id:			162557
accession number:	2003.19
share license status:	CC0
url:			https://clevelandart.org/art/2003.19
updated:		2022-01-04 17:31:55.724000

The Deluge, 1893. Charles Guilloux (French, 1866-1946), L'Estampe Originale (blindstamp lower right). Color lithograph; sheet: 41.1 x 58.2 cm (16 3/16 x 22 15/16 in.); image: 20.7 x 28.8 cm (8 1/8 x 11 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund 2003.19

title:				The Deluge
title in original language:	
series:				
series in original language:	
creation date:			1893
creation date earliest:		1893
creation date latest:		1893
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	France, 19th century
technique:	color lithograph
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Stein and Karshan 34

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CREATORS

* Charles Guilloux (French, 1866-1946)  - artist

* L'Estampe Originale (blindstamp lower right)  - published by

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measurements: Sheet: 41.1 x 58.2 cm (16 3/16 x 22 15/16 in.); Image: 20.7 x 28.8 cm (8 1/8 x 11 5/16 in.)
state of the work:	
edition of the work: 	100

support materials:

	description:	wove paper
	watermarks:	

inscriptions:

	inscription:	lower left in graphite: Guilloux no 38
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Nature Sublime: Landscapes from the 19th Century
	opening date:   2004-08-15T00:00:00
	<i>Nature Sublime: Landscapes from the 19th Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 15-November 14, 2004).

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LEGACY EXHIBITIONS

* Cleveland, Ohio: The Cleveland Museum of Art; 8/15/04-11/14/04. "Nature Sublime: Landscapes from the 19th Century".  No exhibition catalogue.

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PROVENANCE

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fun fact: 


digital description: 


wall description: 
Guilloux’s The Deluge appeared in the famous L’Estampe Originale, a series of nine albums of original prints published in Paris between 1893 and 1895, representing the pinnacle of fin-de-siècle printmaking. The albums included numerous landscapes by masters of the genre, including Camille Pissarro, Charles Dulac, Henri Rivière, and Joseph Pennell (all in this exhibition). In The Deluge, drenched poplar trees are reflected in shimmering pools of water. Guilloux incorporated the aesthetic of Art Nouveau into his entirely original, stylized landscapes.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2003.19/2003.19_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2003.19/2003.19_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2003.19/2003.19_full.tif