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"tombstone": "The Flagellation (folio 182 recto), from a Mirror of Holiness (Mir\u2019at al-quds) of Father Jerome Xavier, 1602\u20134. Mughal India, Allahabad, made for Prince Salim (1569\u20131627). Gum tempera, ink, color, and gold on paper; sheet: 26.2 x 15.3 cm (10 5/16 x 6 in.); image: 22.3 x 13.3 cm (8 3/4 x 5 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.182.a",
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"title": "The Flagellation (folio 182 recto), from a Mirror of Holiness (Mir\u2019at al-quds) of Father Jerome Xavier",
"creation_date": "1602\u20134",
"creation_date_earliest": 1602,
"creation_date_latest": 1604,
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"culture": [
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"technique": "Gum tempera, ink, color, and gold on paper",
"support_materials": [],
"department": "Indian and Southeast Asian Art",
"collection": "Indian Art",
"type": "Manuscript",
"measurements": "Sheet: 26.2 x 15.3 cm (10 5/16 x 6 in.); Image: 22.3 x 13.3 cm (8 3/4 x 5 1/4 in.)",
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"id": 203111,
"title": "Art and Stories from Mughal India",
"description": "Art and Stories from Mughal India. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 31-October 23, 2016).",
"opening_date": "2016-07-31T04:00:00"
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{
"id": 357806,
"title": "Prince Salim's Life of Christ (Manuscript Rotation) - Gallery 115",
"description": "Prince Salim's Life of Christ (Manuscript Rotation) - Gallery 115. The Cleveland Museum of Art (organizer) (December 2, 2019-July 1, 2020).",
"opening_date": "2019-12-02T05:00:00"
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"description": "An Indian family in Great Britain, whose grandfather brought the manuscript to England in the 1930s or 1940s",
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"footnotes": [],
"date": "before 1930s\u20132005",
"sortorder": 1
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{
"description": "(Oliver Forge and Brendan Lynch Ltd., London, England, sold to the Cleveland Museum of Art)",
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"date": "2005",
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"former_accession_numbers": [
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"did_you_know": "A halo encircles Jesus\u2019s head, and his hair and beard are highlighted with gold.",
"description": "Two Romans flog Jesus, who has been bound to a stake at the center of the circular composition made up of soldiers and the hilly horizon. His subtly articulated expression conveys both pain and compassion, as he endures cuts to his flesh and the bindings around his elbows that secure him so tightly to the post that his feet are elevated off the ground. This is the last illustration in the Cleveland manuscript of the Mirror of Holiness. The Crucifixion was never illustrated, possibly because the patron, Prince Salim, was Muslim. According to the Koran, Jesus did not die on the cross, but was absorbed into heaven by Allah.",
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"citations": [
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"citation": "O\u2019Malley, John W., Gauvin A. Bailey, and Giovanni Sale. The Jesuits and the Arts, 1540-1773. 1st English ed. Philadelphia: Saint Joseph\u2019s University Press, 2005.",
"page_number": "Reproduced: p. 355, fig. 10.42",
"url": ""
},
{
"citation": "Beach, Milo Cleveland, Eberhard Fischer, B. N. Goswamy, and Jorrit Britschgi. Masters of Indian Painting. Vol. 1. 1100-1650. Zurich, Switzerland: Artibus Asiae Publishers, 2011.",
"page_number": "Reproduced: p. 138, fig. 19; p. 144, fig. 8",
"url": ""
},
{
"citation": "Carvalho, Pedro de Moura, and W. M. Thackston. Mir\u02bca\u0304t al-quds (Mirror of holiness): a life of Christ for Emperor Akbar: a commentary on Father Jerome Xavier's text and the miniatures of Cleveland Museum of Art, Acc. no. 2005.145. Leiden: Brill, 2012.",
"page_number": "",
"url": ""
},
{
"citation": "Amaladass, Anand, and Gudrun Lo\u0308wner. Christian Themes in Indian Art : From the Mogul Times till Today. New Delhi: Manohar Publishers & Distributors, 2012.",
"page_number": "p. 50, 2/23",
"url": ""
},
{
"citation": "Quintanilla, Sonya Rhie. \u201cArt and Stories: Dazzling paintings and luxurious objects tell tales from Mughal India.\u201d Cleveland Art: Cleveland Museum of Art Members Magazine 56, no. 4 (July/August 2016): 5-7.",
"page_number": "Reproduced: p. 7; Mentioned: p. 6",
"url": "https://archive.org/details/CMAMM2016-04"
},
{
"citation": "Gommans, Jos J. L. The Unseen World: The Netherlands and India from 1550. [Amsterdam] : Rijks Museum: Uitgeverij Vantilt, 2018.",
"page_number": "Reproduced: p. 217, fig. 3.46",
"url": null
}
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"alternate_titles": [
"Masihnama (Life of Christ) Manuscript (plate 23: The Scourging of Jesus)",
"The Scourging of Jesus, from a Mirror of Holiness (Mi'rat al-Quds) of Father Jerome Xavier",
"The Flagellation, from a Mirror of Holiness (Mir\u2019at al-quds) of Father Jerome Xavier"
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