id: 162173 accession number: 2001.95 share license status: Copyrighted url: https://clevelandart.org/art/2001.95 updated: 2023-08-23 23:55:42.285000 Cerulean / Gold Brown, 1999. Callum Innes (British, b. 1962). Watercolor with graphite; sheet: 50.2 x 65.5 cm (19 3/4 x 25 13/16 in.); image: 24 x 27.6 cm (9 7/16 x 10 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund 2001.95 title: Cerulean / Gold Brown title in original language: series: series in original language: creation date: 1999 creation date earliest: 1999 creation date latest: 1999 current location: creditline: John L. Severance Fund copyright: --- culture: England, 20th century technique: watercolor with graphite department: Drawings collection: DR - British type: Drawing find spot: catalogue raisonne: --- CREATORS * Callum Innes (British, b. 1962) - artist --- measurements: Sheet: 50.2 x 65.5 cm (19 3/4 x 25 13/16 in.); Image: 24 x 27.6 cm (9 7/16 x 10 7/8 in.) state of the work: edition of the work: support materials: description: white wove paper (BFK Rives) watermarks: inscriptions: inscription: by artist?, lower right, in graphite: 49 / 50 [slash part of inscription] ; signed, verso, upper right, in graphite: C I 1999 translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE [Frith Street Gallery, London] date: footnotes: citations: --- fun fact: digital description: wall description: Callum Innes lives and works in Edinburgh, Scotland, and focuses mostly on large-scale abstract paintings. His recent works are structured by exploiting the physical properties of oil paint and turpentine washes to create geometrically divided fields that also have a rich surface. His watercolors, such as the two on display here, work on a much smaller scale and show a sensitivity toward layered veils of color that is appropriate for this translucent media. While not companion pieces, these two works are part of a series he did exploring the divided rectangular format. The artist achieved his subtle use of color by using sponges to layer on the washes of watercolor. --- RELATED WORKS --- CITATIONS --- IMAGES