{
"data": {
"id": 159724,
"accession_number": "1997.100",
"share_license_status": "CC0",
"tombstone": "Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan, 1468. Shen Zhou (Chinese, 1427\u20131509). Hanging scroll, ink on paper; overall: 397.1 x 127.4 cm (156 5/16 x 50 3/16 in.); painting only: 288.5 x 106.3 cm (113 9/16 x 41 7/8 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.100",
"current_location": null,
"title": "Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan",
"creation_date": "1468",
"creation_date_earliest": 1468,
"creation_date_latest": 1468,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "hanging scroll, ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Overall: 397.1 x 127.4 cm (156 5/16 x 50 3/16 in.); Painting only: 288.5 x 106.3 cm (113 9/16 x 41 7/8 in.)",
"dimensions": {
"painting only": {
"height": 2.885,
"width": 1.063
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"overall": {
"height": 3.971,
"width": 1.274
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Artist's inscription, signature, and 2 seals at upper right:\n\nBeneath the fence yellow [chrysanthemum] flowers brave the rain to blossom;/\nStill others lean on the red osmanthus tree and dazzle the deep green moss./\nWith a goblet [of wine] I face them, entirely without concern;/\nWho will answer the knocking at the gate where a guest has arrived?\n\nIn the ninth month of the fourth year of the Chenghua era [1468], I followed the brush-conception of Wang Danxuan \u738b\u6fb9\u8ed2 [Wang Yuan \u738b\u6df5] at the Youzhuzhuang \u6709\u7af9\u5e84 [House with Bamboo].\n\tInscribed and [painted] by Shen Zhou \u6c88\u5468 of Changzhou \u9577\u6d32. [seals] Shitian \u77f3\u7530; Shen shi Qinan \u6c88\u6c0f\u542f\u5357.\n\ntrans. HR",
"inscription_translation": null,
"inscription_remark": null,
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{
"inscription": "1 additional inscription, dated 1523, and 2 seals of Wang Chong \u738b\u5bf5 (1494-1533).",
"inscription_translation": null,
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"sortorder": null
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{
"id": 298005,
"title": "Inspired by Chinese Landscape and Art \u2013 Chinese Gallery Rotation 240a, 241c",
"description": "Inspired by Chinese Landscape and Art \u2013 Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018).",
"opening_date": "2017-08-14T04:00:00"
}
],
"legacy": [
{
"description": "Great Chinese painters of the Ming and Ch'ing dynasties, XV to XVIII: [a loan exhibition] for the benefit of the Asia Institute. Wildenstein Galleries, New York, NY (March 11-April 2, 1949).",
"opening_date": "1949-03-11T05:00:00Z"
},
{
"description": "Mostra D'arte Cinese. Palazzo Ducale, Venice, Italy (1954).",
"opening_date": "1954-01-01T05:00:00Z"
},
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1980-11-07T05:00:00Z"
}
]
},
"provenance": [
{
"description": "Mrs. A. Dean Perry [Helen Wade Greene Perry] [1911-1996], Cleveland, OH, bequest to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "c. 1960s-1997",
"sortorder": 1
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"description": "The Cleveland Museum of Art, Cleveland, OH",
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"date": "1997-",
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"description": "Shen Zhou, a native from Suzhou, was descended from a prominent land-owning family with strong ties to literati culture. Because Shen Zhou never entered government service, he had ample opportunity to cultivate the arts of painting, poetry, and calligraphy.
Chrysanthemums and red osmanthus both bloom in autumn. The deep orange osmanthus flowers emanate a characteristically sweet fragrance. According to his inscription on the painting, Shen Zhou sought to imitate the style of the Yuan dynasty (1271\u20131368) painter Wang Yuan. His color-filled brushstrokes and washes, however, anticipate the flower painting style of Yun Shouping, whose Peonies are also in the Cleveland Museum of Art collection, https://www.clevelandart.org/art/1967.192. The sheer size and complex composition of this scroll are impressive.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q60477367"
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"https://archive.org/details/clevelandart-1997.100-yellow-chrysanthemum"
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"citations": [
{
"citation": "Dubosc, Jean-Pierre, and Laurence Sickman. A Loan Exhibition, Great Chinese Painters of the Ming and Ch'ing Dynasties, XV to XVIII Centuries: For the Benefit of the Asia Institute, March 11 to April 2, 1949. New York, NY: Wildenstein, 1949.",
"page_number": "cat. no. 6",
"url": null
},
{
"citation": "Dubosc, Jean Pierre, and Alberto Giuganino. Mostra D'arte Cinese: Catalogo = Exhibition of Chinese Art: Catalogue. Venezia: Alfieri Editore, 1954.",
"page_number": "cat. no. 789",
"url": null
},
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned and Reproduced: IV, 153; VI, pl. 170-B; VII, Lists, 223.",
"url": null
},
{
"citation": "Edwards, Richard. The Field of Stones: A Study of the Art of Shen Chou (1427-1509). Washington, DC: Smithsonian Institution, 1962.",
"page_number": "Reproduced: p. 15, pls. 9-C, 10-B",
"url": null
},
{
"citation": "Lee, Sherman. \u201cTo See Big within Small: Hsiao-Chung-Chien-Ta.\u201d The Burlington Magazine, vol. 114, no. 830, 1972, pp. 314\u2013324.",
"page_number": "Reproduced: p. 321, fig. 64",
"url": "https://www.jstor.org/stable/876940"
},
{
"citation": "Lee, Sherman E. \u201cEarly Ming Painting at the Imperial Court.\u201d The Bulletin of the Cleveland Museum of Art, vol. 62, no. 8, 1975, pp. 243\u2013259.",
"page_number": "Reproduced: p. 254, fig. 15",
"url": "www.jstor.org/stable/25152602"
},
{
"citation": "Hironobu Kohara \u53e4\u539f\u5b8f\u4f38, Richard Edwards, and Takeo Hibino \u65e5\u6bd4\u91ce\u4e08\u592b. Shin Shu\u0304, Bun Cho\u0304mei [\u6c88\u5468 \u6587\u5fb4\u660e = Shen Zhou, Wen Zhengming]. To\u0304kyo\u0304: Chu\u0304o\u0304 Ko\u0304ronsha, 1978.",
"page_number": "Reproduced: pp. 149, 154, pl. 3",
"url": null
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: pp. 176-177, cat. no. 148",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Mentioned: pp. 245-251; Reproduced: Fig. 1, p. 246",
"url": null
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