": {
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"height_inch": 21,
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}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
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},
"provenance": [
{
"description": "(Douglas Dawson, Chicago)",
"citations": [],
"footnotes": null,
"date": null,
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}
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"related_works": [],
"former_accession_numbers": [],
"did_you_know": "No one\u2013\u2013not even the king who wears it\u2013\u2013is allowed to look inside this crown, as that's where it is most powerful.",
"early_education_description": null,
"artlens_description": null,
"description": "The most important of all regalia, topped with the \"royal bird\" Okin, this headdress connects the king to Oduduwa, the mythical founder of the Yoruba. The veil of beaded strings masks the identity of the wearer and protects his subjects from the supernatural powers that radiate from his face. The crown also signifies the \"inner head\" of the king, the locus of an awesome life force called ase.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60746758"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1995.22-crown-adenla"
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"citations": [
{
"citation": "Petridis, Constantijn. South of the Sahara: selected works of African art. Cleveland: Cleveland Museum of Art, 2003.",
"page_number": "Reproduced: cat. 24, p. 78 - 79",
"url": ""
},
{
"citation": "Petridis, Constantine. \u201cA Walking Tour: The entire new museum wing by wing, with curators calling out a few favorite works in the collection.\u201d Cleveland Art: Cleveland Museum of Art Members Magazine 54, no. 1 (January/February 2014): 8-33.",
"page_number": "Reproduced and Mentioned: p.12",
"url": "https://archive.org/details/CMAMM2014-01"
},
{
"citation": "Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016.",
"page_number": "Mentioned and Reproduced: P. 14",
"url": ""
},
{
"citation": "Smith, Fred T., Judith Perani, Joseph L. Underwood, and Martha J. Ehrlich. The Visual Arts of Africa : Gender, Power, and Life Cycle Rituals. Second edition. New York: Oxford University Press, 2022.",
"page_number": "Mentioned and reproduced: pp. 158-159, no. 6.4",
"url": ""
}
],
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"creditline": "Andrew R. and Martha Holden Jennings Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 159011,
"creators": [],
"legal_status": "accessioned",
"accession_date": "1995-06-07T00:00:00",
"sortable_date": 1900,
"date_added_to_oa": null,
"date_text": "1900s",
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"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [
"Crown (Ade)",
"Sacred Crown"
],
"is_highlight": false,
"updated_at": "2026-07-31 15:01:19.933000"
}
}