id: 163183 accession number: 2004.109 share license status: Copyrighted url: https://clevelandart.org/art/2004.109 updated: 2023-08-24 00:02:59.237000 Enticing, 2004. Christopher Cook (British, b. 1959). Graphite, resin, and oil on coated paper; sheet: 102 x 72 cm (40 3/16 x 28 3/8 in.). The Cleveland Museum of Art, Gift of Bob Kaye 2004.109 © Courtesy of the Artist and Mary Ryan Gallery, New York, NY title: Enticing title in original language: series: series in original language: creation date: 2004 creation date earliest: 2004 creation date latest: 2004 current location: creditline: Gift of Bob Kaye copyright: © Courtesy of the Artist and Mary Ryan Gallery, New York, NY --- culture: England, 21st century technique: graphite, resin, and oil on coated paper department: Drawings collection: DR - American 20th Century type: Drawing find spot: catalogue raisonne: --- CREATORS * Christopher Cook (British, b. 1959) - artist --- measurements: Sheet: 102 x 72 cm (40 3/16 x 28 3/8 in.) state of the work: edition of the work: support materials: description: coated paper watermarks: inscriptions: --- CURRENT EXHIBITIONS title: Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art opening date: 2006-01-20T00:00:00 Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art. MOCA Cleveland, OH (January 20-May 7, 2006). title: Themes and Variations: Musical Drawings and Prints opening date: 2015-01-25T00:00:00 Themes and Variations: Musical Drawings and Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 25-May 17, 2015). --- LEGACY EXHIBITIONS * Main Gallery Rotation (gallery 229): June 27, 2011 - September 14, 2011. --- PROVENANCE (Mary Ryan Gallery, New York, NY) date: footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: December 6, 2004- footnotes: citations: --- fun fact: digital description: wall description: Old postcards and photographs serve as points of reference for Cook’s drawings of theaters that combine a painterly surface with a photographic aesthetic. The upper portion of Enticing suggests the interior of a Baroque theater with forms that resemble extravagant chandeliers and balconies. The foreground is a shimmering, fluid surface evocative of pooling water. The contrast between the representational and the abstract passages of the composition reflects Cook’s interest in both real and surreal imagery. --- RELATED WORKS --- CITATIONS --- IMAGES