id: 161782 accession number: 2001.121 share license status: CC0 url: https://clevelandart.org/art/2001.121 updated: 2020-07-08 22:54:45.891000 Standing Cup and Cover, 1844. Sèvres Porcelain Factory (French, est. 1756), Hyacinthe-Jean Regnier (French, 1803-1870), Francois-Hubert Barbin (French, 1786-), Jacques-Nicolas Sinsson (French). Porcelain; diameter: 35.6 cm (14 in.); overall: 49 cm (19 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2001.121 title: Standing Cup and Cover title in original language: series: series in original language: creation date: 1844 creation date earliest: 1844 creation date latest: 1844 current location: 221 19th Century Decorative Arts creditline: Severance and Greta Millikin Purchase Fund copyright: --- culture: France, Sèvres, 19th century technique: porcelain department: Decorative Art and Design collection: Decorative Arts type: Ceramic find spot: catalogue raisonne: --- CREATORS * Sèvres Porcelain Factory (French, est. 1756) - made at French national ceramic factory. * Hyacinthe-Jean Regnier (French, 1803-1870) - modeled by * Francois-Hubert Barbin (French, 1786-) - decorated by * Jacques-Nicolas Sinsson (French) - flowers painted by --- measurements: Diameter: 35.6 cm (14 in.); Overall: 49 cm (19 5/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Sèvres Then and Now: Tradition and Innovation in Porcelain, 1750-2000 opening date: 2009-10-20T00:00:00 Sèvres Then and Now: Tradition and Innovation in Porcelain, 1750-2000. Hillwood Museum & Gardens, Washington, DC (organizer) (October 20, 2009-May 30, 2010). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: The official French porcelain factory at Sèvres has always been one of Europe's most important ceramic manufacturers, famous for its decorative pieces as well as more utilitarian wares. This vase in the Renaissance style, its design inspired by 16th-century French examples, is clearly in the tradition of elaborately conceived and decorated pieces intended for use by the French court or as presentation pieces by its monarchs. The latter was the fate of this Covered Cup, acquired in 1846 by Queen Marie-Amélie d'Orleans, the wife of Louis-Philippe, king during the July Monarchy (1830-48). Soon thereafter the vase was presented to a now unknown person. It is one of four pieces of this design made at the Sèvres factory, and the only one known today to have survived. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2001.121/2001.121_web.jpg print: https://openaccess-cdn.clevelandart.org/2001.121/2001.121_print.jpg full: https://openaccess-cdn.clevelandart.org/2001.121/2001.121_full.tif