id: 162143
accession number: 2001.76
share license status: CC0
url: https://clevelandart.org/art/2001.76
updated: 2023-04-23 11:16:01.794000
The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves), c. 1420–30. Henri d'Orquevaulx (French), or Workshop. Ink, tempera, silver, and gold on vellum; overall: 15.9 x 11.6 cm (6 1/4 x 4 9/16 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 2001.76
title: The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves)
title in original language:
series:
series in original language:
creation date: c. 1420–30
creation date earliest: 1420
creation date latest: 1430
current location: 115 Manuscripts & Textiles
creditline: The Jeanne Miles Blackburn Collection
copyright:
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culture: France, Metz, 15th century
technique: ink, tempera, silver, and gold on vellum
department: Medieval Art
collection: MED - Manuscript Illuminations
type: Manuscript
find spot:
catalogue raisonne:
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CREATORS
* Henri d'Orquevaulx (French) - artist
* Workshop - artist
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measurements: Overall: 15.9 x 11.6 cm (6 1/4 x 4 9/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Jeanne Miles Blackburn Collection of Manuscript Illuminations
opening date: 1999-12-19T00:00:00
The Jeanne Miles Blackburn Collection of Manuscript Illuminations. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 19, 1999-February 27, 2000).
title: Illuminated Manuscripts
opening date: 2004-10-10T00:00:00
Illuminated Manuscripts. The Cleveland Museum of Art (organizer) (October 10, 2004-October 2, 2005).
title: The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection
opening date: 2010-11-06T00:00:00
The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2010-April 17, 2011).
title: The Medieval Top Seller: The Book of Hours (Gallery 115 rotation)
opening date: 2022-08-26T04:00:00
The Medieval Top Seller: The Book of Hours (Gallery 115 rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26, 2022-July 30, 2023).
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LEGACY EXHIBITIONS
* CMA, 19 December 1999 - 27 February 2000, The Jeanne Miles Blackburn Collection of Manuscript Illuminations, cat. 34, illus. p. 40.
* The Cleveland Museum of Art (10/10/2004 - 10/02/2005); "Illuminated Manuscripts"
* Cleveland Museum of Art, (11/06/2010 - 04/17/2011); "The Glory Of the Painted Page: Manuscript Illuminations from the Permanent Collections"
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PROVENANCE
Jehan de Poncy (d. 1605) and his wife, Marguerite
date: before 1539 - after 1541
footnotes:
citations:
Bartlett Gurney (1756-1803), Norwich, England, bequeathed to his aunt Catherine Gurney
date:
footnotes:
citations:
Catherine Gurney (1776–1850), Norwich, England, gifted to Rev. Edward Edwards
date: -1808
footnotes:
citations:
Rev. Edward Edwards (1766-1849), Lynn, Norfolk, bequeathed to his godson William Hay Gurney, nephew of Catherine Gurney
date:
footnotes:
citations:
William Hay Gurney (1827-1898), North Princeton
date:
footnotes:
citations:
Sale: Christie's New York, April 7, 1978, Lot 226
date:
footnotes:
citations:
[Bruce Ferrini (1950-2010), Akron, OH, sold to Jeanne Miles Blackburn]
date:
footnotes:
citations:
Ms. Jeanne Miles Blackburn, Maitland, Fl, gifted to the Cleveland Museum of Art
date: -2001
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2001-
footnotes:
citations:
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fun fact:
Mostly used by women, books of hours are estimated to have been owned by every fourth household at the height of their popularity.
digital description:
wall description:
This leaf survives from what must have been an extraordinarily rich book of hours. The elaborate Passion cycle and Suffrages point to an important patron. Internal evidence within the original calendar and texts indicates that Metz was the probable place of production. Stylistically, the illuminations appear to come from the workshop of Henri d’Orquevaulx, a documented Metz manuscript painter. Compositionally, structurally, and stylistically, the miniatures suggest strong links to Netherlandish illumination. It is not known whether d’Orquevaulx came originally from the Netherlands or whether he simply worked or trained there at some point in his career.
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RELATED WORKS
id: 169741
Leaf from a Book of Hours: St. Barbara (6 of 6 Excised Leaves), c. 1420-30. Henri d'Orquevaulx (French), or Workshop. Ink, tempera, silver, and gold on vellum; leaf: 16.1 x 12.4 cm (6 5/16 x 4 7/8 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 2011.57
relationship:
id: 160817
Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves), c. 1420–30. Henri d'Orquevaulx (French), or Workshop. Ink, tempera, and gold on vellum; each leaf: 16.1 x 12.4 cm (6 5/16 x 4 7/8 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 1999.129
relationship:
id: 160816
Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), c. 1420–30. Henri d'Orquevaulx (French), or Workshop. Ink, tempera, and gold on vellum; each leaf: 16.1 x 12.4 cm (6 5/16 x 4 7/8 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 1999.128
relationship:
id: 162142
The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves), c. 1420–30. Henri d'Orquevaulx (French), or Workshop. Ink, tempera, and gold on vellum; each leaf: 16.1 x 12.6 cm (6 5/16 x 4 15/16 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 2001.75
relationship:
id: 162536
The Visitation: Leaf from a Book of Hours (5 of 6 Excised Leaves), c. 1420. Henri d'Orquevaulx (French), or Workshop. Ink, tempera and gold on vellum; each leaf: 16.1 x 12.5 cm (6 5/16 x 4 15/16 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 2003.172
relationship:
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CITATIONS
Christie, Manson & Woods International Inc. Printed Books and Manuscripts Including an Important Manuscript Map of Southeastern North America, 1721. 1978.
page number: Lot 226
url:
Fliegel, Stephen N. The Jeanne Miles Blackburn Collection of Manuscript Illuminations. Cleveland, Ohio: Cleveland Museum of Art, 1999.
page number: Mentioned: p. 37; Reproduced: p. 40, cat. no. 34
url: https://archive.org/details/BlackburnIlluminations/page/n49
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2001.76/2001.76_web.jpg
print: https://openaccess-cdn.clevelandart.org/2001.76/2001.76_print.jpg
full: https://openaccess-cdn.clevelandart.org/2001.76/2001.76_full.tif