id: 162538
accession number: 2003.174
share license status: CC0
url: https://clevelandart.org/art/2003.174
updated: 2023-03-24 11:13:14.190000
Adjoining Leaves from a Book of Hours: Penitential Psalms and King David in Prayer (2 of 3 Excised Leaves), c. 1530–35. Noël Bellemare (French, d. 1546), The 1520s Hours Workshop (French). Ink, tempera, and liquid gold on vellum; each leaf: 11.2 x 6.4 cm (4 7/16 x 2 1/2 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 2003.174
title: Adjoining Leaves from a Book of Hours: Penitential Psalms and King David in Prayer (2 of 3 Excised Leaves)
title in original language:
series:
series in original language:
creation date: c. 1530–35
creation date earliest: 1525
creation date latest: 1540
current location: 115 Manuscripts & Textiles
creditline: The Jeanne Miles Blackburn Collection
copyright:
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culture: France, 16th century
technique: ink, tempera, and liquid gold on vellum
department: Medieval Art
collection: MED - Manuscript Illuminations
type: Manuscript
find spot:
catalogue raisonne:
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CREATORS
* Noël Bellemare (French, d. 1546) - artist
* The 1520s Hours Workshop (French) - artist
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measurements: Each leaf: 11.2 x 6.4 cm (4 7/16 x 2 1/2 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: ...Resurrexit, sicut dixit, alleluia: Ora pro nobis Deum, alleluia. Sequuntur septem pfalmi penitentiales. Antiphona. Ne reminiscaris. psalmus: Domine , ne in durore tuo arguas me Miserere mei domine quoniam infirmus sum : sana me domine, quoniam conturbata sunt ossa mea Et anima mea turbata est valde : sed tu domine usquequo Convertere domine et eripe animam meam : salvum me fac propter misericordiam tuam. Quoniam non est in morte qui memor sit tui : in inferno autem quis confitebitur tibi.
translation:
remark:
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CURRENT EXHIBITIONS
title: The Medieval Top Seller: The Book of Hours (Gallery 115 rotation)
opening date: 2022-08-26T04:00:00
The Medieval Top Seller: The Book of Hours (Gallery 115 rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26, 2022-July 30, 2023).
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LEGACY EXHIBITIONS
* Main Gallery rotation (gallery 113): November 29, 2012 - January 14, 2014.
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PROVENANCE
Baron Jerome Pichon, Paris, France (1812-1896)
date:
footnotes:
citations:
[Richard Day, London, England (no. 69 only)]
date:
footnotes:
citations:
[Sam Fogg, London, England]
date:
footnotes:
citations:
[Bruce Ferrini, Akron, OH, sold to Jeanne Miles Blackburn]
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footnotes:
citations:
Jeanne Miles Blackburn, Maitland, FL, gifted to the Cleveland Museum of Art
date: -2003
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2003-
footnotes:
citations:
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fun fact:
The seven penitential psalms were recited to ask for forgiveness; they coincide with the seven deadly sins.
digital description:
wall description:
These two adjoining leaves begin the penitential psalms, or holy poems recited to ask for forgiveness. An elderly King David is depicted kneeling in prayer after having committed great sins. He has cast his harp and hat to the ground as an expression of humility and looks up to the sky to ask forgiveness. The text of Psalm 6 begins with the large decorated initial D and reads, “Domine ne in furore tuo arguas me: neque in ira tua corripias me,” or “O Lord rebuke me not in thy indignation, nor chastise me in thy wrath.”
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RELATED WORKS
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CITATIONS
Sutton, Kay, and Sam Fogg. Medieval Manuscripts. London: Sam Fogg Rare Books and Manuscripts, 1991.
page number: pp. 162-5, no. 39
url:
Fliegel, Stephen N. The Jeanne Miles Blackburn Collection of Manuscript Illuminations. Cleveland, Ohio: Cleveland Museum of Art, 1999.
page number: Mentioned and Reproduced: p. 72, cat. no. 70-71
url: https://archive.org/details/BlackburnIlluminations/page/n84
Orth, Myra D. Renaissance Manuscripts: the Sixteenth Century. London: Harvey Miller, 2015.
page number: Reproduced: Comp. ill. 16-17, no. 45, v. 1: Mentioned: P. 165-167, cat. no. 45, v. 2
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2003.174/2003.174_web.jpg
print: https://openaccess-cdn.clevelandart.org/2003.174/2003.174_print.jpg
full: https://openaccess-cdn.clevelandart.org/2003.174/2003.174_full.tif