id: 160792 accession number: 1999.117 share license status: Copyrighted url: https://clevelandart.org/art/1999.117 updated: 2022-01-04 17:25:34.345000 Space in the Landscape: Shadow, 1995. Keiji Shinohara (Japanese). Color woodcut and mica dust; sheet: 120.7 x 60 cm (47 1/2 x 23 5/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1999.117 title: Space in the Landscape: Shadow title in original language: series: series in original language: creation date: 1995 creation date earliest: 1995 creation date latest: 1995 current location: creditline: Mr. and Mrs. William H. Marlatt Fund copyright: --- culture: Japan, 20th century technique: color woodcut and mica dust department: Prints collection: PR - Woodcut type: Print find spot: catalogue raisonne: --- CREATORS * Keiji Shinohara (Japanese) - artist --- measurements: Sheet: 120.7 x 60 cm (47 1/2 x 23 5/8 in.) state of the work: edition of the work: 2 support materials: description: Japanese Wove paper watermarks: inscriptions: inscription: signed with brush ink lower right corner, verso: dated, titled, and signed in graphite. Outline of a tree sketched in graphite on verso. translation: remark: --- CURRENT EXHIBITIONS title: East Meets West: Tradition and Innovation in Modern Japanese Prints opening date: 2000-03-19T00:00:00 East Meets West: Tradition and Innovation in Modern Japanese Prints. The Cleveland Museum of Art (organizer) (March 19-May 28, 2000). --- LEGACY EXHIBITIONS * Cleveland, Ohio: The Cleveland Museum of Art; March 19 - May 28, 2000. "East Meets West: Tradition and Innovation in Modern Japanese Prints."
Cleveland, Ohio: The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections". --- PROVENANCE --- fun fact: digital description: wall description: In addition to making his own color woodcuts, Shinohara's role as master carver and printer have led him to collaborate on prints with contemporary artists such as Mel Bochner, Chuck Close, Sean Scully, John Newman, and Robert Cottingham. Unlike many søsaku-hanga artists, who had some academic training in art and then explored traditional printmaking methods, Shinohara reversed this approach, first mastering the technical aspects of woodblock carving and printing and then using this knowledge to develop his own artistic style. --- RELATED WORKS --- CITATIONS --- IMAGES