id: 162202 accession number: 2002.106.b share license status: Copyrighted url: https://clevelandart.org/art/2002.106.b updated: 2023-08-23 23:55:54.806000 Division-Work No. 100, 2002. Hamanishi Katsunori (Japanese, b. 1949). Mezzotint with gold leaf; sheet: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); platemark: 59.6 x 44.7 cm (23 7/16 x 17 5/8 in.). The Cleveland Museum of Art, Gift of Gloria and Leon Plevin in memory of Fred Schmidt 2002.106.b title: Division-Work No. 100 title in original language: series: series in original language: creation date: 2002 creation date earliest: 2002 creation date latest: 2002 current location: creditline: Gift of Gloria and Leon Plevin in memory of Fred Schmidt copyright: --- culture: Japan, 21st century technique: mezzotint with gold leaf department: Prints collection: PR - Mezzotint type: Print find spot: catalogue raisonne: --- CREATORS * Hamanishi Katsunori (Japanese, b. 1949) - artist --- measurements: Sheet: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); Platemark: 59.6 x 44.7 cm (23 7/16 x 17 5/8 in.) state of the work: edition of the work: support materials: description: MUSE MAT THUNDERS watermarked wove paper watermarks: inscriptions: inscription: signed lower right, in graphite: K. Hamanishi '02; Center: Division-Work No. 100; Left: 37/50 translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * Cleveland, Ohio: The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections". --- PROVENANCE --- fun fact: digital description: wall description: Although mezzotint is primarily a European technique, Hamanishi’s work is traditionally Japanese in many respects. The use of gold, which emphasizes the flatness of the scene and adds a wonderful decorative element, began in Japanese printmaking in the late 17th century. One hundred years earlier, gold paper served as a background for folding screens (see examples in gallery 121), also referenced in the tripartite arrangement of Division-Work No. 100. --- RELATED WORKS --- CITATIONS --- IMAGES