id:			160459
accession number:	1998.286.a
share license status:	CC0
url:			https://clevelandart.org/art/1998.286.a
updated:		2022-09-22 10:38:22.767000

Painting of One Hundred Themes (obverse), late 1800s. Korea, Joseon dynasty (1392-1910). Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk; image: 117.7 x 33.5 cm (46 5/16 x 13 3/16 in.); panel: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott 1998.286.a

title:				Painting of One Hundred Themes (obverse)
title in original language:	
series:				
series in original language:	
creation date:			late 1800s
creation date earliest:		1869
creation date latest:		1899
current location:		
creditline:			Bequest of Gordon K. Mott
copyright:			

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culture:	Korea, Joseon dynasty (1392-1910)
technique:	Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk
department:	Korean Art
collection:	ASIAN - Folding screen
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Image: 117.7 x 33.5 cm (46 5/16 x 13 3/16 in.); Panel: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art
	opening date:   2011-03-27T00:00:00
	<i>The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art</i>. The Cleveland Museum of Art (organizer) (April 15-August 21, 2011).

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LEGACY EXHIBITIONS

* <em>Main Asian Rotation (Gallery 237)</em>. The Cleveland Museum of Art, Cleveland, OH (January 12-July 20, 2015).

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PROVENANCE

	Collection in Pusan, Korea, to Gordon K. Mott
	date: ?-1955
	footnotes: 	
	citations: 	


	Gordon K. Mott [1914-1998], Lakewood, OH, bequest to the Cleveland Museum of Art
	date: 1955-1998
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 1998-
	footnotes: 	
	citations: 	


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fun fact: 
Depicting small images of various subjects became one of the most popular types of painting toward the end of the 19th century.

digital description: 


wall description: 
This screen depicts paintings on one side and poems on the other—an economical format often used in Korea to allow the viewer to enjoy both sides of one screen. The front features an assortment of bird-and-flower, landscape, and figural paintings executed according to the brush manner of more than 50 artists. A calligrapher has brushed several Chinese poems about the four seasons on the reverse side, among them "Composing in the Daytime of Summer" by Tang poet Liu Zongyuan (773–819) and "Composing when Spring Begins" by Song scholar Zhang Shi (1133–1180).
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RELATED WORKS

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CITATIONS

	Kim, Chwijeong. "New Trend and Japhwabyung of Painting Circles During the Period of Modernization 개화기 화단의 신경향과 잡화병." Misulsanondan 27, vol. 12 (2008): 253-287.
	page number: 	
	url:		

	Sŏn, Sŭng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland, OH: Cleveland Museum of Art, 2011.
	page number: 	Reproduced: cat. no. 83
	url:		

	An, Bora. "A Study of ‘Baeknapdo byungpung’ in the late Joseon period: Focused on the collection of Boston Museum of Fine Arts 조선 말기의 百衲圖 屛風 연구: 보스턴미술관 소장본을 중심으로." Misulsayeongu 27, vol. 12 (2013): 323-351.
	page number: 	
	url:		

	Jeong, Eun-ju. "A Study on the Ten Views of Hwallae-jeong Pavilion Painted by Chagang Park Gijeong [차강 박기정의 《활정십경백납도병》 연구]." <em>Jangseogak </em>(2018): 860-120.
	page number: 	
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1998.286.a/1998.286.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1998.286.a/1998.286.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1998.286.a/1998.286.a_full.tif