{
    "data": {
        "id": 159599,
        "accession_number": "1996.336",
        "share_license_status": "CC0",
        "tombstone": "Man on a Horse, c. 1860s. Nadar (French, 1820\u20131910). Albumen print from wet collodion negative; image: 17 x 22.3 cm (6 11/16 x 8 3/4 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, Gift of Robert Hershkowitz and Charles Isaacs, 1996.336",
        "current_location": "230 Photography",
        "title": "Man on a Horse",
        "creation_date": "c. 1860s",
        "creation_date_earliest": 1860,
        "creation_date_latest": 1869,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "albumen print from wet collodion negative",
        "support_materials": [],
        "department": "Photography",
        "collection": "Photography",
        "type": "Photograph",
        "measurements": "Image: 17 x 22.3 cm (6 11/16 x 8 3/4 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.)",
        "dimensions": {
            "image": {
                "height": 0.17,
                "height_inch": 6,
                "height_inch_fraction": 0.6875,
                "width": 0.223,
                "width_inch": 8,
                "width_inch_fraction": 0.75
            },
            "matted": {
                "height": 0.356,
                "height_inch": 14,
                "height_inch_fraction": 0.0,
                "width": 0.457,
                "width_inch": 18,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Written in pencil on recto of mount: \"Fj 1064\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 188432,
                    "title": "19th-Century French Portrait Photography from the Cleveland Museum of Art",
                    "description": "<i>19th-Century French Portrait Photography from the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 27-August 9, 2000).",
                    "opening_date": "2000-05-27T00:00:00"
                },
                {
                    "id": 286506,
                    "title": "Cheating Death: Portrait Photography\u2019s First Half Century",
                    "description": "<i>Cheating Death: Portrait Photography\u2019s First Half Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).",
                    "opening_date": "2016-10-22T04:00:00"
                },
                {
                    "id": 705705,
                    "title": "France in the Time of Manet and Morisot",
                    "description": "<i>France in the Time of Manet and Morisot</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-August 23, 2026).",
                    "opening_date": "2026-05-10T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The photographic equipment of the 1860s required a long exposure; it was hard to get a horse to remain perfectly still for a long time.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Nadar attempted a few such portraits in the 1860s including this one showing a gentleman astride his mount. The genre of equestrian portraiture dates back to classical Greek and Roman antiquity, when it was used to depict rulers and suggest power and status.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79979450"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1996.336-man-on-a-horse"
            ]
        },
        "citations": [],
        "url": "https://clevelandart.org/art/1996.336",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1996.336/1996.336_web.jpg",
                "width": "1175",
                "height": "893",
                "filesize": "654374",
                "filename": "1996.336_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1996.336/1996.336_print.jpg",
                "width": "3400",
                "height": "2583",
                "filesize": "4895710",
                "filename": "1996.336_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1996.336/1996.336_full.tif",
                "width": "4464",
                "height": "3391",
                "filesize": "45444024",
                "filename": "1996.336_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Gift of Robert Hershkowitz and Charles Isaacs",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": "Mark Schwartz and Bettina Katz Photography Galleries",
        "athena_id": 159599,
        "creators": [
            {
                "id": 721,
                "description": "Nadar (French, 1820\u20131910)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Nadar (Gaspard-F\u00e9lix Tournachon) French, 1820-1910\r\n\r\nBorn Gaspard-F\u00e9lix Tournachon in Paris, Nadar is probably the best known French photographer. His portraits of celebrities and public figures help define our impression of France in the second half of the 19th century; his panache in conducting his business helped popularize photography.\r\n\tEducated at the Coll\u00e8ge Bourber, Paris (1833-36), Nadar moved to Lyon, where he studied medicine (1837-38) before continuing his studies at the H\u00f4tel Dieu and the Bic\u00eatre in Paris. He wrote satires and essays and drew caricatures (his pseudonym derived from his barbed wit aimed against the establishment) for a number of Paris publications, eventually founding several of his own, and was a highly visible figure in the city's cultural and artistic life. Learning photographic technique from Adophe Bertsch and Camille d'Arnaud, Nadar founded a studio in 1854. Twenty years later his son Paul, also a photographer, became director of the business and by 1886 headed the firm. He also worked for a time with his brother, Adrien, who sometimes called himself Nadar jeune, a practice which later prompted Nadar to file a lawsuit.\r\n\tNadar's exploits with aerial balloon photography were of both photographic and historic importance. Below ground, he used artificial light to make surveys of the catacombs and sewers of Paris, novel and highly popular curiosities. With his son Paul as photographer, he is credited with the first photo-interview, conducted with the scientist and color theorist Michel-Eug\u00e8ne Chevreul on his 100th birthday in 1886. Because of the importance of his work and the notoriety of his sitters, among them Franz Liszt, George Sand, Sarah Bernhardt, and Honor\u00e9 Balzac, Nadar will long occupy a key place in the development of photography. T.W.F.",
                "name_in_original_language": null,
                "birth_year": "1820",
                "death_year": "1910",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1996-12-02T00:00:00",
        "sortable_date": 1860,
        "date_added_to_oa": null,
        "date_text": "c. 1860s",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 08:16:33.722000"
    }
}