id: 159142
accession number: 1995.332
share license status: CC0
url: https://clevelandart.org/art/1995.332
updated: 2023-08-23 23:34:09.002000
Mirror with Deities, Chariot, and the White Tiger, 100–200 CE. China, Eastern Han dynasty (25-220). Bronze; diameter: 18.3 cm (7 3/16 in.); overall: 1.7 cm (11/16 in.); rim: 0.9 cm (3/8 in.). The Cleveland Museum of Art, Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee 1995.332
title: Mirror with Deities, Chariot, and the White Tiger
title in original language: 書畫鏡
series:
series in original language:
creation date: 100–200 CE
creation date earliest: 100
creation date latest: 200
current location: 241B Arts of Ancient China
creditline: Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee
copyright:
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culture: China, Eastern Han dynasty (25-220)
technique: bronze
department: Chinese Art
collection: China - Han Dynasty
type: Metalwork
find spot:
catalogue raisonne:
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CREATORS
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measurements: Diameter: 18.3 cm (7 3/16 in.); Overall: 1.7 cm (11/16 in.); Rim: 0.9 cm (3/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors
opening date: 2000-09-17T00:00:00
Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17-November 26, 2000); China Institute Gallery, New York, NY (February 6-June 2, 2002); Elvehjem Museum of Art, Madison, WI (December 20, 2003-February 29, 2004).
title: La voie du Tao, un autre chemin de l'Etre
opening date: 2010-03-29T00:00:00
La voie du Tao, un autre chemin de l'Etre. Galeries Nationales du Grand Palais, 75008 Paris, France (March 29-July 5, 2010).
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LEGACY EXHIBITIONS
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PROVENANCE
Thomas and Martha Carter, Madison, WI
date:
footnotes:
citations:
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fun fact:
The meaning of the complex imagery on this mirror's back is not fully understood.
digital description:
wall description:
Depicted on the mirror back are two Daoist deities: the King Father of the East (Dongwanggong) and the Queen Mother of the West (Xiwangmu). Completing the design are the White Tiger of the west (one the Four Spirits representing the four cardinal directions, including the Green Dragon of the east, the Red Bird of the south, and the Dark Warrior of the north) and a chariot drawn by three horses. The reason for the redundancy of two symbolic images relating to the west is not known.
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RELATED WORKS
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CITATIONS
Chou, Ju-hsi. Circles of reflection: the Carter collection of Chinese bronze mirrors. Cleveland, Ohio: Cleveland Museum of Art, 2000.
page number: Reproduced: cat. no. 33, pp. 48-49, 107, 119
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1995.332/1995.332_web.jpg
print: https://openaccess-cdn.clevelandart.org/1995.332/1995.332_print.jpg
full: https://openaccess-cdn.clevelandart.org/1995.332/1995.332_full.tif