id: 162459 accession number: 2003.12 share license status: Copyrighted url: https://clevelandart.org/art/2003.12 updated: 2022-06-07 09:01:44.277000 Free Element V, 2001. DoDo Jin Ming (Chinese, b. 1955). Gelatin silver print; image: 37.4 x 48.7 cm (14 3/4 x 19 3/16 in.); paper: 40.3 x 50.5 cm (15 7/8 x 19 7/8 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Gift of Friends of Photography 2003.12 title: Free Element V title in original language: series: series in original language: creation date: 2001 creation date earliest: 2001 creation date latest: 2001 current location: creditline: Gift of Friends of Photography copyright: --- culture: China, 21st century technique: gelatin silver print department: Photography collection: PH - Misc. 20th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * DoDo Jin Ming (Chinese, b. 1955) - artist --- measurements: Image: 37.4 x 48.7 cm (14 3/4 x 19 3/16 in.); Paper: 40.3 x 50.5 cm (15 7/8 x 19 7/8 in.); Matted: 55.9 x 66 cm (22 x 26 in.) state of the work: edition of the work: support materials: inscriptions: inscription: written in pencil on verso: "Free Element Plate V 9/15/ Jin Ming [signed] 2001" translation: remark: --- CURRENT EXHIBITIONS title: Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art opening date: 2006-01-20T00:00:00 Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art. MOCA Cleveland, OH (January 20-May 7, 2006). --- LEGACY EXHIBITIONS * MOCA Cleveland (1/20/2006 - 5/7/2006): "Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art," no catalogue. --- PROVENANCE --- fun fact: digital description: wall description: A concert violinist turned photographer, Ming is attracted to nature, both native and cultivated, rendering it in viscerally appealing pictures. These three photographs are from Free Element, a series of seascapes produced between 2001 and 2003 depicting the awesome power and drama of the sea. The coasts of Maine and Nova Scotia and the outskirts of Hong Kong have been her primary locales. She created these compelling black-and-white images by combining two negatives, one of the sea and the other of the sky. In each composition, all indications of land and humanity are eliminated, allowing Ming to concentrate on the sea and sky and their junction. Within these confines, she featured the conditions that make each negative unique, such as geographic location, atmosphere, light, and wind and wave patterns. Her camera angle seemingly places the viewer in a position to be submerged by a cascade of water. --- RELATED WORKS --- CITATIONS --- IMAGES