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        "tombstone": "A Bride and Her Bridesmaids, 1851 or later. Josiah Johnson Hawes (American, 1808\u20131901), Albert Sands Southworth (American, 1811\u20131894). Whole-plate daguerreotype; image: 19.9 x 14.8 cm (7 13/16 x 5 13/16 in.); case: 21.7 x 16.5 cm (8 9/16 x 6 1/2 in.); matted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1999.171",
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        "title": "A Bride and Her Bridesmaids",
        "creation_date": "1851 or later",
        "creation_date_earliest": 1851,
        "creation_date_latest": 1856,
        "artists_tags": [
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        "culture": [
            "America"
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        "technique": "whole-plate daguerreotype",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - American 19th Century",
        "type": "Photograph",
        "measurements": "Image: 19.9 x 14.8 cm (7 13/16 x 5 13/16 in.); Case: 21.7 x 16.5 cm (8 9/16 x 6 1/2 in.); Matted: 61 x 50.8 cm (24 x 20 in.)",
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            "current": [
                {
                    "id": 194095,
                    "title": "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art",
                    "description": "<i>Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007).",
                    "opening_date": "2007-06-24T00:00:00"
                },
                {
                    "id": 286506,
                    "title": "Cheating Death: Portrait Photography\u2019s First Half Century",
                    "description": "<i>Cheating Death: Portrait Photography\u2019s First Half Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).",
                    "opening_date": "2016-10-22T04:00:00"
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        "description": "Southworth, a druggist, and Hawes, a carpenter and self-taught painter, operated a daguerreotype studio together in Boston that served the city\u2019s elite. Masters of the aesthetic and technical aspects of the medium, they built the first skylight in Boston to supply a clear, strong light in their studio. Another of their innovations was the addition of an extra layer of silver to their plates to enhance the luminosity and level of polish of their daguerreotypes. This medallion portrait is an example of the most difficult and expensive portrait mode of the 1850s. A daguerreotype plate was first masked and then a perforated template was moved around to take separate exposures on the same plate using a mechanism Southworth patented.",
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            {
                "citation": "Cleveland Museum of Art, \u201cMrs. Paul Wurzburger Donates Major Calder Mobile to Cleveland Museum of Art, Korean Painting, Japanese Ceramic, Italian Drawing and other Works Acquired\u201d September 8, 1999, Cleveland Museum of Art Archives.",
                "page_number": null,
                "url": "https://archive.org/details/cmapr4281"
            },
            {
                "citation": "\"Talks, Classes, and Experiences.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 6 (November/December 2016): 38-39.",
                "page_number": "Reproduced: p. 38",
                "url": "https://archive.org/details/CMAMM2016-06"
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