id: 162342 accession number: 2002.70 share license status: Copyrighted url: https://clevelandart.org/art/2002.70 updated: 2024-03-26 02:00:47.224000 Red's Younger Brother at Home, Harlem, New York, 1948. Gordon Parks (American, 1912–2006). Gelatin silver print; image: 22.1 x 33.4 cm (8 11/16 x 13 1/8 in.); matted: 45.7 x 55.9 cm (18 x 22 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 2002.70 Courtesy and copyright the Gordon Parks Foundation title: Red's Younger Brother at Home, Harlem, New York title in original language: series: series in original language: creation date: 1948 creation date earliest: 1948 creation date latest: 1948 current location: creditline: Norman O. Stone and Ella A. Stone Memorial Fund copyright: Courtesy and copyright the Gordon Parks Foundation --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1900-1950 type: Photograph find spot: catalogue raisonne: --- CREATORS * Gordon Parks (American, 1912–2006) - artist Gordon Parks American, 1912-2006. Writer, musician, film director, and photographer Gordon Alexander Buchanan Parks (born in Fort Scott, Kansas) has been particularly influential in the arenas of photojournalism and documentary photography. A self-taught photographer, Parks became seriously interested in the medium in 1937 upon seeing images made for the Farm Security Administration. Roy Stryker, who headed the fsa photography program, later hired him for several assignments (1942-43). Parks went on to work as an information correspondent during World War II and worked for Stryker on the Standard Oil of New Jersey photography project from 1945-48. He was a staff photographer for Life magazine (1948-61) and the editorial director of Essence magazine (1970-73). His coverage of the Black Muslim movement of the 1960s, his portraits of Malcolm X and Muhammad Ali, and his story on Flavio da Silva, a poverty-stricken Brazilian boy, testify to the power and compassion of his images. Parks has received many prestigious awards, including a Julius Rosenwald Fellowship (1942), an award from the National Council for Christians and Jews (1964), the Frederic W. Brehm Award (1962), the Carr Van Adna Journalism Award, Ohio University (1970), and the Spingarn Medal, the naacp's highest honor (1972). In 1967 Nikon named Parks as the photographer and writer who had done the most to promote worldwide understanding. He holds 14 honorary degrees. Parks has also worked in color, primarily for his more artistic book projects, including Gordon Parks: Whispers of Intimate Things (1971) and A Poet and his Camera (1968). His films include Shaft (1972), Leadbelly (1976), The Super Crops (1974), and his most widely recognized, The Learning Tree (1969), for which he wrote the screen adaptation of his own novel and composed the musical score. He has had one-person exhibitions throughout the United States, including the Art Institute of Chicago (1953), the Baltimore Museum of Art (1984), and the Laguna Gloria Art Museum, Austin (1985). --- measurements: Image: 22.1 x 33.4 cm (8 11/16 x 13 1/8 in.); Matted: 45.7 x 55.9 cm (18 x 22 in.) state of the work: edition of the work: support materials: inscriptions: inscription: written in black on verso: "Red J"-(has mark through it); "Young gang leader/Harlem; in red marker: "Martin C-10"; in black conte crayon:" Gordon Parks"; in pencil: PF23379" "TY"; in blue ink: "36" translation: remark: --- CURRENT EXHIBITIONS title: Gordon Parks: Photojournalism opening date: 2001-12-22T00:00:00 Gordon Parks: Photojournalism. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 22, 2001-February 27, 2002). title: Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art opening date: 2007-06-24T00:00:00 Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-September 16, 2007); Frick Art and Historical Center, Pittsburgh, PA (October 3, 2009-January 3, 2010). title: Gordon Parks: The New Tide, Early Work 1940–1950 opening date: 2018-11-04T04:00:00 Gordon Parks: The New Tide, Early Work 1940–1950. National Gallery of Art, Washington, DC (organizer) (November 4, 2018-February 18, 2019); The Cleveland Museum of Art, Cleveland, OH (March 23-June 9, 2019); Amon Carter Museum, Fort Worth, TX (August 31-December 29, 2019). --- LEGACY EXHIBITIONS * {'description': 'Cleveland, Ohio: The Cleveland Museum of Art; December 22, 2001- February 27, 2002. "Gordon Parks: Photojournalism". No catalogue.', 'opening_date': '2001-12-22T00:00:00'} * {'description': 'CMA Members Magazine (January 2002), p. 6-7, repr. p. 7.', 'opening_date': '2002-01-01T00:00:00'} * {'description': 'The Cleveland Museum of Art (6/24/07 - 9/16/07) and the Frick Art and Historical Center, Pittburgh, PA (10/3/2009 - 1/3/2010); "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art", no exhibition catalogue.', 'opening_date': '2007-06-24T00:00:00'} --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Brookman, Philip, Anjuli Lebowitz, Richard J. Powell, Deborah Willis, Maurice Berger, and Elizabeth Doorly. Gordon Parks: The New Tide, Early Work, 1940-1950. Washington, District of Columbia : National Gallery of Art ; Pleasantville, New York. : The Gordon Parks Foundation ; Göttingen, Germany : Steidl, 2018. page number: Reproduced: p. 184, pl. 133; mentioned: p. 281 url: --- IMAGES