{
    "data": {
        "id": 160683,
        "accession_number": "1998.45",
        "share_license_status": "Copyrighted",
        "tombstone": "Terra Incognita, 1950. Worden Day (American, 1912\u20131986). Color etching, woodcut, and stencil; sheet: 42.7 x 48.5 cm (16 13/16 x 19 1/8 in.); image: 35 x 42.8 cm (13 3/4 x 16 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1998.45",
        "current_location": null,
        "title": "Terra Incognita",
        "creation_date": "1950",
        "creation_date_earliest": 1950,
        "creation_date_latest": 1950,
        "artists_tags": [
            "LGBTQ+ (after 1900)",
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "color etching, woodcut, and stencil",
        "support_materials": [
            {
                "description": "laid paper",
                "watermarks": []
            }
        ],
        "department": "Prints",
        "collection": "PR - Etching",
        "type": "Print",
        "measurements": "Sheet: 42.7 x 48.5 cm (16 13/16 x 19 1/8 in.); Image: 35 x 42.8 cm (13 3/4 x 16 7/8 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.427,
                "height_inch": 16,
                "height_inch_fraction": 0.8125,
                "width": 0.485,
                "width_inch": 19,
                "width_inch_fraction": 0.125
            },
            "image": {
                "height": 0.35,
                "height_inch": 13,
                "height_inch_fraction": 0.75,
                "width": 0.428,
                "width_inch": 16,
                "width_inch_fraction": 0.875
            }
        },
        "state_of_the_work": "7/16",
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Titled, numbered, signed and dated in graphite below image, lower right:  \"Terra Incognita 7/16 imp Worden Day / 50\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 188479,
                    "title": "From Rembrandt to Rauschenberg:  Recently Acquired Prints",
                    "description": "<i>From Rembrandt to Rauschenberg:  Recently Acquired Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17-November 26, 2000).",
                    "opening_date": "2000-09-17T00:00:00"
                },
                {
                    "id": 286696,
                    "title": "Cutting Edge: Modern Prints from Atelier 17",
                    "description": "<i>Cutting Edge: Modern Prints from Atelier 17</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-August 13, 2017).",
                    "opening_date": "2017-04-09T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Day enjoyed a long association with Atelier 17 in both New York and Paris; during the early 1950s, the studio hired her to teach a course in color woodcut. Her exceedingly imaginative prints inspired by nature, such as <em>Terra Incognita,</em> rank among the most innovative of the era. Here, multiple printmaking processes are evident, including black lines made by engraving and blue areas created by stenciling. Most unusual is the pink-brown background, which she made by inking a scavenged wood plank.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79982293"
            ],
            "internet_archive": []
        },
        "citations": [
            {
                "citation": "Cole, Mark. \"Atelier 17: The influential printmaking studio encouraged spontaneity and improvisation.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 30-31.",
                "page_number": "Reproduced: P. 31; Mentioned: P. 30-31",
                "url": "https://archive.org/details/CMAMM2017-02/page/n15/mode/2up"
            }
        ],
        "url": "https://clevelandart.org/art/1998.45",
        "images": {},
        "alternate_images": [],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 160683,
        "creators": [
            {
                "id": 20171,
                "description": "Worden Day (American, 1912\u20131986)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1912",
                "death_year": "1986",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1998-03-09T00:00:00",
        "sortable_date": 1950,
        "date_added_to_oa": null,
        "date_text": "1950",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-06-23 11:08:50.999000"
    }
}