{
    "data": {
        "id": 163802,
        "accession_number": "2005.206.a",
        "share_license_status": "CC0",
        "tombstone": "Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), c. 1460. Circle of Co\u00ebtivy Master (French). Ink, tempera and gold on vellum; leaf: 19.7 x 14.3 cm (7 3/4 x 5 5/8 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection, 2005.206.a",
        "current_location": "113 French Tapestries & Illuminated Manuscripts",
        "title": "Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)",
        "creation_date": "c. 1460",
        "creation_date_earliest": 1455,
        "creation_date_latest": 1465,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, Paris"
        ],
        "technique": "ink, tempera and gold on vellum",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Manuscript Illuminations",
        "type": "Manuscript",
        "measurements": "Leaf: 19.7 x 14.3 cm (7 3/4 x 5 5/8 in.)",
        "dimensions": {
            "leaf": {
                "height": 0.197,
                "height_inch": 7,
                "height_inch_fraction": 0.75,
                "width": 0.143,
                "width_inch": 5,
                "width_inch_fraction": 0.625
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "[consci]disti saccum meum et circum-\ndedisti me Laetitia.\nUt cantet tibi gloria mea\nEt non conpungar Domine deus\nMeus in aeternum confitebor tibi.\nAnt. Domine abstraxisti ab inferis \nAnimam meam. Ant: Complaceat.\nEt exaudivit preces meas: et\neduxit me de lacumiseriar, et de\nluto faecis.\nEt Statuit supra petram Pedes\u2026[Continues onto Verso]",
                "inscription_translation": "[Psalm 29] \u2026cut my sackcloth, and hast compassed me with gladness:\nTo the end that my glory may sing to thee, and I may not regret: O Lord my God, I will give praise to thee forever.\nAnt. O Lord, thou hast brought forth my soul from hell.\nAnt: May it please thee.\n[Psalm 39] And he heard my prayers: and brought me out of the lake of misery, and the mire of dregs.\nAnd hath set my feet\u2026",
                "inscription_remark": "Office of the Dead \n[Psalm 29](Second Nocturne)\n(In the third Nocturne/For Wednesday and Saturday) [Psalm 39]",
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 192960,
                    "title": "The Jeanne Miles Blackburn Collection of Manuscript Illuminations",
                    "description": "<i>The Jeanne Miles Blackburn Collection of Manuscript Illuminations</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 19, 1999-February 27, 2000).",
                    "opening_date": "1999-12-19T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "CMA, 19 December 1999 - 27 February 2000, The Jeanne Miles Blackburn Collection of Manuscript Illuminations, cat. 49, illus. p. 52.",
                    "opening_date": "1999-12-19T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "[Bruce Ferrini, Akron]",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "The elaborate floral and foliated borders of this leaf, decorating the top, bottom, and sides of both recto and verso, contain four separate elements: blue and gold acanthus leaves, gold-leaf ivy vines, sprays of flowers or fruit, and a grotesque. Here the margin prominently includes an illuminated roundel with an angel chasing a devil with a lance. As a time-saving device, illuminators in the 1450s and later would often paint identical borders on both sides of a leaf. The motifs would be drawn on one side and then traced on the other by holding the leaf against a window. The manuscript from which this leaf came is no longer intact. It included numerous painted roundels relating to the lives of Saint Catherine of Alexandria and the more obscure Saint Alexis. It is possible that the manuscript originally belonged to a married couple for whom these saints served as patrons.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79990451"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2005.206.a-leaf-from-a-book-of"
            ]
        },
        "citations": [
            {
                "citation": "Fliegel, Stephen N. <em>The Jeanne Miles Blackburn Collection of Manuscript Illuminations</em>. Cleveland, Ohio: Cleveland Museum of Art, 1999.",
                "page_number": "Mentioned and Reproduced: p. 52, cat. no. 49",
                "url": "https://archive.org/details/BlackburnIlluminations/page/n64"
            }
        ],
        "url": "https://clevelandart.org/art/2005.206.a",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/2005.206.a/2005.206.a_web.jpg",
                "width": "649",
                "height": "893",
                "filesize": "543246",
                "filename": "2005.206.a_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/2005.206.a/2005.206.a_print.jpg",
                "width": "2472",
                "height": "3400",
                "filesize": "5369326",
                "filename": "2005.206.a_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/2005.206.a/2005.206.a_full.tif",
                "width": "3635",
                "height": "5000",
                "filesize": "54545180",
                "filename": "2005.206.a_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "The Jeanne Miles Blackburn Collection",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 163802,
        "creators": [
            {
                "id": 30679,
                "description": "Co\u00ebtivy Master (French)",
                "extent": null,
                "qualifier": "circle of",
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2005-12-05T00:00:00",
        "sortable_date": 1455,
        "date_added_to_oa": null,
        "date_text": "c. 1460",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "part",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": "2005.206",
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [
            "Angel Chasing Devil, roundel on a text leaf in Latin with floral-foliate border containing a grotesque, from a Book of Hours (Hours of St. Alexis)"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-29 08:30:58.169000"
    }
}