id: 163032 accession number: 2003.57.5 share license status: Copyrighted url: https://clevelandart.org/art/2003.57.5 updated: 2020-11-04 21:54:05.502000 Boy with Chicken, Hungjao, China, 1945. Arthur Rothstein (American, 1915-1985). Gelatin silver print; image: 30.4 x 22.9 cm (11 15/16 x 9 in.); paper: 35.4 x 27.9 cm (13 15/16 x 11 in.); matted: 55.9 x 45.7 cm (22 x 18 in.). The Cleveland Museum of Art, Gift of Alan and Monah L. Gettner 2003.57.5 title: Boy with Chicken, Hungjao, China title in original language: series: series in original language: creation date: 1945 creation date earliest: 1945 creation date latest: 1945 current location: creditline: Gift of Alan and Monah L. Gettner copyright: --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1900-1950 type: Photograph find spot: catalogue raisonne: --- CREATORS * Arthur Rothstein (American, 1915-1985) - artist --- measurements: Image: 30.4 x 22.9 cm (11 15/16 x 9 in.); Paper: 35.4 x 27.9 cm (13 15/16 x 11 in.); Matted: 55.9 x 45.7 cm (22 x 18 in.) state of the work: edition of the work: support materials: inscriptions: inscription: written in pencil on bottom right margin: "Arthur Rothstein" written in pencil on verso of bottom left corner: "20" translation: remark: --- CURRENT EXHIBITIONS title: Trophies of the Hunt: Capturing Nature as Art opening date: 2004-07-24T00:00:00 Trophies of the Hunt: Capturing Nature as Art. The Cleveland Museum of Art (organizer) (July 24-November 3, 2004). --- LEGACY EXHIBITIONS * Cleveland, Ohio: The Cleveland Museum of Art; 7/24/04 - 11/3/04. "Trophies of the Hunt: Capturing Nature as Art". No exhibition catalogue. --- PROVENANCE --- fun fact: digital description: wall description: This poignant image of a young toddler dwarfed by the chicken in his arms was probably taken during Arthur Rothstein’s travels in China for the United Nations immediately following World War II. Rothstein, one of America’s most important and influential documentary photographers, worked for the Farm Security Administration during the Depression, for the Office of War Information during the Second World War, and as Director of Photography for Look Magazine for twenty-five years. He said of his influential work, "I have used the visual image to present facts, to register ideas and emotion, for the camera captures the decisive moment and records events with greater accuracy than does the human eye." --- RELATED WORKS --- CITATIONS --- IMAGES