id: 160137 accession number: 1997.95 share license status: CC0 url: https://clevelandart.org/art/1997.95 updated: 2024-03-26 02:00:34.560000 Mountains of the Immortals, 1300–1370. Chen Ruyan (Chinese, c. 1331–1371), calligraphy by Ni Zan (Chinese, 1301–1374). Handscroll; ink and color on silk; painting only: 33.4 x 97.3 cm (13 1/8 x 38 5/16 in.); height: 35 cm (13 3/4 in.). The Cleveland Museum of Art, Bequest of Mrs. A. Dean Perry 1997.95 title: Mountains of the Immortals title in original language: 仙山圖 series: series in original language: creation date: 1300–1370 creation date earliest: 1300 creation date latest: 1370 current location: creditline: Bequest of Mrs. A. Dean Perry copyright: --- culture: China, Yuan dynasty (1271-1368) technique: Handscroll; ink and color on silk department: Chinese Art collection: ASIAN - Handscroll type: Painting find spot: catalogue raisonne: --- CREATORS * Chen Ruyan (Chinese, c. 1331–1371) - artist * Ni Zan (Chinese, 1301–1374) - calligrapher --- measurements: Painting only: 33.4 x 97.3 cm (13 1/8 x 38 5/16 in.); height: 35 cm (13 3/4 in.) state of the work: edition of the work: support materials: inscriptions: inscription: 1 inscription, 3 colophons, and 37 seals: 1 inscription, dated 1371, by Ni Zan 倪瓚 (1301-1374); 17 seals of Xiang Yuanbian 項元汴 (1525-1590); 4 seals of Chu Chih-ch'ih (late Ming Dynasty); 1 seal of Liang Qingbiao 梁淸標 (1620-1691); 1 seal of Gao Shiqi 高士奇 (1645-1704); 4 seals of Lu Xinyuan 陸心源 (1834-1894); 1 colophon, dated 1908, and 5 seals of Jing Xian 景贒; 1 colophon, dated 1915, by Lung Yu; 1 colophon, dated 1932, and 2 seals of Wu Mei; 3 seals unidentified. translation: remark: inscription: 仙山圖， 陳君惟允所畫。 秀潤清遠， 深得趙榮祿筆意。 其人已矣， 今不可復得。 辛亥十二月二日倪瓚 translation: remark: inscription: Colophon by Jing Xian 景贒: The preceding Land of Immortals is an authentic work of the Yuan master, Chen Weiyun 陳惟允. According to the Yu yi bian 寓意編 by Du Mu 都穆of the Ming Dynasty, the painting was seen at the home of Chen Mengxian 陳孟賢 [c. 1500], a hermit. It is also recorded in Yu yi lu 寓意錄 of the present [Qing] era. The dimensions and the seals are all correct. When the painting went into the possession of Liang Qingbiao 梁淸標, the silk was already quite dilapidated. The only thing now missing, however, is the one line of writing by Xiang Zijing 項子京 [Xiang Yuanbian 項元汴] who records the original price he paid, being fifteen taels of silver. This must have been cut off by the dealer, which nevertheless did no harm to a masterpiece such as this. Jing Xian recorded this in the second month of the maoshen year [1908]. translation: remark: --- CURRENT EXHIBITIONS title: Highlights of Asian Paintings from The Cleveland Museum of Art opening date: 1998-02-21T00:00:00 Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). title: Taoism and the Arts of China opening date: 2000-11-11T00:00:00 Taoism and the Arts of China. The Art Institute of Chicago, Chicago, IL (organizer) (November 11, 2000-January 7, 2001); Asian Art Museum of San Francisco, San Francisco, CA (February 21-May 13, 2001). title: The World of Kubilai Khan: Chinese Art in the Yuan Dynasty opening date: 2010-09-20T00:00:00 The World of Kubilai Khan: Chinese Art in the Yuan Dynasty. The Metropolitan Museum of Art, New York, NY (organizer) (September 20, 2010-January 2, 2011). title: China's Southern Paradise: Treasures from the Lower Yangzi Delta opening date: 2023-09-10T04:00:00 China's Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). --- LEGACY EXHIBITIONS * {'description': 'Chinese Art Under the Mongols: The Yüan Dynasty, 1279-1368. The Cleveland Museum of Art, Cleveland, OH (October 1-November 24, 1968).', 'opening_date': '1968-10-01T04:00:00Z'} * {'description': 'Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).', 'opening_date': '1980-11-07T05:00:00Z'} * {'description': 'Visions of Landscape: East and West. The Cleveland Museum of Art (organizer) (February 17-March 21, 1982).', 'opening_date': '1982-02-17T05:00:00Z'} * {'description': 'The Twain Shall Meet. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986).', 'opening_date': '1985-10-30T05:00:00Z'} * {'description': 'Realm of the Immortals: Daoism in the Arts of China. The Cleveland Museum of Art, Cleveland, OH (February 10-April 10, 1988).', 'opening_date': '1988-02-10T05:00:00Z'} * {'description': 'The Fragrance of Ink: Chinese and Japanese Paintings from the Collection of Mrs. A. Dean Perry. The Cleveland Museum of Art, Cleveland, OH (April 19-August 3, 1997).', 'opening_date': '1997-04-19T04:00:00Z'} --- PROVENANCE Xiang Yuanbian 項元汴 [1525–1590] date: footnotes: citations: Liang Qingbiao 梁清標 [1620–1691] date: footnotes: citations: Mrs. A. Dean [Helen Wade Greene] Perry [1911–1996], Cleveland, OH, bequest to the Cleveland Museum of Art date: ?–1997 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1997– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Du, Mu 都穆. Yu yi bian [寓意編 = The Dwelling of Ideas; notes on painting and calligraphy]. Shanghai: Shanghai gu ji chu ban she, 1987. (Original text dated c. 1500s) page number: url: Wang, Keyu 汪砢玉 . Shan hu wang 珊瑚網. Chengdu: Cheng du gu ji shu dian, 1985. (Preface dated 1643) page number: ch. 23, p. 1336 url: Wu, Qizhen 吴其貞. Shu hua ji = 書畫記. Shanghai: Shanghai ren min mei shu chu ban she, 1962. (Original text dated c. 1677) page number: Mentioned: ch. 1, pp. 71-72 url: Bian, Yongyu 卞永譽. Shi gu tang shu hua hui kao: [shu kao 30 juan, hua kao 30 juan] = 式古堂書畫彙考: [書考30卷, 畫考30卷]. Shanghai: Jian gu shu she 鑑古書社, 1921. (Facsimile reproduction of the original Kangxi edition, dated 1682.) page number: Mentioned: ch. 2, p. 94 url: Gu, Fu 顧復. Ping sheng zhuang guan 平生壯觀. Shanghai: Shanghai ren min mei shu chu ban she, 1962. (Preface dated 1692) page number: ch. 9, p. 117 url: Du, Mu 都穆. Tie wang shan hu [鐵網珊瑚 = Corals in an Iron Net]. Taibei Shi: Guo li zhong yang tu shu guan, 1970. (Preface dated 1758.) page number: Mentioned: ch. 5, p. 10 (a) url: Li, Tiaoyuan 李調元. Zhu jia cang shu bu: 10 juan [諸家藏書簿: 10卷]. Taibei: Yi wen yin shu guan, 1965. (Preface dated 1778). page number: ch. 8, p. 12 url: Ferguson, John C 福開森. Li dai zhu lu hua mu 歷代著錄畵目. Nanjing: Chin-ling University, Zhong guo wen hua yan jiu suo 金陵大學中國文化硏究所, 1933. page number: III, 296(b) url: Lee, Sherman E., and Wai-kam Ho. Chinese Art Under the Mongols: The Yüan Dynasty, 1279-1368. Cleveland, OH: Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968. page number: cat. no. 264 url: Vinograd, Richard. “Some Landscapes Related to the Blue-and-Green Manner from the Early Yüan Period.” Artibus Asiae, vol. 41, no. 2/3, 1979, pp. 101–131. page number: Reproduced: fig. 18 url: https://www.jstor.org/stable/3249513 Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. page number: Reproduced: cat. no. 114, pp. 139-140 url: Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1981. page number: Mentioned: p. 139, cat. no. 98 url: Suzuki, Kei 鈴木敬. Chūgoku kaiga sōgō zuroku [中國繪畫總合圖錄 = Comprehensive Illustrated Catalog of Chinese Paintings], 第 1卷. アメリカ·カナダ篇 [= vol. 1 American and Canadian collections]. Tōkyō: Tōkyō Daigaku Shuppankai, 1982. page number: Reproduced: #A23-015, p. I-287 url: Neils, Jenifer. “The Twain Shall Meet.” The Bulletin of the Cleveland Museum of Art, vol. 72, no. 6, 1985, pp. 326–359. page number: Mentioned: no. 24, p. 357 url: https://www.jstor.org/stable/25159914 Little, Stephen. Realm of the Immortals: Daoism in the Arts of China : the Cleveland Museum of Art, February 10-April 10, 1988. Cleveland, OH: The Cleveland Museum of Art in cooperation with Indiana University Press, 1988. page number: Reproduced: cat. no. 5, pp. 31-32 url: Wilson, J. Keith. "The Fine Art of Drinking: The Chinese Silversmith Zhu Bishan and His Sculptural Cups." The Bulletin of the Cleveland Museum of Art 81, no. 10 (1994): 380-401. page number: Reproduced: p. 393; Mentioned: p. 392, 401 url: https://www.jstor.org/stable/25161475 Barnhart, Richard M., Xin Yang, Chongzheng Nie, James Cahill, Shaojun Lang, and Hung Wu. Three Thousand Years of Chinese Painting. New Haven: Yale University Press; Beijing: Foreign Languages Press,1997. page number: Reproduced: p. 185, cat. no. 170 url: Tōyō kaiga no seika: tokubetsuten: Kurīvurando Bijutsukan no korekushon kara [東洋絵画の精華 : 特别展 : クリーヴラント美術館のコレクションから = Highlights of Asian painting from the Cleveland Museum of Art]. Nara, Japan: Nara National Museum, 1998. page number: Reproduced: pp. 54-55, cat. no. 31 url: Laing, Ellen Johnston. "Daoist Qi, Clouds and Mist in Later Chinese Painting." Orientations, vol. 29, no.4 (April 1998): pp. 32-39. page number: Reproduced; p. 38, fig. 11 url: Hasebe, Gakuji 長谷部楽爾, et al. Sōji: shinpin to yobareta yakimono [宋磁 : 神品とよばれたやきもの = Song ceramics]. Japan: Asahi Shinbunsha, 1999. page number: Reproduced: p. 48, cat. no. 11 url: Little, Stephen and Shawn Eichman. Taoism and the Arts of China. Chicago: Art Institute of Chicago, 2000. page number: Reproduced: pp. 368-369, fig. 144 url: Scott, Susan Clare. "Sacred Earth: Daoism as a Preserver of Environment in Chinese Landscape Painting From the Song Through the Qing Dynasties". East-West Connections: Review of Asian Studies (6), no. 1, 2006. page number: Reproduced: p. 83, fig. 3 url: Laozi 老子 and James Legge, translator. Tao Te Ching 道德经. New York: Metro Books, 2008. page number: Reproduced: Fig. 82 url: Mai, Shuwei 麥書瑋. "陳汝言«仙山圖» 之探討" [Discussion on Chen Ruyan's " Mountains of the Immortals"]. Yi yi fen zi 議藝份子, vol. 15 (September 2010), pp. 33-45. page number: Mentioned: pp. 33-45 url: Watt, James C. Y., Maxwell K. Hearn, and others. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York: Metropolitan Museum of Art, 2010. page number: Reproduced: fig. 181, pp. 154-155 url: Walker, Nathaniel Robert. “Reforming the Way: The Palace and the Village in Daoist Paradise.” Utopian Studies, vol. 24, no. 1, 2013, pp. 6–22. page number: Reproduced: fig.3, p. 11 url: http://www.jstor.org/stable/10.5325/utopianstudies.24.1.0006 Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. page number: Reproduced: pp. 201-203, fig. 1 url: Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1960. page number: 139 url: Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1960. page number: 139 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1997.95/1997.95_web.jpg print: https://openaccess-cdn.clevelandart.org/1997.95/1997.95_print.jpg full: https://openaccess-cdn.clevelandart.org/1997.95/1997.95_full.tif