{
"data": {
"id": 160136,
"accession_number": "1997.94",
"share_license_status": "CC0",
"tombstone": "Writing Books under the Pine Trees (\u677e\u4e0b\u8457\u66f8\u5716), c. 1308\u201385. Wang Meng (Chinese, c. 1308\u20131385). Album leaf; ink and color on paper; painting: 39.8 x 56.9 cm (15 11/16 x 22 3/8 in.); overall: 67.6 x 71.4 cm (26 5/8 x 28 1/8 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.94",
"current_location": null,
"title": "Writing Books under the Pine Trees",
"title_in_original_language": "\u677e\u4e0b\u8457\u66f8\u5716",
"creation_date": "c. 1308\u201385",
"creation_date_earliest": 1303,
"creation_date_latest": 1385,
"artists_tags": [
"male"
],
"culture": [
"China, Yuan dynasty (1271-1368)"
],
"technique": "Album leaf; ink and color on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Album leaf",
"type": "Painting",
"measurements": "Painting: 39.8 x 56.9 cm (15 11/16 x 22 3/8 in.); Overall: 67.6 x 71.4 cm (26 5/8 x 28 1/8 in.)",
"dimensions": {
"image": {
"height": 0.667,
"width": 0.705
},
"painting": {
"height": 0.398,
"width": 0.569
},
"overall": {
"height": 0.676,
"width": 0.714
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"framed": {
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"width": 0.813
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},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Artist's inscription, signature, and seal:\nMany years and months passed by the locked gate/\nBehind which the scholar has been immersed in writing his books;/\nWhile the pine trees he had planted/\nHave all grown up with old dragon scales./\n\n\tThe Yellow Crane Mountain Woodcutter [Huang-ho-shan-ch'iao] painted this for Chen-su [the hao of Ts'ao Chih-po]. [seal] Wang Meng yin.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 1
},
{
"inscription": "2 additional seals: 1 of Ts'ao Chih-po (1271\u20131355); 1 unidentified.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 2
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],
"exhibitions": {
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"id": 301272,
"title": "Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368)",
"description": "Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968).",
"opening_date": "1968-10-02T04:00:00"
},
{
"id": 304517,
"title": "Eight Dynasties of Chinese Painting",
"description": "Eight Dynasties of Chinese Painting. The Cleveland Museum of Art (February 11-March 29, 1981).",
"opening_date": "1981-02-11T05:00:00"
},
{
"id": 311620,
"title": "Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions",
"description": "Asian Autumn: New Objects/New Insights: Cleveland's Recent Chinese Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 18-December 31, 1994).",
"opening_date": "1994-10-18T04:00:00"
},
{
"id": 395234,
"title": "China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta",
"description": "China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).",
"opening_date": "2023-09-10T04:00:00"
}
],
"legacy": [
{
"description": "The Fragrance of Ink: Chinese and Japanese Paintings from the Collection of Mrs. A. Dean Perry. The Cleveland Museum of Art, Cleveland, OH (April 19-August 3, 1997).",
"opening_date": "1997-04-19T04:00:00Z"
}
]
},
"provenance": [
{
"description": "Mr. A. Dean and Mrs. Helen Wade Greene Perry [1911\u20131996], Cleveland, OH, bequest to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "1964\u20131997",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1997\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [
"119.81",
"785.94"
],
"did_you_know": "Wang Meng wrote the inscription at the right in classical seal script and applied his signature and seal on the left side of the composition.",
"description": "Wang Meng, born into a distinguished family in Wuxing (modern Huzhou), Zhejiang province, was the maternal grandson of Zhao Mengfu (1254\u20131322). Aside from intermittent political commitments under the foreign Mongol and Ming governments, Wang dedicated most of his life to retirement, as conveyed in this painting. By the 1360s, when the Red Turbans began to rebel against the Yuan dynasty leaders, and the Mongols gradually lost control over Jiangnan, Wang Meng withdrew into the mountains north of Hangzhou, calling himself Woodcutter of Yellow Crane Mountain. In the early years of the Ming dynasty, Wang was caught up in a purge and died in prison.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60477520"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1997.94-writing-books-under"
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},
"citations": [
{
"citation": "Bian, Yongyu [Pien Yung-yu \u535e\u6c38\u8b7d]. Shi gu tang shu hua hui kao \u5f0f\u53e4\u5802\u4e66\u753b\u6c47\u8003. 1682",
"page_number": "ch. 4, p. 48(a)",
"url": ""
},
{
"citation": "Sullivan, Michael. Chinese and Japanese Art. New York: Grolier, 1965.",
"page_number": "Mentioned and Reproduced: p. 73, color pl. p. 179",
"url": ""
},
{
"citation": "Lee, Sherman E., and Wai-kam Ho. Chinese Art Under the Mongols: The Yu\u0308an Dynasty, 1279-1368. Cleveland, OH: The Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968.",
"page_number": "Mentioned and Reproduced: cat. no. 257",
"url": ""
},
{
"citation": "Lee, Sherman E. \"The Water and the Moon in Chinese and Modern Painting.\" Art international, vol. 14 (1970), no. 1, pp. 47\u201359.",
"page_number": "Mentioned and Reproduced: p. 58, fig. 33",
"url": ""
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Mentioned and Reproduced: cat. no. 111, pp. 136\u2013137",
"url": ""
},
{
"citation": "Suzuki, Kei \u9234\u6728\u656c. Chu\u0304goku kaiga so\u0304go\u0304 zuroku [\u4e2d\u570b\u7e6a\u756b\u7e3d\u5408\u5716\u9304= Comprehensive Illustrated Catalog of Chinese Paintings], \u7b2c1\u5377. \u30a2\u30e1\u30ea\u30ab\u00b7\u30ab\u30ca\u30c0\u7bc7[= vol. 1 American and Canadian collections]. To\u0304kyo\u0304: To\u0304kyo\u0304 Daigaku Shuppankai, 1982.",
"page_number": "#A23-006, p. I-287",
"url": ""
},
{
"citation": "Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018.",
"page_number": "Mentioned: p. 125",
"url": null
},
{
"citation": "Griswold, William, Xiaofei Tian, Richard Von Glahn, Feng Zhao, S. J. Vainker, Masaaki Itakura, Jiang Wu, et al. China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta. Edited by Clarissa von Spee. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: p. 226, no. 100",
"url": ""
}
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