id:			159507
accession number:	1996.276.1
share license status:	Copyrighted
url:			https://clevelandart.org/art/1996.276.1
updated:		2022-01-04 17:21:12.964000

Furrows: Furrows I, 1989. Terry Winters (American, 1949-), Peter Blum Edition. Woodcut (2 blocks), in light and dark gray; sheet: 68 x 54.1 cm (26 3/4 x 21 5/16 in.); image: 64.5 x 49.7 cm (25 3/8 x 19 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1996.276.1

title:				Furrows I
title in original language:	
series:				Furrows
series in original language:	
creation date:			1989
creation date earliest:		1989
creation date latest:		1989
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	America, 20th century
technique:	woodcut (2 blocks), in light and dark gray
department:	Prints
collection:	PR - Apparatus
type:		Portfolio
find spot:	
catalogue raisonne: Sojka 49

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CREATORS

* Terry Winters (American, 1949-)  - artist

* Peter Blum Edition  - published by

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measurements: Sheet: 68 x 54.1 cm (26 3/4 x 21 5/16 in.); Image: 64.5 x 49.7 cm (25 3/8 x 19 9/16 in.)
state of the work:	
edition of the work: 	45 plus 12 artist's proofs

support materials:

	description:	cream(1) wove paper (handmade Lafranca)
	watermarks:	

inscriptions:

	inscription:	signed, lower left, in graphite: TWinters II/XII ; lower right, in graphite: I
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Contemporary Prints: Recent Acquisitions
	opening date:   1997-04-19T00:00:00
	<i>Contemporary Prints: Recent Acquisitions</i>. The Cleveland Museum of Art (organizer) (April 19-July 21, 1997).

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LEGACY EXHIBITIONS

* Cleveland, Ohio:  The Cleveland Museum of Art; 4/19/97 - 7/21/97.  "Contemporary Prints:  Recent Acquisitions."

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PROVENANCE

	purchased from (Blumarts, Inc., New York)
	date: 
	footnotes: 	
	citations: 	


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fun fact: 


digital description: 


wall description: 
Schooled during the heyday of Minimal and Conceptual art, Terry Winters began painting in the early 1970s. Initially keeping his art private, he did not exhibit his work until the early 1980s. Winters is elusive when it comes to discussing the content of his art, but his images often appear biological, sometimes resembling organs. Each print in this portfolio was printed with two blocks. The background is printed from a single slab of oak. The design blocks, one for each image, are made of mahogany and printed over the first block. The title Furrows may refer to the lines which are made by cutting trenches into the wood.
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CITATIONS

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