id:			160550
accession number:	1998.33
share license status:	Copyrighted
url:			https://clevelandart.org/art/1998.33
updated:		2020-11-04 21:47:16.853000

Application Domains (11), 1997. Terry Winters (American, 1949-). Graphite; sheet: 45.5 x 35.7 cm (17 15/16 x 14 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1998.33

title:				Application Domains (11)
title in original language:	
series:				
series in original language:	
creation date:			1997
creation date earliest:		1997
creation date latest:		1997
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	America, 20th century
technique:	graphite
department:	Drawings
collection:	DR - American 20th Century
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

* Terry Winters (American, 1949-)  - artist

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measurements: Sheet: 45.5 x 35.7 cm (17 15/16 x 14 1/16 in.)
state of the work:	
edition of the work: 	

support materials:

	description:	cream(1) wove paper
	watermarks:	

inscriptions:

	inscription:	signed, lower left, in graphite: Terry Winters / 1997 ;  VERSO, by artist, lower right, in graphite: Application Domains (11) / 11 [circled]
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art
	opening date:   2006-06-09T00:00:00
	<i>The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art</i>. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).

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LEGACY EXHIBITIONS

* MOCA Cleveland (6/9/2006 - 8/20/2006):  "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 142, p. 124, repr. p. 102.

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PROVENANCE

	Matthew Marks Gallery, New York
	date: 
	footnotes: 	
	citations: 	


	[Matthew Marks Gallery, New York]
	date: 
	footnotes: 	
	citations: 	


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fun fact: 


digital description: 


wall description: 
Winters explores imagery culled from a vast array of sources in the real world, such as microscopic views of insects, weather radar patterns, topographic maps, computer graphics, and architectural plans. With an equally dizzying assortment of graphic media, he layers patterns distilled from these varied sources, carefully building up each drawing until it has achieved the desired density.
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