id: 160089 accession number: 1997.58 share license status: CC0 url: https://clevelandart.org/art/1997.58 updated: 2022-03-01 10:00:40.432000 Fire Screen, c. 1878–80. Firm of Herter Brothers (American). Gilded wood, painted and gilded wood panels, brocaded silk, embossed paper; overall: 131.8 x 76.2 x 58.3 cm (51 7/8 x 30 x 22 15/16 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund 1997.58 title: Fire Screen title in original language: series: series in original language: creation date: c. 1878–80 creation date earliest: 1878 creation date latest: 1880 current location: creditline: The Severance and Greta Millikin Purchase Fund copyright: --- culture: America, 19th century technique: gilded wood, painted and gilded wood panels, brocaded silk, embossed paper department: Decorative Art and Design collection: Furniture type: Furniture and woodwork find spot: catalogue raisonne: --- CREATORS * Herter Brothers (American) - artist Christian Herter (1840-83). Born in Stuttgart. He studied at the École des Beaux Arts in Paris before joining his elder half-brother Gustave (1830-98) in New York in 1860. Gustave had been there since 1848 and had worked for Tiffany before founding his own furniture and decorations firm in 1857. In 1864 Christian returned to Paris to study under Pierre-Victor Gallard (1822-92) and in the early 1870s he was in England. Herter Brothers became a leading New York furniture and decorating business in the 1870s and 1880s, being one of the first to abandon the usual run of historical styles and produce pieces rather similar to those made contemporaneously in England, with a discreet use of oriental motifs. Marquetry furniture like that made for the railroad magnate Jay Gould in 1877-82 or the luxurious gilt and inlaid furniture made for the William H. Vanderbuilt House, NY, c. 1882 is typical of the more extravagant type of aesthetic movement in the US. He employed a large staff of craftsmen and designers, the latter including the architect Charles B. Atwood (1849-95). The firm survived until 1906. --- measurements: Overall: 131.8 x 76.2 x 58.3 cm (51 7/8 x 30 x 22 15/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * No existing exhibition history. --- PROVENANCE --- fun fact: Produced by the New York decorating firm Herter Brothers, this screen would have been used to shield sitters from the heat of a fireplace. digital description: During the 1870s the New York firm of Herter Brothers produced some of the most sophisticated and technically refined furniture made anywhere in the world at that date. Although the firm is known to have made a considerable quantity of gilded furniture, this fire screen is one of only a few examples to survive in good condition. The painted and gilded embossed panel of birds and flowers was likely made in Japan. wall description: During the 1870s the New York firm of Herter Brothers produced some of the most sophisticated and technically refined furniture made anywhere in the world at that date. Although the firm is known to have made a considerable quantity of gilded furniture, this fire screen is one of only a few examples to survive in good condition. The painted and gilded embossed panel of birds and flowers was likely made in Japan. --- RELATED WORKS --- CITATIONS Cleveland Museum of Art, “Museum Acquires Major Chuck Close Painting, 19th-century Fire Screen, Rare Prints & Drawings,” June 9, 1997, Cleveland Museum of Art Archives. page number: url: https://archive.org/details/cmapr4136 Howe, Katherine S., "Herter Brother's Furniture," FMR (April 1998). page number: Mentioned & reproduced: pp. 118-9 url: May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland: Cleveland Museum of Art, 2001. page number: Mentioned & reproduced: pp. 49-50, no. 49; listed: p. 117 url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=50820863 Berliner, Nancy Zeng, and Edward S. Cooke. Inspired by China: Contemporary Furnituremakers Explore Chinese Traditions. Salem: Peabody Essex Museum, 2006. page number: Mentioned: p. 49, fig. 10 url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=75958409 Piña, Leslie A. Furniture in History, 3000 B.C.-2000 A.D. Boston: Prentice Hall, 2010. page number: Mentioned: p. 23 url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=268788668 Franklin, David, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art in association with, New York, NY: Scala Publishers, 2012. page number: Mentioned & reproduced: pp. 270-1 url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=813973055 Bidwell, Frederick E. and Leslie Cade. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art in association with New York, NY: Scala Arts Publishers, 2014. page number: Mentioned & reproduced: p. 142 url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=857403600 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1997.58/1997.58_web.jpg print: https://openaccess-cdn.clevelandart.org/1997.58/1997.58_print.jpg full: https://openaccess-cdn.clevelandart.org/1997.58/1997.58_full.tif