id: 161701
accession number: 2000.65
share license status: Copyrighted
url: https://clevelandart.org/art/2000.65
updated: 2023-12-07 09:50:58.468000
The New Yorker (Jazz) Bowl, c. 1930. Viktor Schreckengost (American, 1906–2008), Cowan Pottery Studio (American, Ohio, Rocky River, 1912–1931). Glazed ceramic with sgraffito design; overall: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund 2000.65
title: The New Yorker (Jazz) Bowl
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series:
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creation date: c. 1930
creation date earliest: 1925
creation date latest: 1935
current location: 234 Textile Gallery
creditline: John L. Severance Fund
copyright:
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culture: America, Ohio, Cleveland
technique: glazed ceramic with sgraffito design
department: Decorative Art and Design
collection: Decorative Arts
type: Ceramic
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CREATORS
* Viktor Schreckengost (American, 1906–2008) - designer
* Cowan Pottery Studio (American, Ohio, Rocky River, 1912–1931) - maker
The Cowan Pottery Studio was founded by R. Guy Cowan in Lakewood, Ohio, United States in 1912. It moved to Rocky River, Ohio in 1920, and operated until 1931, when the financial stress of the Great Depression resulted in its bankruptcy. Cowan Pottery produced both artistic and commercial work in a variety of styles influenced by the Arts and Crafts Movement, Art Deco, Chinese ceramics, and modern sculpture.
During its two decades of operation, a number of well-known Cleveland School artists worked with Cowan at the studio: Elizabeth Anderson, Arthur Eugene Baggs, Alexander Blazys, Paul Bogatay, Edris Eckhardt, Waylande Gregory, A. Drexler Jacobson, Raoul Josset, Paul Manship, José Martin, Herman Matzen, F. Luis Mora, Elmer L. Novotny, Margaret Postgate, Stephen Rebeck, Guy L. Rixford, Viktor Schreckengost, Elsa Vick Shaw, Walter Sinz, Frank N. Wilcox, H. Edward Winter, and Thelma Frazier Winter. With the exception of Guy Cowan, himself, Waylande Gregory designed more pieces for the pottery than anyone else. Among Cowan's finest pieces were three limited edition figures relating to dance, including "Salome" (1928), "The Nautch Dancer," (1930), and "The Burlesque Dancer," (1930). For the last two, Gregory made sketches from the side of the stage of the well-known Ziegfeld Follies star, Gilda Grey, when she was performing in Cleveland.
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measurements: Overall: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.)
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CURRENT EXHIBITIONS
title: Viktor Schreckengost and 20th-century Design
opening date: 2000-11-12T00:00:00
Viktor Schreckengost and 20th-century Design. The Cleveland Museum of Art (organizer) (November 12, 2000-February 4, 2001).
title: Burchfield to Schreckengost: Cleveland Art of the Jazz Age
opening date: 2004-03-28T00:00:00
Burchfield to Schreckengost: Cleveland Art of the Jazz Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 28-July 18, 2004).
title: Gallery One 2012
opening date: 2012-12-12T05:00:00
Gallery One 2012. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017).
title: The Jazz Age: American Style in the 1920s
opening date: 2017-04-07T00:00:00
The Jazz Age: American Style in the 1920s. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30, 2017-January 14, 2018).
title: Egyptomania: Fashion's Conflicted Obsession
opening date: 2023-04-01T04:00:00
Egyptomania: Fashion's Conflicted Obsession. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 1, 2023-January 28, 2024).
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LEGACY EXHIBITIONS
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PROVENANCE
(Cincinnati Art Galleries, June 3, 2000, Lot 143, sold to the Cleveland Museum of Art)
date: 2000
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citations:
Cleveland Museum of Art
date: 2000-?
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RELATED WORKS
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CITATIONS
Cleveland Museum of Art, “French 19th-Century Double Portrait Acquired; Jazz Bowl Purchased at Auction,” June 19, 2000, Cleveland Museum of Art Archives.
page number:
url: https://archive.org/details/cmapr4343
Adams, Henry. Viktor Schreckengost and 20th-Century Design. Cleveland, OH: Cleveland Museum of Art, 2000.
page number: Mentioned and reproduced: cover, pp. 88-95, 165, cat. no. 128
url:
Landau, Diana. Ohio: The Spirit of America. New York: Harry N. Abrams, 2001.
page number: Mentioned: p. 83; reproduced: pp. 7, 83
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Robinson, William H., Kathleen McKeever, "And All That Jazz", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 44 no. 05, May 2004
page number: Mentioned & reproduced: p. 4-5
url: https://archive.org/details/CMAMM2004-05/page/n3
Adams, Henry. What's American About American Art?: A Gallery Tour in the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2008.
page number: Mentioned and reproduced: pp. 124-5
url: http://library.clevelandart.org/opac/?func=find-b&find_code=OCL&submit=Search&request=294879034
Franklin, David, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art in association with, New York, NY: Scala Publishers, 2012.
page number: Mentioned and reproduced: pp. 312-3
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Bidwell, Frederick E., and Leslie Cade. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art in association with New York, NY: Scala Arts Publishers, 2014.
page number: Mentioned and reproduced: pp. 148-9
url:
Bassett, M., et. al. "Learning by Doing: The Evolution of Viktor Schreckengost's Jazz Series." Journal of the American Art Pottery Association 33, no. 4 (Autumn 2017): [12]-28.
page number: Reproduced: p. 14, fig. 1, right; p. 16, fig, 3, left; p. 23, fig. 17, above; p. 26, fig. 23, below
url:
Coffin, Sarah, Stephen Harrison, and Emily Marshall Orr. The Jazz Age: American Style in the 1920s. Cleveland, OH: The Cleveland Museum of Art, distributed by New Haven, CT: Yale University Press, 2017.
page number: Reproduced: pp. XII, 154; mentioned: pp. 155, 362, cat. 334
url:
"Discovery through Design." American Fine Art Magazine 65 (Sept/Oct 2022): 72-73.
page number: Reproduced: P. 72
url:
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IMAGES