id: 159484 accession number: 1996.258 share license status: Copyrighted url: https://clevelandart.org/art/1996.258 updated: 2023-09-30 11:10:50.964000 Diary: March 5th '87, at 2-12-4 Kikkodai Kashiwashi (a), 1987. Tetsuya Noda (Japanese, 1940-). Woodcut and photoscreenprint; sheet: 74 x 141.7 cm (29 1/8 x 55 13/16 in.); image: 56.7 x 118.9 cm (22 5/16 x 46 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William E. Ward Collection Fund 1996.258 title: Diary: March 5th '87, at 2-12-4 Kikkodai Kashiwashi (a) title in original language: series: series in original language: creation date: 1987 creation date earliest: 1987 creation date latest: 1987 current location: creditline: Mr. and Mrs. William E. Ward Collection Fund copyright: --- culture: Japan, 20th century technique: woodcut and photoscreenprint department: Prints collection: PR - Woodcut type: Print find spot: catalogue raisonne: --- CREATORS * Tetsuya Noda (Japanese, 1940-) - artist --- measurements: Sheet: 74 x 141.7 cm (29 1/8 x 55 13/16 in.); Image: 56.7 x 118.9 cm (22 5/16 x 46 13/16 in.) state of the work: edition of the work: 15, HC 1, AP 3 support materials: description: Japanese paper watermarks: inscriptions: inscription: Signed in graphite; thumb stamped in orange ink; and titled "Diary: March 5th '87, at 2-12-4 a.p. Edition 15, HC 1, AP 3" translation: remark: --- CURRENT EXHIBITIONS title: East Meets West: Tradition and Innovation in Modern Japanese Prints opening date: 2000-03-19T00:00:00 East Meets West: Tradition and Innovation in Modern Japanese Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000). --- LEGACY EXHIBITIONS * Cleveland, Ohio: The Cleveland Museum of Art; March 19 - May 28, 2000. "East Meets West: Tradition and Innovation in Modern Japanese Prints."
Cleveland, Ohio: The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections". --- PROVENANCE --- fun fact: digital description: wall description: Noda photographs his surroundings to record personal experiences at a specific time and place, creating a visual diary. Here, he emphasized the monotonous quality of this inhospitable urban scene, devoid of figures, by printing the image from a woodblock on a solid white background. The result is a generalized, rather than personal, evocation of memory that underscores the dehumanized nature of modern life. --- RELATED WORKS --- CITATIONS --- IMAGES