id: 159071
accession number: 1995.27
share license status: CC0
url: https://clevelandart.org/art/1995.27
updated: 2023-03-15 15:46:23.204000
Gorge at Eaux Chaudes, Pyrenees, c. 1855. Jean-Jacques Heilmann (French, 1822–1859). Salted paper print from wet collodion negative; image: 25.8 x 19.7 cm (10 3/16 x 7 3/4 in.); matted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund 1995.27
title: Gorge at Eaux Chaudes, Pyrenees
title in original language:
series:
series in original language:
creation date: c. 1855
creation date earliest: 1850
creation date latest: 1858
current location:
creditline: Andrew R. and Martha Holden Jennings Fund
copyright:
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culture: France, 19th century
technique: salted paper print from wet collodion negative
department: Photography
collection: PH - French 19th Century
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Jean-Jacques Heilmann (French, 1822–1859) - artist
Jean-Jacques Heilmann French, 1822-1859
Originally from Mulhouse, J. J. Heilmann made his living as a photographer, publisher, and printer in Pau, a town in southern France near the northern border of the Pyrenees. Most of his work was produced between 1852-57. Using rapid collodion plates perfected by Adolphe Bertsch and Farnham Maxwell Lyte, Heilmann also made calotypes and ivory types of considerable sophistication. In 1853 he developed a mechanism for enlarging negatives.
Heilmann frequently photographed the landscape of the Pyrenees, although he also did portraits, urban scenes, and photographic reproductions of paintings of Alsace and Pau. His images often resemble those of Lyte and John Stewart, British photographers whose scenes of man and nature were produced in the Pyrenees during the same era. Heilmann's photographs, however, have a more defined composition. His use of figures, animals, vehicles, and natural elements reveals an interest in depicting civilized man in a primitive setting. A founding member of the Société française de photographie, Heilmann was also affiliated with the Photographic Club of Great Britain. He exhibited his work at the 1855 Exposition Universelle in Paris. T.W.F.
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measurements: Image: 25.8 x 19.7 cm (10 3/16 x 7 3/4 in.); Matted: 61 x 50.8 cm (24 x 20 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Written in pencil on recto of mount: "À Mon Ami Nicola / JJH"; "Nouvelle Route des Eaux Chaudes"
translation:
remark:
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CURRENT EXHIBITIONS
title: Legacy of Light: Master Photographs from the Cleveland Museum of Art
opening date: 1996-11-24T05:00:00
Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997).
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LEGACY EXHIBITIONS
* Metropolitan Museum of Art, New York, Dec. 18, 1980 - Feb. 15, 1981: "After Daguerre: Masterworks of French Photography (1848-1900) from the Bibliothèque Nationale." Marbot, Bernard. After Daguerre: Masterworks of French Photography (1848-1900) from the Bibliothèque Nationale (New York: Metropolitan Museum of Art, 1981). no. 76.
* CMA, November 20,1996 - February 2, 1997: "Legacy of Light: Master Photographs from the Cleveland Museum of Art."
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PROVENANCE
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fun fact:
digital description:
wall description:
Little is known of the life and career of J. J. Heilmann. He was fascinated by the subject of civilized human life in the context of the primitive world. In this instance, the monumental stone bridge with a few tiny figures insert a human presence into what would otherwise be an overpowering natural setting. The arched structure is not only a reminder of the human ambition to compete with nature, it also blends in with the surrounding stone cliffs, suggesting a harmonious relationship.
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996.
page number: Reproduced: P. 194
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1995.27/1995.27_web.jpg
print: https://openaccess-cdn.clevelandart.org/1995.27/1995.27_print.jpg
full: https://openaccess-cdn.clevelandart.org/1995.27/1995.27_full.tif