id: 159484
accession number: 1996.258
share license status: Copyrighted
url: https://clevelandart.org/art/1996.258
updated: 2023-09-30 11:10:50.964000
Diary: March 5th '87, at 2-12-4 Kikkodai Kashiwashi (a), 1987. Tetsuya Noda (Japanese, 1940-). Woodcut and photoscreenprint; sheet: 74 x 141.7 cm (29 1/8 x 55 13/16 in.); image: 56.7 x 118.9 cm (22 5/16 x 46 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William E. Ward Collection Fund 1996.258
title: Diary: March 5th '87, at 2-12-4 Kikkodai Kashiwashi (a)
title in original language:
series:
series in original language:
creation date: 1987
creation date earliest: 1987
creation date latest: 1987
current location:
creditline: Mr. and Mrs. William E. Ward Collection Fund
copyright:
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culture: Japan, 20th century
technique: woodcut and photoscreenprint
department: Prints
collection: PR - Woodcut
type: Print
find spot:
catalogue raisonne:
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CREATORS
* Tetsuya Noda (Japanese, 1940-) - artist
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measurements: Sheet: 74 x 141.7 cm (29 1/8 x 55 13/16 in.); Image: 56.7 x 118.9 cm (22 5/16 x 46 13/16 in.)
state of the work:
edition of the work: 15, HC 1, AP 3
support materials:
description: Japanese paper
watermarks:
inscriptions:
inscription: Signed in graphite; thumb stamped in orange ink; and titled "Diary: March 5th '87, at 2-12-4 a.p. Edition 15, HC 1, AP 3"
translation:
remark:
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CURRENT EXHIBITIONS
title: East Meets West: Tradition and Innovation in Modern Japanese Prints
opening date: 2000-03-19T00:00:00
East Meets West: Tradition and Innovation in Modern Japanese Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000).
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LEGACY EXHIBITIONS
* Cleveland, Ohio: The Cleveland Museum of Art; March 19 - May 28, 2000. "East Meets West: Tradition and Innovation in Modern Japanese Prints."
Cleveland, Ohio: The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections".
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PROVENANCE
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fun fact:
digital description:
wall description:
Noda photographs his surroundings to record personal experiences at a specific time and place, creating a visual diary. Here, he emphasized the monotonous quality of this inhospitable urban scene, devoid of figures, by printing the image from a woodblock on a solid white background. The result is a generalized, rather than personal, evocation of memory that underscores the dehumanized nature of modern life.
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RELATED WORKS
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IMAGES