id: 164323
accession number: 2005.407
share license status: Copyrighted
url: https://clevelandart.org/art/2005.407
updated: 2023-08-24 00:11:25.306000
Autumnal Glory, 1920, printed 1953. Gustave Baumann (American, born Germany, 1881–1971). Color woodcut; image: 33.3 x 32.9 cm (13 1/8 x 12 15/16 in.); sheet: 46 x 36.3 cm (18 1/8 x 14 5/16 in.). The Cleveland Museum of Art, Gift of Ann Baumann 2005.407 © Ann Baumann Trust
title: Autumnal Glory
title in original language:
series:
series in original language:
creation date: 1920, printed 1953
creation date earliest: 1920
creation date latest: 1920
current location:
creditline: Gift of Ann Baumann
copyright: © Ann Baumann Trust
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culture: America, 20th century
technique: color woodcut
department: Prints
collection: PR - Woodcut
type: Print
find spot:
catalogue raisonne: Chamberlain 75
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CREATORS
* Gustave Baumann (American, born Germany, 1881–1971) - artist
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measurements: Image: 33.3 x 32.9 cm (13 1/8 x 12 15/16 in.); Sheet: 46 x 36.3 cm (18 1/8 x 14 5/16 in.)
state of the work:
edition of the work:
support materials:
description: White Sanders wove paper
watermarks:
inscriptions:
inscription: lower margin, in graphite: Autumnal Glory Gustave Baumann III 106 125
translation:
remark:
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CURRENT EXHIBITIONS
title: Gustave Baumann: Colorful Cuts
opening date: 2020-12-20T05:00:00
Gustave Baumann: Colorful Cuts. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 20, 2020-June 27, 2021).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
Autumnal Glory suggests the importance the uplands play as open spaces for grazing sheep and goats, nestled in the foreground, while flaunting the stunning autumn foliage of the Upper Pecos River Valley. To reproduce the effects of the Southwest’s clear, crystalline sunlight, Baumann mixed pure, brilliant hues, overprinting them in layers, and juxtaposed complimentary colors. Strong, flat colors and a bold design capture the intense light and arid atmosphere, simulating the ambiance of this enchanting, unique region. “The palette and theories regarding color east of the Mississippi should all be tossed in the river as you cross the bridge,” Baumann explained.
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