id:			162775
accession number:	2003.296
share license status:	CC0
url:			https://clevelandart.org/art/2003.296
updated:		

Portrait of Man Leaning Away from Camera, late 1840s. America, 19th century. Daguerreotype, quarter plate; image: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.); case: 11.8 x 9.3 cm (4 5/8 x 3 11/16 in.); matted: 61 x 48.3 cm (24 x 19 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro 2003.296

title:				Portrait of Man Leaning Away from Camera
title in original language:	
series:				
series in original language:	
creation date:			late 1840s
creation date earliest:		1846
creation date latest:		1849
current location:		
creditline:			Gift of Charles Isaacs and Carol Nigro
copyright:			

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culture:	America, 19th century
technique:	daguerreotype, quarter plate
department:	Photography
collection:	PH - American 19th Century
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Image: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.); Case: 11.8 x 9.3 cm (4 5/8 x 3 11/16 in.); Matted: 61 x 48.3 cm (24 x 19 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Cheating Death: Portrait Photography’s First Half Century
	opening date:   2016-10-22T04:00:00
	<i>Cheating Death: Portrait Photography’s First Half Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).

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LEGACY EXHIBITIONS

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PROVENANCE

	Charles Isaacs and Carol Nigro, New York, NY
	date: 
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	The Cleveland Museum of Art, Cleveland, OH
	date: December 1, 2003
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fun fact:


digital description:


wall description:
Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing, possessions, and sometimes backdrop. People came to the studio dressed in their finest outfits, and they often brought objects to represent their interests or occupation, such as the tuning fork held by the music teacher. Hand painting could draw attention to luxury items, as in <em>Young Woman with Pantalettes,</em> where her jewelry is dabbed with gold paint and the lacy cuffs of her pantalettes are enhanced with white paint. Most people had only a few photographs made during their lifetimes; therefore, they were often used to mark rites of passage such as graduation and marriage.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2003.296/2003.296_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2003.296/2003.296_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2003.296/2003.296_full.tif