id: 163551 accession number: 2004.89 share license status: Copyrighted url: https://clevelandart.org/art/2004.89 updated: 2023-08-24 00:05:29.740000 New Mexico Recollection, c. 1923. Marsden Hartley (American, 1877–1943). Oil on canvas; framed: 101.6 x 120.7 x 7.6 cm (40 x 47 1/2 x 3 in.); unframed: 80 x 99.7 cm (31 1/2 x 39 1/4 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund with additional support from the Gill and Tommy LiPuma Fund 2004.89 title: New Mexico Recollection title in original language: series: series in original language: creation date: c. 1923 creation date earliest: 1918 creation date latest: 1928 current location: 226A American Modern creditline: Leonard C. Hanna, Jr. Fund with additional support from the Gill and Tommy LiPuma Fund copyright: --- culture: America, 20th century technique: oil on canvas department: American Painting and Sculpture collection: American - Painting type: Painting find spot: catalogue raisonne: --- CREATORS * Marsden Hartley (American, 1877–1943) - artist --- measurements: Framed: 101.6 x 120.7 x 7.6 cm (40 x 47 1/2 x 3 in.); Unframed: 80 x 99.7 cm (31 1/2 x 39 1/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Search for an American Modernism: Marsden Hartley and New Mexico opening date: 2008-01-25T00:00:00 The Search for an American Modernism: Marsden Hartley and New Mexico. Georgia O'Keeffe Museum, Santa Fe, NM (organizer) (January 25-May 11, 2008); Amon Carter Museum, Fort Worth, TX (June 14-August 24, 2008). --- LEGACY EXHIBITIONS * Marsden Hartley and Walt Kuhn: The Landscapes. Salander O'Reilly Galleries, New York (January 5-February 27, 1988). * American Modernism and the German Avant-Garde. Hollis Taggart Galleries, New York (May 20-July 1, 1998). * Marsden Hartley: Observation and Intuition. Hackett-Freedman Gallery, San Francisco (February 1-March 31, 2001). * High Notes of American Modernism: Selections from the Tommy and Gill LiPuma Collection. Berry-Hill Galleries, Inc., New York (November 14-December 31, 2002). * Modern American Masters: Highlights from the Gill and Tommy LiPuma Collections. Cleveland Museum of Art, Cleveland (March 28-July14, 2004). --- PROVENANCE Alfred Steiglitz, New York; Huntington Collection, Portland, Maine; Jon Landau; Tommy and Gill LiPuma, New York. date: footnotes: citations: --- fun fact: Hartley studied briefly at the Cleveland School (now Institute) of Art in 1898. digital description: Although Hartley visited New Mexico during 1917–18, this landscape was painted a few years later when he lived temporarily in Berlin, Germany. This distance in time and place seems to have spurred the artist’s imagination: with its agitated paint application, turbulent composition, and somber palette, New Mexico Recollection evokes an emotional state more than it records a particular site. wall description: Although Hartley had visited New Mexico during 1917–18, this landscape was painted a few years later when he lived temporarily in Berlin, Germany. This distance in time and place seems to have spurred the artist’s imagination: with its agitated paint application, turbulent composition, and somber palette, New Mexico Recollection evokes an emotional state more than it records a particular site. --- RELATED WORKS --- CITATIONS Kootz, Samuel M. New Frontiers in American Painting. New York: Hastings House, 1943. page number: Mentioned: p. 25-34; Reproduced: no. 38 url: Salander, Lawrence B. Marsden Hartley (1877-1943) Paintings and Drawings. New York: Salander-O'Reilly Galleries, Inc., 1988. page number: Mentioned: p. 10; Reproduced: p. 23, no. 13 url: Hartley, Marsden, Peter Selz, and Hackett-Freedman Gallery, Inc. Marsden Hartley: Observation and Intuition. San Francisco: Hackett-Freedman Gallery, 2001. page number: Reproduced: p. 11 url: Agee, William C., and Bruce Weber. High Notes of American Modernism: Selections from the Tommy and Gill LiPuma Collection: November 14-December 31, 2002. New York: Berry-Hill Galleries, Inc, 2002. page number: Mentioned: p. 89, Reproduced: p. 59 url: Harnsberger, R. Scott. Four Artists of the Stieglitz Circle: A Sourcebook on Arthur Dove, Marsden Hartley, John Marin, and Max Weber. Westport: Greenwood Press, 2002. page number: Mentioned: p. 141 url: Glueck, Grace. "Art Review: Serendipity's Reward: A Spirited Collection of Four Disparate Americans." The New York Times, Friday, November 29, 2002. page number: Mentioned: p. E29 url: Cleveland Museum of Art Annual Report, 2004. page number: Mentioned: p. 16, 22-23 url: Hole, Heather. Marsden Hartley and the West: the Search for an American Modernism. New Haven and London: Yale University Press, 2007. page number: Mentioned: p. 104; Reproduced: p. 103, fig.90 url: Adams, Henry. What's American about American Art? A Gallery Tour in the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2008. page number: Reproduced: p. 13, no. 16 url: Sullivan, Edward J. Making the Americas Modern: Hemispheric Art, 1910-1960. London: Laurence King Publishing, 2018. page number: Mentioned: p. 65; Reproduced: p. 66 url: --- IMAGES