id: 162868
accession number: 2003.353
share license status: CC0
url: https://clevelandart.org/art/2003.353
updated: 2023-03-20 10:12:14.070000
Calligraphy in Semi-Cursive Style (xing-caoshu), c. 1660–1709. Yueshan Daozong (Chinese, 1629–1709). Hanging scroll; ink on paper; image: 28.6 x 64.1 cm (11 1/4 x 25 1/4 in.); overall with knobs: 115.6 x 73.8 cm (45 1/2 x 29 1/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Robert T. Gow 2003.353
title: Calligraphy in Semi-Cursive Style (xing-caoshu)
title in original language:
series:
series in original language:
creation date: c. 1660–1709
creation date earliest: 1655
creation date latest: 1709
current location:
creditline: Gift of Mr. and Mrs. Robert T. Gow
copyright:
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culture: China, Qing dynasty (1644-1911)
technique: Hanging scroll; ink on paper
department: Chinese Art
collection: ASIAN - Hanging scroll
type: Calligraphy
find spot:
catalogue raisonne:
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CREATORS
* Yueshan Daozong (Chinese, 1629–1709) - artist
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measurements: Image: 28.6 x 64.1 cm (11 1/4 x 25 1/4 in.); Overall with knobs: 115.6 x 73.8 cm (45 1/2 x 29 1/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: 初/
龍吟初夜後,虎嘯五更前
translation:
remark:
inscription: 悅山
translation:
remark:
inscription: 道宗之印
translation:
remark:
inscription: Linji zheng zong
translation:
remark:
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CURRENT EXHIBITIONS
title: Power and Possession: Chinese Calligraphy and Inscribed Objects – Chinese Gallery Rotation 240a, 241c
opening date: 2018-08-13T04:00:00
Power and Possession: Chinese Calligraphy and Inscribed Objects – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 13, 2018-February 3, 2019).
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LEGACY EXHIBITIONS
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PROVENANCE
(Chinese Porcelain Factory, NY, sold to Mr. and Mrs. Robert Gow)
date:
footnotes:
citations:
Robert and Katy Gow, Naples, FL, given to the Cleveland Museum of Art
date: ?–2003
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2003–
footnotes:
citations:
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fun fact:
digital description:
wall description:
This spontaneous, bold calligraphy style is characteristic of members of the Japanese Ōbaku school (Huangbo in Chinese) of Chan (Zen in Japanese) Buddhism, which was founded in Japan by Chinese monks in the 1600s. The monk Yueshan emigrated to Japan from the Chinese province of Fujian, taking a priestly post at Manpukuji, the headquarters of the Ōbaku school in Japan. He later became the seventh abbot of the distinguished temple.
Yueshan’s calligraphy features rounded characters that allow him to fuse strokes and characters in speedy brush movements. Here the text begins with the large character chu (“the beginning”), the initial focus of meditation on the text: The dragon murmurs after sunset. The tiger roars before dawn.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2003.353/2003.353_web.jpg
print: https://openaccess-cdn.clevelandart.org/2003.353/2003.353_print.jpg
full: https://openaccess-cdn.clevelandart.org/2003.353/2003.353_full.tif