id:			159484
accession number:	1996.258
share license status:	Copyrighted
url:			https://clevelandart.org/art/1996.258
updated:		2023-09-30 11:10:50.964000

Diary: March 5th '87, at 2-12-4 Kikkodai Kashiwashi (a), 1987. Tetsuya Noda (Japanese, 1940-). Woodcut and photoscreenprint; sheet: 74 x 141.7 cm (29 1/8 x 55 13/16 in.); image: 56.7 x 118.9 cm (22 5/16 x 46 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William E. Ward Collection Fund 1996.258

title:				Diary: March 5th '87, at 2-12-4 Kikkodai Kashiwashi (a)
title in original language:	
series:				
series in original language:	
creation date:			1987
creation date earliest:		1987
creation date latest:		1987
current location:		
creditline:			Mr. and Mrs. William E. Ward Collection Fund
copyright:			

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culture:	Japan, 20th century
technique:	woodcut and photoscreenprint
department:	Prints
collection:	PR - Woodcut
type:		Print
find spot:	
catalogue raisonne: 

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CREATORS

* Tetsuya Noda (Japanese, 1940-)  - artist

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measurements: Sheet: 74 x 141.7 cm (29 1/8 x 55 13/16 in.); Image: 56.7 x 118.9 cm (22 5/16 x 46 13/16 in.)
state of the work:	
edition of the work: 	15, HC 1, AP 3

support materials:

	description:	Japanese paper
	watermarks:	

inscriptions:

	inscription:	Signed in graphite; thumb stamped in orange ink; and titled "Diary: March 5th '87, at 2-12-4 a.p. Edition 15, HC 1, AP 3"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		East Meets West:  Tradition and Innovation in Modern Japanese Prints
	opening date:   2000-03-19T00:00:00
	<i>East Meets West:  Tradition and Innovation in Modern Japanese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000).

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LEGACY EXHIBITIONS

* Cleveland, Ohio:  The Cleveland Museum of Art; March 19 - May 28, 2000.  "East Meets West:  Tradition and Innovation in Modern Japanese Prints."<br>Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections".

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PROVENANCE

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fun fact:


digital description:


wall description:
Noda photographs his surroundings to record personal experiences at a specific time and place, creating a visual diary. Here, he emphasized the monotonous quality of this inhospitable urban scene, devoid of figures, by printing the image from a woodblock on a solid white background. The result is a generalized, rather than personal, evocation of memory that underscores the dehumanized nature of modern life.
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