id:			160357
accession number:	1998.209
share license status:	CC0
url:			https://clevelandart.org/art/1998.209
updated:		2024-03-26 02:00:36.148000

The Chapter of Interpretations: Every scalded fears cold water., 1843. Honoré Daumier (French, 1808–1879), Aubert. Lithograph with hand-coloring; sheet: 33.8 x 24.7 cm (13 5/16 x 9 3/4 in.); image: 24.2 x 19.9 cm (9 1/2 x 7 13/16 in.). The Cleveland Museum of Art, Gift of Brenda and Evan H. Turner 1998.209

title:				Every scalded fears cold water.
title in original language:	
series:				The Chapter of Interpretations
series in original language:	
creation date:			1843
creation date earliest:		1843
creation date latest:		1843
current location:		
creditline:			Gift of Brenda and Evan H. Turner
copyright:			

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culture:	France, 19th century
technique:	lithograph with hand-coloring
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Daumier Register / Delteil 1069 ; Hazard-Delteil 1108

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CREATORS

* Honoré Daumier (French, 1808–1879)  - artist
Honoré Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles. In Paris Daumier studied drawing with Alexandre Lenoir (1761-1839) and at the Académie Suisse. Around 1825 he began a five-year apprenticeship with the publisher and lithographer Zépherin Belliard (1798-?). The July revolution of 1830, which established Louis-Philippe as the constitutional monarch in France, coincided with Daumier's creation of satirical lithographs aimed at this new government. That same year he joined La Caricature, a political journal founded by the republican artist-publisher, Charles Philipon (1802-1862). Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine. His prison sentence did not deter him from producing political statements and, in fact, only fueled his rage. The subjects of his lithographs became much more aggressive. In 1835 he worked for Philipon's second publication, Le Charivari, a humorous political newspaper that published Daumier's satirical caricature until it, too, suffered censorship under the new government. Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter. Sculpture became another medium to produce his infamous caricatures. His friend, Honoré de Balzac, French novelist and editor of La Caricature, saw in these works the force of Michelangelo. In 1834 Daumier began experimenting with painting, both in oil and watercolor. Apart from his Salon entries of 1849 and 1850, his paintings, which totaled over three hundred, were painted primarily for his own pleasure and virtually unknown to the public until after his death in 1879.
* Aubert  - publisher

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measurements: Sheet: 33.8 x 24.7 cm (13 5/16 x 9 3/4 in.); Image: 24.2 x 19.9 cm (9 1/2 x 7 13/16 in.)
state of the work:	II/III
edition of the work: 	

support materials:

	description:	beige wove paper
	watermarks:	

inscriptions:

	inscription:	Lower margin, printed: Chez Aubert & Cie. de la Bourse, 29 / Imp. d'Aubert & Cie. ; Lower margin, in pencil: LD 1108 / HD 1069 / 110
	translation:	
	remark:		

	inscription:	Above image, printed: LE CHAPITRE DES INTERPRETATIONS. / 8. ; Below image, printed: V'là plus de six francs que je perds ce mois-ci par les averses:; on a bien raison de dire que: Chaque échaudé l'eau froide.
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Brenda and Evan H. Turner, given to the Cleveland Museum of Art, Cleveland, OH
	date: ?-1998
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 1998-
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1998.209/1998.209_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1998.209/1998.209_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1998.209/1998.209_full.tif