id: 160326
accession number: 1998.186
share license status: Copyrighted
url: https://clevelandart.org/art/1998.186
updated: 2024-03-26 02:00:35.971000
Backdrops, Circa 1940s, 1998. Lorna Simpson (American, b. 1960). Screenprint on two felt panels; left: 66.2 x 42.7 x 0.4 cm (26 1/16 x 16 13/16 x 3/16 in.); right: 66.1 x 42.7 x 0.4 cm (26 x 16 13/16 x 3/16 in.). The Cleveland Museum of Art, Dr. Gerard and Phyllis Seltzer Fund 1998.186 © Lorna Simpson, courtesy the artist and Hauser & Wirth
title: Backdrops, Circa 1940s
title in original language:
series:
series in original language:
creation date: 1998
creation date earliest: 1998
creation date latest: 1998
current location:
creditline: Dr. Gerard and Phyllis Seltzer Fund
copyright: © Lorna Simpson, courtesy the artist and Hauser & Wirth
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culture: America, 20th century
technique: Screenprint on two felt panels
department: Prints
collection: PR - Screenprint
type: Print
find spot:
catalogue raisonne:
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CREATORS
* Lorna Simpson (American, b. 1960) - artist
Lorna Simpson American, 1960- Lorna Simpson uses photography to invert cultural stereotypes about race, class, and gender by decoding and reordering visual and verbal languages. She began making traditional documentary photographs throughout the United States and Africa in the late 1970s. While in graduate school at the University of California, San Diego (M.F.A., 1985), Simpson began to question and challenge the objectivity of such images and to examine the ways in which these documents are generally perceived. Taking subjects from her own photographs and inserting them into stark backgrounds, she eliminated their contextual clues and instead juxtaposed her own texts and readings, often revealing racial and gender prejudices otherwise subsumed. In the mid-1980s, Simpson won international attention and critical acclaim for her series of large-scale black-and-white self-portraits. Photographing herself from the back, excluding her face and often juxtaposing the portrait with text and appropriated imagery, Simpson used her absence of self to comment on the exclusion of African Americans in history and culture. She continues to address these issues. Simpson (born in New York City) has received many awards and exhibited internationally. In 1990 she was the first African-American woman to be given a one-person exhibition at the Museum of Modern Art, New York. She has also been included in the Venice Biennale (1990) and the Whitney Biennial Exhibition (1991, 1993). Simpson lives in Brooklyn. A.W.
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measurements: Left: 66.2 x 42.7 x 0.4 cm (26 1/16 x 16 13/16 x 3/16 in.); Right: 66.1 x 42.7 x 0.4 cm (26 x 16 13/16 x 3/16 in.)
state of the work:
edition of the work: edition 3/35
support materials:
inscriptions:
inscription: numbered 3/35 and signed in graphite on verso
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remark:
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CURRENT EXHIBITIONS
title: From Rembrandt to Rauschenberg: Recently Acquired Prints
opening date: 2000-09-17T00:00:00
From Rembrandt to Rauschenberg: Recently Acquired Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17-November 26, 2000).
title: Our Stories: African American Prints and Drawings
opening date: 2014-01-24T00:00:00
Our Stories: African American Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-May 18, 2014).
title: Photographs in Ink
opening date: 2022-11-20T05:00:00
Photographs in Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 20, 2022-April 2, 2023).
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LEGACY EXHIBITIONS
* {'description': 'Main Gallery Rotation (gallery 229): April 13, 2009 - September 11, 2009.', 'opening_date': '2009-04-13T00:00:00'}
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PROVENANCE
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