id: 163372
accession number: 2004.19
share license status: Copyrighted
url: https://clevelandart.org/art/2004.19
updated: 2023-04-23 11:16:02.874000
Farm South of Saskatoon, Saskatchewan, October 24, 1996, 1996 . Terry Evans (American, 1944-). Chromogenic process color print; image: 75.7 x 75.2 cm (29 13/16 x 29 5/8 in.); paper: 89.5 x 75.7 cm (35 1/4 x 29 13/16 in.). The Cleveland Museum of Art, Gift of Friends of Photography 2004.19 © Courtesy Catherine Edelman Gallery, Chicago
title: Farm South of Saskatoon, Saskatchewan, October 24, 1996
title in original language:
series:
series in original language:
creation date: 1996
creation date earliest: 1996
creation date latest: 1996
current location:
creditline: Gift of Friends of Photography
copyright: © Courtesy Catherine Edelman Gallery, Chicago
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culture: America, 20th century
technique: chromogenic process color print
department: Photography
collection: PH - American 1951-Present
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Terry Evans (American, 1944-) - artist
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measurements: Image: 75.7 x 75.2 cm (29 13/16 x 29 5/8 in.); Paper: 89.5 x 75.7 cm (35 1/4 x 29 13/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: written on the bottom recto white margin in black marker, "Farm South of Saskatoon, Saskatchewan, October 24, 1996 4/10 Terry Evans". on the verso of the mount written in black marker: "Farm South of Sakatoon,/ Saskachewan, October 24, 1996/ Terry Evans 4/10".
translation:
remark:
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CURRENT EXHIBITIONS
title: Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art
opening date: 2006-01-20T00:00:00
Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art. MOCA Cleveland, OH (January 20-May 7, 2006).
title: Contemporary Landscape Photography
opening date: 2011-03-26T00:00:00
Contemporary Landscape Photography. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
Of her work, Evans says, "My aerial photographs are not about visual design; they are about specific places. They show marks that contain contradictions and mysteries which raise questions about how we live on the prairie." For more than three decades, Evans has photographed the Great Plains, beginning with native prairies in her home state of Kansas. In 1989 she added bird’s-eye perspective to her repertoire of photographic approaches, spending countless hours from the vantage point of a light plane, flying about 600 feet off the ground. She has sensitively recorded the changing prairie and its inhabitants, particularly drawn to the pattern of human marks left on the environment-as seen in this large-scale, richly colored and textured composition of a Canadian farm surrounded by plowed fields.
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