{
    "data": {
        "id": 161449,
        "accession_number": "2000.128",
        "share_license_status": "Copyrighted",
        "tombstone": "Cocktails and Cigarettes Punch Bowl, c. 1930\u201331. Viktor Schreckengost (American, 1906\u20132008), Cowan Pottery Studio (America, Ohio, Lakewood, 1913\u20131919). Glazed earthenware with engobe, sgraffito; diameter: 42.8 cm (16 7/8 in.); overall: 23.5 cm (9 1/4 in.). The Cleveland Museum of Art, Gift of Elizabeth Mather McMillan, 2000.128",
        "current_location": null,
        "title": "Cocktails and Cigarettes Punch Bowl",
        "creation_date": "c. 1930\u201331",
        "creation_date_earliest": 1930,
        "creation_date_latest": 1931,
        "artists_tags": [
            "May Show",
            "male",
            "gender unknown",
            "Cleveland Institute of Art (alumni)",
            "Cleveland School",
            "Cleveland Institute of Art (faculty)"
        ],
        "culture": [
            "America, Ohio, Cleveland"
        ],
        "technique": "glazed earthenware with engobe, sgraffito",
        "support_materials": [],
        "department": "Decorative Art and Design",
        "collection": "Decorative Arts",
        "type": "Ceramic",
        "measurements": "Diameter: 42.8 cm (16 7/8 in.); Overall: 23.5 cm (9 1/4 in.)",
        "dimensions": {
            "diameter": {
                "width": 0.428,
                "width_inch": 16,
                "width_inch_fraction": 0.875
            },
            "overall": {
                "height": 0.235,
                "height_inch": 9,
                "height_inch_fraction": 0.25
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 381987,
                    "title": "The May Show: 13th Annual Exhibition of Works by Cleveland Artists and Craftsmen",
                    "description": "<i>The May Show: 13th Annual Exhibition of Works by Cleveland Artists and Craftsmen</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 6-June 7, 1931).",
                    "opening_date": "1931-05-06T04:00:00"
                },
                {
                    "id": 189020,
                    "title": "Viktor Schreckengost and 20th-century Design",
                    "description": "<i>Viktor Schreckengost and 20th-century Design</i>. The Cleveland Museum of Art (organizer) (November 12, 2000-February 4, 2001).",
                    "opening_date": "2000-11-12T00:00:00"
                },
                {
                    "id": 200463,
                    "title": "The Jazz Age: American Style in the 1920s",
                    "description": "<i>The Jazz Age: American Style in the 1920s</i>. Cooper Hewitt, Smithsonian Design Museum, New York, NY (April 7-August 20, 2017); The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30, 2017-January 14, 2018).",
                    "opening_date": "2017-04-07T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "This punch bowl, designed by a young Viktor Schreckengost and exhibited in the Cleveland Museum of Art\u2019s May Show of 1931, foreshadows the demise of Prohibition in 1933. Made at the Cowan Pottery Studio in Rocky River, the <em>Cocktails and Cigarettes</em> bowl is a not-so-subtle reference to the two main vices of the Jazz Age.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60780929"
            ],
            "internet_archive": []
        },
        "citations": [
            {
                "citation": "Viktor Schreckengost Studio Entry Card to 1931 May Show. Cleveland Museum of Art May Show Records, Cleveland Museum of Art Archives.",
                "page_number": null,
                "url": "https://archive.org/details/CMAMS02309/"
            },
            {
                "citation": "Adams, Henry, and Viktor Schreckengost. <em>Viktor Schreckengost and 20th-Century Design</em>. Cleveland, Ohio: Cleveland Museum of Art, 2000.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Cleveland Museum of Art, \u201cRecent Acquisitions Press Release ,\u201d December 12, 2000, Cleveland Museum of Art Archives.",
                "page_number": "Mentioned: p. 3",
                "url": "https://archive.org/details/cmapr4361"
            },
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 148-149",
                "url": ""
            },
            {
                "citation": "Coffin, Sarah, Stephen Harrison, and Emily Marshall Orr. <em>The Jazz Age: American Style in the 1920s</em>. 2017.",
                "page_number": "Referenced: cat. no. 333, p. 155, 362, Reproduced: fig. 197, p. 154",
                "url": null
            },
            {
                "citation": "Kraynak, Scott, Henry Adams, Douglas Max Utter, William G. Scheele, R. A. Washington, and Mike Hudson. <em>The Heart of Cleveland.</em> Shaker Hts, OH: Red Giant Books, 2018.",
                "page_number": "Reproduced: P. 28, fig. 26",
                "url": null
            },
            {
                "citation": "Bassett, M., et. al. \"Learning by Doing: The Evolution of Viktor Schreckengost's Jazz Series.\" <em>Journal of the American Art Pottery Association</em> 33, no. 4 (Autumn 2017): [12]-28.",
                "page_number": "Reproduced: p. 14, fig. 1, left",
                "url": null
            }
        ],
        "url": "https://clevelandart.org/art/2000.128",
        "images": {},
        "alternate_images": [],
        "creditline": "Gift of Elizabeth Mather McMillan",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 161449,
        "creators": [
            {
                "id": 18616,
                "description": "Viktor Schreckengost (American, 1906\u20132008)",
                "extent": null,
                "qualifier": null,
                "role": "designed by",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1906",
                "death_year": "2008",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            },
            {
                "id": 25744,
                "description": "Cowan Pottery Studio (America, Ohio, Lakewood, 1913\u20131919)",
                "extent": null,
                "qualifier": null,
                "role": "maker",
                "biography": "The Cowan Pottery Studio was founded by R. Guy Cowan in Lakewood, Ohio, United States in 1912. It moved to Rocky River, Ohio in 1920, and operated until 1931, when the financial stress of the Great Depression resulted in its bankruptcy. Cowan Pottery produced both artistic and commercial work in a variety of styles influenced by the Arts and Crafts Movement, Art Deco, Chinese ceramics, and modern sculpture. <br> <br>During its two decades of operation, a number of well-known Cleveland School artists worked with Cowan at the studio: Elizabeth Anderson, Arthur Eugene Baggs, Alexander Blazys, Paul Bogatay, Edris Eckhardt, Waylande Gregory, A. Drexler Jacobson, Raoul Josset, Paul Manship, Jos\u00e9 Martin, Herman Matzen, F. Luis Mora, Elmer L. Novotny, Margaret Postgate, Stephen Rebeck, Guy L. Rixford, Viktor Schreckengost, Elsa Vick Shaw, Walter Sinz, Frank N. Wilcox, H. Edward Winter, and Thelma Frazier Winter. With the exception of Guy Cowan, himself, Waylande Gregory designed more pieces for the pottery than anyone else. Among Cowan's finest pieces were three limited edition figures relating to dance, including \"Salome\" (1928), \"The Nautch Dancer,\" (1930), and \"The Burlesque Dancer,\" (1930). For the last two, Gregory made sketches from the side of the stage of the well-known Ziegfeld Follies star, Gilda Grey, when she was performing in Cleveland.",
                "name_in_original_language": null,
                "use_in_caption": true,
                "include_extent": false,
                "weight": 2
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2000-12-04T00:00:00",
        "sortable_date": 1930,
        "date_added_to_oa": null,
        "date_text": "c. 1930\u201331",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [
            "\"Party Bowl\""
        ],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:52:18.241000"
    }
}