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        "accession_number": "1998.115",
        "share_license_status": "CC0",
        "tombstone": "Hunchback Seated on a Stool, c. 600\u2013800. Central Panama, Conte Style, c. 600-800. Earthenware with colored slips; overall: 25 x 19 x 25.1 cm (9 13/16 x 7 1/2 x 9 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.115",
        "current_location": "233 Mesoamerican and Intermediate Region",
        "title": "Hunchback Seated on a Stool",
        "creation_date": "c. 600\u2013800",
        "creation_date_earliest": 600,
        "creation_date_latest": 800,
        "artists_tags": [],
        "culture": [
            "Central Panama, Conte Style, c. 600-800"
        ],
        "technique": "earthenware with colored slips",
        "support_materials": [],
        "department": "Art of the Americas",
        "collection": "AA - Intermediate Region",
        "type": "Ceramic",
        "measurements": "Overall: 25 x 19 x 25.1 cm (9 13/16 x 7 1/2 x 9 7/8 in.)",
        "dimensions": {
            "overall": {
                "height": 0.25,
                "height_inch": 9,
                "height_inch_fraction": 0.8125,
                "width": 0.19,
                "width_inch": 7,
                "width_inch_fraction": 0.5,
                "depth": 0.251,
                "depth_inch": 9,
                "depth_inch_fraction": 0.875
            }
        },
        "state_of_the_work": null,
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        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 181802,
                    "title": "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art",
                    "description": "<i>The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art</i>. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).",
                    "opening_date": "2006-06-09T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Cleveland, OH: MOCA; June 9- August 20, 2006. \"The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art.\" cat. no. 14, p. 116, color repr. p. 54.",
                    "opening_date": "2006-06-09T00:00:00"
                }
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        "artlens_description": null,
        "description": "The meanings of hunchbacks is not well-studied in Panamanian art. But to the north, in Mexico and Guatemala, such physical anomalies marked individuals of great spiritual power. A few of this figure\u2019s features suggest that hunchbacks held similar status in Panama: The figure sits upon a four-legged stool, a symbol of authority, and the mythic creatures painted on each side may connect the figure to the supernatural realm.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60757412"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1998.115-hunchback-seated-on"
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        },
        "citations": [
            {
                "citation": "Cleveland Museum of Art, \u201cCleveland Acquires Major New Sculpture, Rare Chinese Prints, Contemporary Prints, Drawings &amp; Photographs,\u201d October 30, 1998, Cleveland Museum of Art Archives.",
                "page_number": null,
                "url": "https://archive.org/details/cmapr4215"
            },
            {
                "citation": "Sims, Lowery Stokes. <em>The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2006.",
                "page_number": "Mentioned and reproduced: P. 54, no. 14",
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        "updated_at": "2026-05-29 08:19:34.522000"
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