id: 160767
accession number: 1999.1
share license status: CC0
url: https://clevelandart.org/art/1999.1
updated: 2023-04-26 11:23:58.184000
Plaque, 1500s–1600s. Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild. Copper alloy; overall: 45.7 x 38.1 cm (18 x 15 in.). The Cleveland Museum of Art, John L. Severance Fund 1999.1
title: Plaque
title in original language:
series:
series in original language:
creation date: 1500s–1600s
creation date earliest: 1500
creation date latest: 1699
current location: 108A Sub-Saharan
creditline: John L. Severance Fund
copyright:
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culture: Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild
technique: Copper alloy
department: African Art
collection: African Art
type: Sculpture
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 45.7 x 38.1 cm (18 x 15 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
Commissioned from the Igun Eronmwon
date: possibly 1500s-1600s.
footnotes:
citations:
by descent to Ọba Ovọnramwẹn (Ovọnramwẹn Nogbaisi, [c. 1857–1914; r. 1888–97], Royal Palace, Benin City
date:
footnotes:
citations:
sent to England by Sir Ralph Moor following the Siege of Benin (1897)
date: 1897
footnotes:
*
- British Museum, Charles Hercules Read, and Ormonde M. Dalton. 1899. Antiquities from
the city of Benin and from other parts of West Africa. London: British Museum. (preface,
unpaginated)
- Provenance reported by Mitchell-Innes & Nash gallery (“as “Brought back to England by
the British Punitive Expedition (1897)) – undated letter on gallery letterhead, Curatorial File
citations:
to the British Museum by gift from Her Majesty’s Principal Secretary of State for Foreign Affairs
date:
footnotes:
* British Museum, Charles Hercules Read, and Ormonde M. Dalton. 1899. Antiquities from
the city of Benin and from other parts of West Africa. London: British Museum. (preface,
unpaginated)
citations:
British Museum, London, until 1950 as no. 98/1-5/43
date: 1897-1950
footnotes:
* - British Museum, Charles Hercules Read, and Ormonde M. Dalton. 1899. Antiquities from
the city of Benin and from other parts of West Africa. London: British Museum. (preface,
unpaginated)
- Provenance reported by Mitchell-Innes & Nash gallery – undated letter on gallery, Curatorial File
letterhead
• Letter of January 13, 1999 from Anna Gaudion on British Museum letterhead, Curatorial File
citations:
(Sydney Burney, London, as sales agent
for the British Museum, 1950, sold to Kent-Bragaline, Inc.; Edward A. Bragaline, New York City, NY)
date: 1950-by at least 1963
footnotes:
* - Provenance reported by Mitchell-Innes & Nash gallery– undated letter on gallery letterhead, Curatorial File
- Letter of January 13, 1999 from Anna Gaudion on British Museum letterhead, Curatorial File
citations:
Edward A. Bragaline, New York City, NY, sold to private collectors
date:
footnotes:
* - Provenance reported by Mitchell-Innes & Nash gallery – undated letter on gallery
letterhead, Curatorial File
Listed and illustrated in Knoedler & Co. New York, NY (Lot 48, November 6th-23rd, 1963)
citations:
(Mitchell-Innes & Nash, New York City, NY, sold to the Cleveland Museum of Art, Cleveland, OH)
date: 1999
footnotes:
* Invoice (2-1-1999), receipts, etc (Curatorial File) – as MI&N 1583
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1999-
footnotes:
citations:
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fun fact:
Look at the side of this plaque. The designs on the slender edges are considered visual "signatures" of the different casters who made plaques for the Oba of Benin.
digital description:
wall description:
Nearly 900 metal plaques once adorned the Ọba’s palace courtyard, documenting Benin’s history and customs. This one depicts two male attendants (enobore) supporting an Ọba. It uses hierarchical composition: important figures are large and centered. Everything about the Ọba is greater than his companions: their bodies, clothing, and jewelry. The flanking attendants physically support a man weighed down by heavy royal garments and responsibilities. Brasscasters skillfully cast their clasping hands projecting from the plaque. The bottom left number means the British Museum formerly owned this. It entered their collection in 1898, one year after British troops took it from a palace storeroom during the Siege of Benin.
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RELATED WORKS
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CITATIONS
Museum of American Folk Art. Twentieth Century Masters from the Bragaline Collection for the Benefit of the Museum of Early American Folk Arts. New York: M. Knoedler, 1963
page number: Reproduced: p. 102, fig. 48
url: https://archive.org/details/twentiethcentury00mkno/page/n101/mode/2up
Cleveland Museum of Art, “Major Benin Bronze Plaque, Rembrandt Print, Other Works of Art Enter CMA Collection,” March 12, 1999, Cleveland Museum of Art Archives.
page number:
url: https://archive.org/details/cmapr4240
Petridis, Constantijn. South of the Sahara: selected works of African art. Cleveland: Cleveland Museum of Art, 2003.
page number: Reproduced: cat. 27, p. 84 - 85
url:
Gunsch, Kathryn Wysocki. The Benin Plaques: A 16th Century Imperial Monument. London : Routledge, Taylor & Francis Group, 2018.
page number: Mentioned: p. 152; reproduced: p. 162, fig. 2A
url:
Windmuller-Luna, Kristen. “Art from the Benin Kingdom.” Cleveland Art: Cleveland Museum of Art Members Magazine 61, no. 1 (Winter 2021): 34-35.
page number: Reproduced and Mentioned: P. 34.
url:
Digital Benin, Markk Museum Am Rothenbaum Kulturen und Kunste der Welt, (Last Updated: 2021-02-13)
page number: ID 160767
url: https://digitalbenin.org/catalogue/8_160767
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1999.1/1999.1_web.jpg
print: https://openaccess-cdn.clevelandart.org/1999.1/1999.1_print.jpg
full: https://openaccess-cdn.clevelandart.org/1999.1/1999.1_full.tif