id: 163183
accession number: 2004.109
share license status: Copyrighted
url: https://clevelandart.org/art/2004.109
updated: 2023-08-24 00:02:59.237000
Enticing, 2004. Christopher Cook (British, b. 1959). Graphite, resin, and oil on coated paper; sheet: 102 x 72 cm (40 3/16 x 28 3/8 in.). The Cleveland Museum of Art, Gift of Bob Kaye 2004.109 © Courtesy of the Artist and Mary Ryan Gallery, New York, NY
title: Enticing
title in original language:
series:
series in original language:
creation date: 2004
creation date earliest: 2004
creation date latest: 2004
current location:
creditline: Gift of Bob Kaye
copyright: © Courtesy of the Artist and Mary Ryan Gallery, New York, NY
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culture: England, 21st century
technique: graphite, resin, and oil on coated paper
department: Drawings
collection: DR - American 20th Century
type: Drawing
find spot:
catalogue raisonne:
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CREATORS
* Christopher Cook (British, b. 1959) - artist
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measurements: Sheet: 102 x 72 cm (40 3/16 x 28 3/8 in.)
state of the work:
edition of the work:
support materials:
description: coated paper
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CURRENT EXHIBITIONS
title: Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art
opening date: 2006-01-20T00:00:00
Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art. MOCA Cleveland, OH (January 20-May 7, 2006).
title: Themes and Variations: Musical Drawings and Prints
opening date: 2015-01-25T00:00:00
Themes and Variations: Musical Drawings and Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 25-May 17, 2015).
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LEGACY EXHIBITIONS
* Main Gallery Rotation (gallery 229): June 27, 2011 - September 14, 2011.
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PROVENANCE
(Mary Ryan Gallery, New York, NY)
date:
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: December 6, 2004-
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fun fact:
digital description:
wall description:
Old postcards and photographs serve as points of reference for Cook’s drawings of theaters that combine a painterly surface with a photographic aesthetic. The upper portion of Enticing suggests the interior of a Baroque theater with forms that resemble extravagant chandeliers and balconies. The foreground is a shimmering, fluid surface evocative of pooling water. The contrast between the representational and the abstract passages of the composition reflects Cook’s interest in both real and surreal imagery.
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RELATED WORKS
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IMAGES