{
"data": {
"id": 159763,
"accession_number": "1997.131",
"share_license_status": "CC0",
"tombstone": "Naked Series: Photographs of a Standing Male Nude Model (\"Joseph Smith\"), c. 1883. Circle of Thomas Eakins (American, 1844\u20131916). Albumen prints from glass negatives; image: 8.2 x 2.9 cm (3 1/4 x 1 1/8 in.); matted: 35.6 x 45.7 cm (14 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund, 1997.131",
"current_location": null,
"title": "Photographs of a Standing Male Nude Model (\"Joseph Smith\")",
"series": "Naked Series",
"creation_date": "c. 1883",
"creation_date_earliest": 1878,
"creation_date_latest": 1888,
"artists_tags": [
"male"
],
"culture": [
"America"
],
"technique": "albumen prints from glass negatives",
"support_materials": [],
"department": "Photography",
"collection": "PH - American 19th Century",
"type": "Photograph",
"measurements": "Image: 8.2 x 2.9 cm (3 1/4 x 1 1/8 in.); Matted: 35.6 x 45.7 cm (14 x 18 in.)",
"dimensions": {
"image": {
"height": 0.082,
"height_inch": 3,
"height_inch_fraction": 0.25,
"width": 0.029,
"width_inch": 1,
"width_inch_fraction": 0.125
},
"matted": {
"height": 0.356,
"height_inch": 14,
"height_inch_fraction": 0.0,
"width": 0.457,
"width_inch": 18,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Written in pencil on recto of mount: \"L/2040\"; on verso: \"0-40-3310\"; \"X-36\"; in black ink: \"Eakins/Olympia Galleries, Ltd. / Philadelphia. Cat #03310-40\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 194095,
"title": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art",
"description": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007).",
"opening_date": "2007-06-24T00:00:00"
},
{
"id": 316500,
"title": "PROOF: Photography in the Era of the Contact Sheet",
"description": "PROOF: Photography in the Era of the Contact Sheet. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-November 29, 2020).",
"opening_date": "2020-02-07T05:00:00"
}
],
"legacy": [
{
"description": "The Cleveland Museum of Art (6/24/07 - 9/16/07); \"Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art\", no exhibition catalogue.",
"opening_date": "2007-06-24T00:00:00"
}
]
},
"provenance": [
{
"description": "(Charles Isaacs Photographs, Inc., New York, NY)",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "June 2, 1997",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "Eakins\u2019s earliest use of photography was as a visual aid to painting. In the early 1880s, he began photographic experiments that would allow him to create a more accurate and convincing rendering of anatomy and the human form in motion. Recognizing the assistance these visual reminders could provide the artist, Eakins and his circle began photographing a series of nude forms modeled by men, women, and children. These images, which he called the Naked Series, consist of seven contact-printed photographs mounted on cardboard strips. They show the models from the front, side, and rear posed in contrapposto positions or with their weight equally distributed. Eakins\u2019s other photographic endeavors included a series on the figure in motion\u2014photographs that were clearly used as studies for paintings\u2014and more traditional portraits and figural groupings.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79979898"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1997.131-photographs-of-a-sta"
]
},
"citations": [],
"url": "https://clevelandart.org/art/1997.131",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1997.131/1997.131_web.jpg",
"width": "1263",
"height": "524",
"filesize": "438484",
"filename": "1997.131_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1997.131/1997.131_print.jpg",
"width": "3400",
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"filesize": "1064592",
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},
"full": {
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},
"alternate_images": [],
"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 159763,
"creators": [
{
"id": 4037,
"description": "Thomas Eakins (American, 1844\u20131916)",
"extent": null,
"qualifier": "circle of",
"role": "artist",
"biography": null,
"name_in_original_language": null,
"birth_year": "1844",
"death_year": "1916",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1997-06-02T00:00:00",
"sortable_date": 1878,
"date_added_to_oa": null,
"date_text": "c. 1883",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-29 08:17:22.868000"
}
}