id: 161748
accession number: 2001.10
share license status: Copyrighted
url: https://clevelandart.org/art/2001.10
updated: 2023-08-23 23:52:26.797000
Ten Numbers Series, 1960. Jasper Johns (American, b. 1930). Charcoal and graphite pencil on paper; sheet: 33.5 x 27.6 cm (13 3/16 x 10 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund 2001.10 © Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY
title: Ten Numbers Series
title in original language:
series:
series in original language:
creation date: 1960
creation date earliest: 1960
creation date latest: 1960
current location:
creditline: John L. Severance Fund
copyright: © Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY
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culture: America, 20th century
technique: charcoal and graphite pencil on paper
department: Drawings
collection: DR - American 20th Century
type: Drawing
find spot:
catalogue raisonne:
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CREATORS
* Jasper Johns (American, b. 1930) - artist
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measurements: Sheet: 33.5 x 27.6 cm (13 3/16 x 10 7/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: each drawing is titled, signed, and dated, below the image in blue ball-point pen
translation:
remark:
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CURRENT EXHIBITIONS
title: Jasper Johns: Mind/Mirror
opening date: 2021-09-29T04:00:00
Jasper Johns: Mind/Mirror. Philadelphia Museum of Art, Philadelphia, PA (organizer) (September 29, 2021-February 13, 2022) https://www.philamuseum.org/calendar/exhibition/jasper-johns-mindmirror.
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
Jasper Johns emerged as a major figure in post-war art with a landmark show at the Leo Castelli gallery in New York in 1958. Over the next decade, he established his reputation with a type of imagery that has become iconic for the twentieth century: Flags, Targets, Numbers and Alphabets depicted in a variety of techniques and media, including paintings, drawings and prints. Works of this type by Johns have had a profound impact on subsequent art because they address basic questions about perception and the nature of representation itself. In Ten Numbers, Johns developed the forms from commercial stencils, as he does for all of his number and alphabet imagery. The use of such "found" shapes-one that are pre-determined and widely recognizable-are meant to challenge the way the viewer looks at a type of sign normally so common as to be banal. Ten Numbers is one work in ten parts, with the numerals 0 to 9 each represented on a separate sheet of paper. Using a soft charcoal stick as a basis, Johns heavily worked this media with brushes, a stump (a tight roll of cloth or leather), and his own hands, developing a rich surface. His aim seems to have been to index, with each number, the different ways he could make marks using charcoal.
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RELATED WORKS
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CITATIONS
Rees, R.J. "Jasper Johns Drawings." Studio International 188, no. 972 (December 1974).
page number: Mentioned: p. 13
url:
Cleveland Museum of Art, “Jasper Johns 10-part Drawing is Centerpiece of CMA Recent Acquisitions Display,” April 4, 2001, Cleveland Museum of Art Archives.
page number:
url: https://archive.org/details/cmapr4381
Cox, Paul, "Chance Encounter", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 43 no. 09, November 2003
page number: Mentioned & reproduced: p. 6-7
url: https://archive.org/details/CMAMM2003-09/page/n5
Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 43 no. 10, December 2003
page number: Reproduced: cover
url: https://archive.org/details/CMAMM2003-10/page/n1
Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.
Figure 5 only
page number: Mentioned and reproduced: P. 169
url:
Rose, Bernice. Jasper Johns: Catalogue Raisonné of Drawing. Houston: Menil Collection, 2018.
page number: Reproduced and mentioned: pp. 192-203, cat. D84
url:
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IMAGES