id:			160282
accession number:	1998.161
share license status:	CC0
url:			https://clevelandart.org/art/1998.161
updated:		2024-03-26 02:00:35.679000

Sculptures from the Parthenon, British Museum, c. 1870s. Adolphe Braun (French, 1812–1877). Carbon print; image: 36.6 x 46.7 cm (14 7/16 x 18 3/8 in.); mounted: 39.8 x 50.3 cm (15 11/16 x 19 13/16 in.); matted: 61 x 71.1 cm (24 x 28 in.). The Cleveland Museum of Art, John L. Severance Fund 1998.161

title:				Sculptures from the Parthenon, British Museum
title in original language:	
series:				
series in original language:	
creation date:			c. 1870s
creation date earliest:		1870
creation date latest:		1879
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	France, 19th century
technique:	carbon print
department:	Photography
collection:	PH - French 19th Century
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Adolphe Braun (French, 1812–1877)  - artist
Adolphe Braun French, 1812-1877

Adolphe Braun, a French textile designer born in Besançon and trained in Paris, opened his own studio in Dornach, Alsace, before becoming involved in photography in the early 1850s. He produced several early floral textile designs that were published as lithographs. In 1853 Braun began work on a large album of some 300 photographic still-life studies of flowers, intended as aids for artists in the field of decorative arts. The work met with such success at the 1855 Exposition Universelle in Paris that he left the field of design for photography. Braun's carefully executed still lifes are considered to be among the finest ever done.
	From the mid-1850s on, Braun's firm, Adolphe Braun et Cie., later headed by his son Gaston (1845–1928), became one of the world's largest studios and publishers of topographical views and of reproductions of works of art. In the latter effort, their importance was in part due to Gaston's success with the orthochromatic process, in which photographic reproductions retained a tonal range very close to that of the original work of art. Braun et Cie. were the official photographers to Napoléon III and Pope Pius IX. Their reproductions of works in the Louvre, the Sistine Chapel, and many other subjects in architecture, sculpture, painting, and drawing, sometimes using the more permanent carbon or Woodburytype processes, were offered in all sizes and formats, and became the standard in their field. The number of negatives taken by the Brauns or their operators was variously estimated in 1870 to be between 4,000 and 8,000. The Brauns were members of the Société française de photographie. Both were awarded the French Legion of Honor-Adolphe in 1860, and Gaston in 1892. T.W.F.
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measurements: Image: 36.6 x 46.7 cm (14 7/16 x 18 3/8 in.); Mounted: 39.8 x 50.3 cm (15 11/16 x 19 13/16 in.); Matted: 61 x 71.1 cm (24 x 28 in.)
state of the work:	
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support materials:


inscriptions:

	inscription:	written in purple ink on verso: "Fronbon or Froulon(?) on Partheion - (Londres?)
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* {'description': 'Haverford, Pennsylvania: Comfort Gallery, Haverford College, April 9 - May 1, 1988: "Adolphe Braun, Walker Evans, Andre Kertesz: Photographers of Sculpture: Other Photographers of Sculpture."', 'opening_date': '1988-04-09T00:00:00'}

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PROVENANCE

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1998.161/1998.161_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1998.161/1998.161_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1998.161/1998.161_full.tif