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        "accession_number": "1999.22",
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        "tombstone": "Black Horseman in Front of a Doorway, c. 1855. France, 19th century. Salt print from wet collodion negative; image: 15.5 x 13.5 cm (6 1/8 x 5 5/16 in.); mounted: 47 x 30.6 cm (18 1/2 x 12 1/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1999.22",
        "current_location": null,
        "title": "Black Horseman in Front of a Doorway",
        "creation_date": "c. 1855",
        "creation_date_earliest": 1850,
        "creation_date_latest": 1860,
        "artists_tags": [],
        "culture": [
            "France, 19th century"
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        "technique": "salt print from wet collodion negative",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - French 19th Century",
        "type": "Photograph",
        "measurements": "Image: 15.5 x 13.5 cm (6 1/8 x 5 5/16 in.); Mounted: 47 x 30.6 cm (18 1/2 x 12 1/16 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)",
        "dimensions": {
            "image": {
                "height": 0.155,
                "width": 0.135
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            "mounted": {
                "height": 0.47,
                "width": 0.306
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                "height": 0.508,
                "width": 0.406
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        "inscriptions": [
            {
                "inscription": "written in pencil on recto: \"N1186\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "Embossed in the top right corner: \"BRISTOL FRANCAIS/ A. BINANT / A PARIS",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 286506,
                    "title": "Cheating Death: Portrait Photography\u2019s First Half Century",
                    "description": "<i>Cheating Death: Portrait Photography\u2019s First Half Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).",
                    "opening_date": "2016-10-22T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Ex-collection of the Galerie Texbraun, Paris, France",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            },
            {
                "description": "(Charles Isaacs Photographs, Inc., New York, NY)",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "March 1, 1999",
                "sortorder": 3
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        "description": "The genre of equestrian portraiture dates back to classical antiquity, but translating it to photography was tricky because of the long exposures required by the early processes. Some examples by Nadar evoke conventions of studio portraiture, such as employing a large painted backdrop to disguise the actual locations, which were probably outdoors. In this slightly earlier photograph, there is no such artifice.",
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        "updated_at": "2026-03-27 16:32:43.440000"
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