{
    "data": {
        "id": 160137,
        "accession_number": "1997.95",
        "share_license_status": "CC0",
        "tombstone": "Mountains of the Immortals (\u4ed9\u5c71\u5716), 1300\u20131370. Chen Ruyan (Chinese, c. 1331\u20131371), calligraphy by Ni Zan (Chinese, 1301\u20131374). Handscroll; ink and color on silk; painting only: 33.4 x 97.3 cm (13 1/8 x 38 5/16 in.); height: 35 cm (13 3/4 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry, 1997.95",
        "current_location": null,
        "title": "Mountains of the Immortals",
        "title_in_original_language": "\u4ed9\u5c71\u5716",
        "creation_date": "1300\u20131370",
        "creation_date_earliest": 1300,
        "creation_date_latest": 1370,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Yuan dynasty (1271-1368)"
        ],
        "technique": "Handscroll; ink and color on silk",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Handscroll",
        "type": "Painting",
        "measurements": "Painting only: 33.4 x 97.3 cm (13 1/8 x 38 5/16 in.); height: 35 cm (13 3/4 in.)",
        "dimensions": {
            "painting only": {
                "height": 0.334,
                "height_inch": 13,
                "height_inch_fraction": 0.125,
                "width": 0.973,
                "width_inch": 38,
                "width_inch_fraction": 0.3125
            },
            "height": {
                "height": 0.35,
                "height_inch": 13,
                "height_inch_fraction": 0.75
            },
            "frontispiece": {
                "height": 0.35,
                "height_inch": 13,
                "height_inch_fraction": 0.75,
                "width": 1.04,
                "width_inch": 40,
                "width_inch_fraction": 0.9375
            },
            "inscription": {
                "height": 0.35,
                "height_inch": 13,
                "height_inch_fraction": 0.75,
                "width": 0.61,
                "width_inch": 24,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "1 inscription, 3 colophons, and 37 seals: 1 inscription, dated 1371, by Ni Zan \u502a\u74da (1301-1374); 17 seals of Xiang Yuanbian \u9805\u5143\u6c74 (1525-1590); 4 seals of Chu Chih-ch'ih (late Ming Dynasty); 1 seal of Liang Qingbiao \u6881\u6df8\u6a19 (1620-1691); 1 seal of Gao Shiqi \u9ad8\u58eb\u5947 (1645-1704); 4 seals of Lu Xinyuan \uf9d3\u5fc3\u6e90 (1834-1894); 1 colophon, dated 1908, and 5 seals of Jing Xian \u666f\u8d12; 1 colophon, dated 1915, by Lung Yu; 1 colophon, dated 1932, and 2 seals of Wu Mei; 3 seals unidentified.",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": 1
            },
            {
                "inscription": "\u4ed9\u5c71\u5716\uff0c \u9673\u541b\u60df\u5141\u6240\u756b\u3002 \u79c0\u6f64\u6e05\u9060\uff0c \u6df1\u5f97\u8d99\u69ae\u797f\u7b46\u610f\u3002 \u5176\u4eba\u5df2\u77e3\uff0c \u4eca\u4e0d\u53ef\u5fa9\u5f97\u3002 \u8f9b\u4ea5\u5341\u4e8c\u6708\u4e8c\u65e5\u502a\u74da",
                "inscription_translation": "Inscription by Ni Zan:\nThe picture of The Land of Immortals was painted by Chen Weiyun \u9673\u60df\u5141 [Chen Ruyan]. Its refinement, mellowness, and purity have succeeded profoundly in capturing the brush ideas of Zhao Mengfu \u8d99\u5b5f\u982b. Now the gentleman is no longer with us. One will never be able to acquire such a painting again. Ni Zan wrote this on the second day of the twelfth month of the xinhai year, the fourth year of Hongwu [1371].",
                "inscription_remark": null,
                "sortorder": 2
            },
            {
                "inscription": "Colophon by Jing Xian \u666f\u8d12:\nThe preceding Land of Immortals is an authentic work of the Yuan master, Chen Weiyun \u9673\u60df\u5141. According to the Yu yi bian \u5bd3\u610f\u7de8 by Du Mu \u90fd\u7a46of the Ming Dynasty, the painting was seen at the home of Chen Mengxian \u9673\u5b5f\u8ce2 [c. 1500], a hermit. It is also recorded in Yu yi lu \u5bd3\u610f\u9304 of the present [Qing] era. The dimensions and the seals are all correct. When the painting went into the possession of Liang Qingbiao \u6881\u6df8\u6a19, the silk was already quite dilapidated. The only thing now missing, however, is the one line of writing by Xiang Zijing \u9805\u5b50\u4eac [Xiang Yuanbian \u9805\u5143\u6c74] who records the original price he paid, being fifteen taels of silver. This must have been cut off by the dealer, which nevertheless did no harm to a masterpiece such as this. Jing Xian recorded this in the second month of the maoshen year [1908].",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": 3
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 301272,
                    "title": "Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368)",
                    "description": "<i>Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968).",
                    "opening_date": "1968-10-02T04:00:00"
                },
                {
                    "id": 211775,
                    "title": "Highlights of Asian Paintings from The Cleveland Museum of Art",
                    "description": "<i>Highlights of Asian Paintings from The Cleveland Museum of Art</i>. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).",
                    "opening_date": "1998-02-21T00:00:00"
                },
                {
                    "id": 216674,
                    "title": "Taoism and the Arts of China",
                    "description": "<i>Taoism and the Arts of China</i>. The Art Institute of Chicago, Chicago, IL (organizer) (November 11, 2000-January 7, 2001); Asian Art Museum of San Francisco, San Francisco, CA (February 21-May 13, 2001).",
                    "opening_date": "2000-11-11T00:00:00"
                },
                {
                    "id": 207337,
                    "title": "The World of Kubilai Khan: Chinese Art in the Yuan Dynasty",
                    "description": "<i>The World of Kubilai Khan: Chinese Art in the Yuan Dynasty</i>. The Metropolitan Museum of Art, New York, NY (organizer) (September 20, 2010-January 2, 2011).",
                    "opening_date": "2010-09-20T00:00:00"
                },
                {
                    "id": 395234,
                    "title": "China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta",
                    "description": "<i>China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).",
                    "opening_date": "2023-09-10T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Eight Dynasties of Chinese Painting</em>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
                    "opening_date": "1980-11-07T05:00:00Z"
                },
                {
                    "description": "<em>Visions of Landscape: East and West</em>. The Cleveland Museum of Art (organizer) (February 17-March 21, 1982).",
                    "opening_date": "1982-02-17T05:00:00Z"
                },
                {
                    "description": "<em>The Twain Shall Meet</em>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986).",
                    "opening_date": "1985-10-30T05:00:00Z"
                },
                {
                    "description": "<em>Realm of the Immortals: Daoism in the Arts of China</em>. The Cleveland Museum of Art, Cleveland, OH (February 10-April 10, 1988).",
                    "opening_date": "1988-02-10T05:00:00Z"
                },
                {
                    "description": "<em>The Fragrance of Ink: Chinese and Japanese Paintings from the Collection of Mrs. A. Dean Perry</em>. The Cleveland Museum of Art, Cleveland, OH (April 19-August 3, 1997).",
                    "opening_date": "1997-04-19T04:00:00Z"
                }
            ]
        },
        "provenance": [
            {
                "description": "Xiang Yuanbian \u9805\u5143\u6c74 [1525\u20131590]",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 1
            },
            {
                "description": "Liang Qingbiao \u6881\u6e05\u6a19 [1620\u20131691]",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 2
            },
            {
                "description": "Mrs. A. Dean [Helen Wade Greene] Perry [1911\u20131996], Cleveland, OH, bequest to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "?\u20131997",
                "sortorder": 3
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1997\u2013",
                "sortorder": 4
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [
            "118.81",
            "1.1982",
            "903.85"
        ],
        "did_you_know": "Such blue and green landscapes often evoke nostalgia for the idealized ancient times.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The landscape in deep green tones offers a view into a secluded mountain valley, populated by ancient figures surrounded by deer and cranes, all under high pine trees. A red-robed immortal in the air steers his crane toward the paradise land. <br><br>This idyllic scene was presumably created amid the tumultuous transition from the Yuan to the Ming dynasty. Chen from Suzhou supported major rebel leaders, first Zhang Shicheng (1321\u20131367) with his base in Suzhou and then his rival Zhu Yuanzhang in Nanjing, after the latter had established the Ming dynasty. Chen was executed in 1371.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60477522"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1997.95-mountains-of-the-imm"
            ]
        },
        "citations": [
            {
                "citation": "Du, Mu \u90fd\u7a46. <em>Yu yi bian </em>[\u5bd3\u610f\u7de8 = The Dwelling of Ideas; notes on painting and calligraphy]. Shanghai: Shanghai gu ji chu ban she, 1987. (Original text dated c. 1500s)",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Wang, Keyu \u6c6a\u7822\u7389 . <em>Shan hu wang </em>\u73ca\u745a\u7db2. Chengdu: Cheng du gu ji shu dian, 1985. (Preface dated 1643)",
                "page_number": "ch. 23, p. 1336",
                "url": null
            },
            {
                "citation": "Wu, Qizhen \u5434\u5176\u8c9e. <em>Shu hua ji </em>= \u66f8\u756b\u8a18. Shanghai: Shanghai ren min mei shu chu ban she, 1962. (Original text dated c. 1677)",
                "page_number": "Mentioned: ch. 1, pp. 71-72",
                "url": null
            },
            {
                "citation": "Bian, Yongyu \u535e\u6c38\u8b7d. <em>Shi gu tang shu hua hui kao: [shu kao 30 juan, hua kao 30 juan] = </em>\u5f0f\u53e4\u5802\u66f8\u756b\u5f59\u8003: [\u66f8\u800330\u5377, \u756b\u800330\u5377]. Shanghai: Jian gu shu she \u9451\u53e4\u66f8\u793e, 1921. (Facsimile reproduction of the original Kangxi edition, dated 1682.)",
                "page_number": "Mentioned: ch. 2, p. 94",
                "url": null
            },
            {
                "citation": "Gu, Fu \u9867\u5fa9. <em>Ping sheng zhuang guan </em>\u5e73\u751f\u58ef\u89c0. Shanghai: Shanghai ren min mei shu chu ban she, 1962. (Preface dated 1692)",
                "page_number": "ch. 9, p. 117",
                "url": null
            },
            {
                "citation": "Du, Mu \u90fd\u7a46. <em>Tie wang shan hu</em> [\u9435\u7db2\u73ca\u745a = Corals in an Iron Net]. Taibei Shi: Guo li zhong yang tu shu guan, 1970. (Preface dated 1758.)",
                "page_number": "Mentioned: ch. 5, p. 10 (a)",
                "url": null
            },
            {
                "citation": "Li, Tiaoyuan \u674e\u8abf\u5143. <em>Zhu jia cang shu bu</em>: 10 juan [\u8af8\u5bb6\u85cf\u66f8\u7c3f: 10\u5377]. Taibei: Yi wen yin shu guan, 1965. (Preface dated 1778).",
                "page_number": "ch. 8, p. 12",
                "url": null
            },
            {
                "citation": "Ferguson, John C \u798f\u958b\u68ee. <em>Li dai zhu lu hua mu </em>\u6b77\u4ee3\u8457\u9304\u7575\u76ee. Nanjing: Chin-ling University, Zhong guo wen hua yan jiu suo \u91d1\u9675\u5927\u5b78\u4e2d\u570b\u6587\u5316\u784f\u7a76\u6240, 1933.",
                "page_number": "III, 296(b)",
                "url": null
            },
            {
                "citation": "Lee, Sherman E., and Wai-kam Ho. <em>Chinese Art Under the Mongols: The Yu\u0308an Dynasty, 1279-1368</em>. Cleveland, OH: Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968.",
                "page_number": "Mentioned and Reproduced: cat. no. 264",
                "url": null
            },
            {
                "citation": "Vinograd, Richard. \u201cSome Landscapes Related to the Blue-and-Green Manner from the Early Y\u00fcan Period.\u201d <em>Artibus Asiae</em>, vol. 41, no. 2/3, 1979, pp. 101\u2013131.",
                "page_number": "Reproduced: fig. 18",
                "url": "https://www.jstor.org/stable/3249513"
            },
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced: cat. no. 114, pp. 139\u2013140",
                "url": null
            },
            {
                "citation": "Lee, Sherman E., and Wai-kam Ho. <em>The Nature and Significance of the Collection of Liang Ch'ing-Piao</em>. Taipei, Taiwan: Chung-hua ming-kuo, 1981.",
                "page_number": "Mentioned: p. 139, cat. no. 98",
                "url": null
            },
            {
                "citation": "Suzuki, Kei \u9234\u6728\u656c. <em>Chu\u0304goku kaiga so\u0304go\u0304 zuroku</em> [\u4e2d\u570b\u7e6a\u756b\u7e3d\u5408\u5716\u9304 = Comprehensive Illustrated Catalog of Chinese Paintings], \u7b2c 1\u5377. \u30a2\u30e1\u30ea\u30ab\u00b7\u30ab\u30ca\u30c0\u7bc7 [= vol. 1 American and Canadian collections]. To\u0304kyo\u0304: To\u0304kyo\u0304 Daigaku Shuppankai, 1982.",
                "page_number": "Reproduced: #A23-015, p. I-287",
                "url": null
            },
            {
                "citation": "Neils, Jenifer. \u201cThe Twain Shall Meet.\u201d <em>The Bulletin of the Cleveland Museum of Art</em>, vol. 72, no. 6, 1985, pp. 326\u2013359.",
                "page_number": "Mentioned: no. 24, p. 357",
                "url": "https://www.jstor.org/stable/25159914"
            },
            {
                "citation": "Little, Stephen.<em> Realm of the Immortals: Daoism in the Arts of China : the Cleveland Museum of Art, February 10-April 10, 1988</em>. Cleveland, OH: The Cleveland Museum of Art in cooperation with Indiana University Press, 1988.",
                "page_number": "Reproduced: cat. no. 5, pp. 31-32",
                "url": null
            },
            {
                "citation": "Wilson, J. Keith. \"The Fine Art of Drinking: The Chinese Silversmith Zhu Bishan and His Sculptural Cups.\" <em>The Bulletin of the Cleveland Museum of Art</em> 81, no. 10 (1994): 380-401.",
                "page_number": "Reproduced: p. 393; Mentioned: p. 392, 401",
                "url": "https://www.jstor.org/stable/25161475"
            },
            {
                "citation": "Barnhart, Richard M., Xin Yang, Chongzheng Nie, James Cahill, Shaojun Lang, and Hung Wu. <em>Three Thousand Years of Chinese Painting</em>. New Haven: Yale University Press; Beijing: Foreign Languages Press,1997.",
                "page_number": "Reproduced:  p. 185, cat. no. 170",
                "url": null
            },
            {
                "citation": "T\u014dy\u014d kaiga no seika: tokubetsuten: Kur\u012bvurando Bijutsukan no korekushon kara [\u6771\u6d0b\u7d75\u753b\u306e\u7cbe\u83ef : \u7279\u522b\u5c55 : \u30af\u30ea\u30fc\u30f4\u30e9\u30f3\u30c8\u7f8e\u8853\u9928\u306e\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u304b\u3089 = <em>Highlights of Asian painting from the Cleveland Museum of Art</em>]. Nara, Japan: Nara National Museum, 1998.",
                "page_number": "Reproduced: pp. 54-55, cat. no. 31",
                "url": null
            },
            {
                "citation": "Laing, Ellen Johnston. \"Daoist Qi, Clouds and Mist in Later Chinese Painting.\" <em>Orientations</em>, vol. 29, no.4 (April 1998): pp. 32\u201339.",
                "page_number": "Reproduced; p. 38, fig. 11",
                "url": null
            },
            {
                "citation": "Hasebe, Gakuji \u9577\u8c37\u90e8\u697d\u723e, et al. <em>So\u0304ji: shinpin to yobareta yakimono</em> [\u5b8b\u78c1 : \u795e\u54c1\u3068\u3088\u3070\u308c\u305f\u3084\u304d\u3082\u306e = Song ceramics]. Japan: Asahi Shinbunsha, 1999.",
                "page_number": "Reproduced: p. 48, cat. no. 11",
                "url": null
            },
            {
                "citation": "Little, Stephen and Shawn Eichman. <em>Taoism and the Arts of China.</em> Chicago: Art Institute of Chicago, 2000.",
                "page_number": "Reproduced: pp. 368-369, fig. 144",
                "url": null
            },
            {
                "citation": "Scott, Susan Clare. \"Sacred Earth: Daoism as a Preserver of Environment in Chinese Landscape Painting From the Song Through the Qing Dynasties\". <em>East-West Connections: Review of Asian Studies </em>(6), no. 1, 2006.",
                "page_number": "Reproduced: p. 83, fig. 3",
                "url": null
            },
            {
                "citation": "Laozi \u8001\u5b50 and James Legge, translator. <em>Tao Te Ching </em>\u9053\u5fb7\u7ecf. New York: Metro Books, 2008.",
                "page_number": "Reproduced: Fig. 82",
                "url": null
            },
            {
                "citation": "Mai, Shuwei \u9ea5\u66f8\u744b. \"\u9673\u6c5d\u8a00\u00ab\u4ed9\u5c71\u5716\u00bb \u4e4b\u63a2\u8a0e\" [Discussion on Chen Ruyan's \" Mountains of the Immortals\"]. <em>Yi yi fen zi</em> \u8b70\u85dd\u4efd\u5b50, vol. 15 (September 2010), pp. 33-45.",
                "page_number": "Mentioned: pp. 33-45",
                "url": null
            },
            {
                "citation": "Watt, James C. Y., Maxwell K. Hearn, and others. <em>The World of Khubilai Khan: Chinese Art in the Yuan Dynasty</em>. New York: Metropolitan Museum of Art, 2010.",
                "page_number": "Reproduced: fig. 181, pp. 154-155",
                "url": null
            },
            {
                "citation": "Walker, Nathaniel Robert. \u201cReforming the Way: The Palace and the Village in Daoist Paradise.\u201d <em>Utopian Studies</em>, vol. 24, no. 1, 2013, pp. 6\u201322.",
                "page_number": "Reproduced: fig.3, p. 11",
                "url": "http://www.jstor.org/stable/10.5325/utopianstudies.24.1.0006"
            },
            {
                "citation": "Chou, Ju-hsi and Anita Chung. <em>Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. </em>Cleveland, OH: The Cleveland Museum of Art, 2015.",
                "page_number": "Reproduced: pp. 201\u2013203, fig. 1",
                "url": null
            },
            {
                "citation": "Kim, Najung. \"Beckoning the Recluse: Qian Xuan's 'Dwelling in the Floating Jade Mountains' and Song Loyalism.\" <em>Journal of Song-Yuan Studies </em>51 (2022): 261\u2013303, plates 256\u2013260.",
                "page_number": "Mentioned: p. 282, fig. 12; Reproduced: p. 258",
                "url": ""
            },
            {
                "citation": "Griswold, William, Xiaofei Tian, Richard Von Glahn, Feng Zhao, S. J. Vainker, Masaaki Itakura, Jiang Wu, et al. <em>China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta</em>. Edited by Clarissa von Spee. Cleveland, OH: The Cleveland Museum of Art, 2023.",
                "page_number": "Mentioned and Reproduced: p. 222, no. 97",
                "url": ""
            },
            {
                "citation": "Kwok, Zoe S. \"The Pan Family: Merchants and Collectors in Canton.\" <em>Record of the Art Museum, Princeton University </em>81 (2025): 82\u201397.",
                "page_number": "Mentioned and Reproduced: p. 93, fig. 9",
                "url": ""
            }
        ],
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