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"tombstone": "Miroku (Maitreya) (\u5f25\u52d2\u83e9\u85a9\u50cf), 1300s. Japan, Nanbokuch\u014d period (1336\u201392). Hanging scroll, ink, color, gold, and cut gold on silk; mounted: 197 x 58.7 cm (77 9/16 x 23 1/8 in.); painting only: 110.6 x 40.7 cm (43 9/16 x 16 in.). The Cleveland Museum of Art, Gift of Rosemarie and Leighton Longhi in memory of Robert P. Bergman, 1999.195",
"current_location": null,
"title": "Miroku (Maitreya)",
"title_in_original_language": "\u5f25\u52d2\u83e9\u85a9\u50cf",
"creation_date": "1300s",
"creation_date_earliest": 1300,
"creation_date_latest": 1399,
"artists_tags": [],
"culture": [
"Japan, Nanbokuch\u014d period (1336\u201392)"
],
"technique": "Hanging scroll, ink, color, gold, and cut gold on silk",
"support_materials": [],
"department": "Japanese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Mounted: 197 x 58.7 cm (77 9/16 x 23 1/8 in.); Painting only: 110.6 x 40.7 cm (43 9/16 x 16 in.)",
"dimensions": {
"mounted": {
"height": 1.97,
"width": 0.587
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"painting only": {
"height": 1.106,
"width": 0.407
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"knob diam": {
"width": 0.027
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"mounted with cord and knobs": {
"height": 2.0,
"width": 0.643
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},
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"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 300223,
"title": "Japanese Gallery 235 Rotation",
"description": "Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).",
"opening_date": "2018-01-02T05:00:00"
}
],
"legacy": []
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"provenance": [
{
"description": "Rosemarie and Leighton R. Longhi, New York, NY, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": [],
"date": "?-1999",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"date": "1999-",
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"description": "In this image the figure of Miroku, Maitreya in Sanskrit, is richly adorned with gauzy fabrics, opulent jewels, and an intricate gold crown containing five seated Buddhas. Buddhist teachings say that Miroku will descend to Earth as a Buddha to restore Buddhist doctrine at the end of a long period of decline. Here he is represented as a bodhisattva, a being who has attained enlightenment but has chosen to postpone becoming a Buddha to help others reach enlightenment. Above the painting, three inscriptions present portions of a sacred text related to Miroku. A close look at the bodhisattva\u2019s right side where fragile pigments have fallen away reveals writing on the back of the silk on which the image is painted\u2014 something its mounters never expected to be seen.",
"external_resources": {
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"internet_archive": [
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"citations": [
{
"citation": "Longhi, Leighton R. Leighton R. Longhi: Forty-Five Years in Asian Art. [New York, N.Y.]: Leighton R. Longhi, 2019.",
"page_number": "Reproduced: p. 35, fig. 6",
"url": null
},
{
"citation": "Dobbins, James C. Behold the Buddha: Religious Meanings of Japanese Buddhist Icons. Honolulu: University of Hawai\u02bbi Press, 2020.",
"page_number": "Mentioned: p. 105; Reproduced: p. 107, fig. 45",
"url": null
}
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"creditline": "Gift of Rosemarie and Leighton Longhi in memory of Robert P. Bergman",
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"alternate_titles": [
"Miroku Bosatsu, the Future Buddha"
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"updated_at": "2026-03-27 00:02:07.272000"
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