id:			161811
accession number:	2001.137
share license status:	CC0
url:			https://clevelandart.org/art/2001.137
updated:		2024-03-26 02:00:44.247000

Caricaturana: Breach of Article 24 of the Civil Code, 1837. Honoré Daumier (French, 1808–1879), Edouard Bouvenne (French), Aubert. Lithograph hand-colored with watercolor by Edouard Bouvenne; sheet: 35.5 x 26.5 cm (14 x 10 7/16 in.); image: 24 x 23 cm (9 7/16 x 9 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund 2001.137

title:				Breach of Article 24 of the Civil Code
title in original language:	
series:				Caricaturana
series in original language:	
creation date:			1837
creation date earliest:		1837
creation date latest:		1837
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	France, 19th century
technique:	lithograph hand-colored with watercolor by Edouard Bouvenne
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Daumier Register / Delteil 405 ; Hazard-Delteil 1040

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CREATORS

* Honoré Daumier (French, 1808–1879)  - artist
Honoré Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles. In Paris Daumier studied drawing with Alexandre Lenoir (1761-1839) and at the Académie Suisse. Around 1825 he began a five-year apprenticeship with the publisher and lithographer Zépherin Belliard (1798-?). The July revolution of 1830, which established Louis-Philippe as the constitutional monarch in France, coincided with Daumier's creation of satirical lithographs aimed at this new government. That same year he joined La Caricature, a political journal founded by the republican artist-publisher, Charles Philipon (1802-1862). Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine. His prison sentence did not deter him from producing political statements and, in fact, only fueled his rage. The subjects of his lithographs became much more aggressive. In 1835 he worked for Philipon's second publication, Le Charivari, a humorous political newspaper that published Daumier's satirical caricature until it, too, suffered censorship under the new government. Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter. Sculpture became another medium to produce his infamous caricatures. His friend, Honoré de Balzac, French novelist and editor of La Caricature, saw in these works the force of Michelangelo. In 1834 Daumier began experimenting with painting, both in oil and watercolor. Apart from his Salon entries of 1849 and 1850, his paintings, which totaled over three hundred, were painted primarily for his own pleasure and virtually unknown to the public until after his death in 1879.
* Edouard Bouvenne (French)  - hand-colored by

* Aubert  - publisher

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measurements: Sheet: 35.5 x 26.5 cm (14 x 10 7/16 in.); Image: 24 x 23 cm (9 7/16 x 9 1/16 in.)
state of the work:	III/III
edition of the work: 	

support materials:

	description:	cream wove paper
	watermarks:	

inscriptions:

	inscription:	Inscribed on the lower and upper margins, pen and brown/black ink: Modèle de la Grande Collection de 1839 par Edouard Bouvenne Paris a 2 8bre/ Bouvenne
	translation:	
	remark:		

	inscription:	Lower margin, printed: Daumier et Philipon / Chez Aubert, gal. véro dodat. / Imp. d'Aubert et de Junca
	translation:	
	remark:		

	inscription:	Above image, printed: Caricaturana, 50 ; below image, printed "Abus de lárticle 214 du code civil. / Madame mon épouse, vous me laissez manquer de tout, vous ne me faites qu'une misérable pension de / trois mille balles, vous me consignez à votre porte comme un mendiant, et, qui plus est, vous voulez m'eloigner / de Paris, m'expatrier, me déporter!..... Non, non, je ne quitterai pas la Frrrrrance! non, non !!...... Ecoutez: / je dois 10,000 f á mon ami Bertrand, c'est une dette de jeu, une dette d'honneur, je dois à mon gargotier 525 / et dix francs à mon garni, total 10,535 f; donnez moi de plus quelques mille francs pour distraire mes / chagrins domestiques et je vous laissarai tranquille, parole d'honneur!"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Frederick Mulder, sold to Cleveland Museum of Art
	date: ?-2001
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 2001-
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2001.137/2001.137_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2001.137/2001.137_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2001.137/2001.137_full.tif