{
    "data": {
        "id": 162779,
        "accession_number": "2003.299",
        "share_license_status": "CC0",
        "tombstone": "The Hold-Up, 1880s. American, 19th century. Tintype, whole plate; overall: 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Gift of Charles Isaacs and Carol Nigro, 2003.299",
        "current_location": null,
        "title": "The Hold-Up",
        "creation_date": "1880s",
        "creation_date_earliest": 1880,
        "creation_date_latest": 1889,
        "artists_tags": [],
        "culture": [
            "American, 19th century"
        ],
        "technique": "tintype, whole plate",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - American 19th Century",
        "type": "Photograph",
        "measurements": "Overall: 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.); Matted: 50.8 x 40.6 cm (20 x 16 in.)",
        "dimensions": {
            "overall": {
                "height": 0.216,
                "height_inch": 8,
                "height_inch_fraction": 0.5,
                "width": 0.165,
                "width_inch": 6,
                "width_inch_fraction": 0.5
            },
            "matted": {
                "height": 0.508,
                "height_inch": 20,
                "height_inch_fraction": 0.0,
                "width": 0.406,
                "width_inch": 16,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 286506,
                    "title": "Cheating Death: Portrait Photography\u2019s First Half Century",
                    "description": "<i>Cheating Death: Portrait Photography\u2019s First Half Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).",
                    "opening_date": "2016-10-22T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Charles Isaacs and Carol Nigro, New York, NY",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "December 1, 2003",
                "sortorder": 2
            }
        ],
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        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Since the beginning of photography, objects and people have been purposefully arranged, or staged, for the camera. Popular in the late 1860s and 1870s, tintypes offered low prices and shortened exposure times. Perhaps because tintypists commonly worked at fairs and carnivals, frivolous images, such as this staged hold-up, became common. In these fictional scenes, all the participants were in on the joke. Some such scenes may be novelties, others may be gag portraits commissioned by groups of friends.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79987814"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2003.299-the-hold-up"
            ]
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        "url": "https://clevelandart.org/art/2003.299",
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        "creditline": "Gift of Charles Isaacs and Carol Nigro",
        "image_credit": null,
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        "athena_id": 162779,
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        "legal_status": "accessioned",
        "accession_date": "2003-12-01T00:00:00",
        "sortable_date": 1880,
        "date_added_to_oa": null,
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        "updated_at": "2026-05-29 08:27:30.604000"
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