id: 164448 accession number: 2005.7 share license status: Copyrighted url: https://clevelandart.org/art/2005.7 updated: 2024-03-26 02:00:59.196000 O Yao San (Miss Yao), c. 1903. Carle Edwin Semon (American, 1877–1950). Platinum print, uranium-toned, with graphite and chalk or crayon; image: 17.8 x 12.7 cm (7 x 5 in.); paper: 20.3 x 30.5 cm (8 x 12 in.); matted: 55.9 x 45.7 cm (22 x 18 in.). The Cleveland Museum of Art, John L. Severance Fund 2005.7 title: O Yao San (Miss Yao) title in original language: series: series in original language: creation date: c. 1903 creation date earliest: 1900 creation date latest: 1950 current location: creditline: John L. Severance Fund copyright: --- culture: America, 20th century technique: platinum print, uranium-toned, with graphite and chalk or crayon department: Photography collection: PH - American 1900-1950 type: Photograph find spot: catalogue raisonne: --- CREATORS * Carle Edwin Semon (American, 1877–1950) - artist Carle Edwin Semon American, 1877-1950 Cleveland-born Carle Semon was a pictorial photographer active from the turn of the century through the 1930s. He first began exhibiting his work in the late 1890s and in 1900 took part in F. Holland Day's New School of American Photography, a major exhibition of American pictorial photography presented at the Royal Photographic Society in London (which then traveled to Paris in 1901). Over the years he showed his work in numerous photographic salons in Cleveland, Chicago, Denver, Minneapolis, Pittsburgh, Los Angeles, New York, and London. Semon was a member of the Cleveland Camera Club and participated in the First Annual Salon sponsored by the club at Fenton & Stair's Art Gallery in 1903. The following year he took part in the club's First Annual Members' Exhibition. In the August 1912 issue of Photo-Era, Semon published a short article, "Unconventional Lighting of Subjects," illustrated with examples of three portraits he had made using the characteristic soft-focus style of the pictorialists. From 1919-47 he was also a frequent exhibitor in the May Show, the Cleveland Museum of Art's regional juried exhibition, winning a number of prizes. M.M. --- measurements: Image: 17.8 x 12.7 cm (7 x 5 in.); Paper: 20.3 x 30.5 cm (8 x 12 in.); Matted: 55.9 x 45.7 cm (22 x 18 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Shadows and Dreams: Pictorialist Photography in America opening date: 2015-09-05T00:00:00 Shadows and Dreams: Pictorialist Photography in America. The Cleveland Museum of Art (organizer) (September 5, 2015-January 17, 2016). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Murphy, Erin L. "Overview of Historical Practices for Postprocessing Toning and Intensifying Platinum Prints." In Platinum and Palladium Photographs: Technical History, Connoisseurship, and Preservation. Constance McCabe et al, 218-231. Washington, D.C. : Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works, 2017. page number: Reproduced: p. 218; Mentioned: p. 219. url: --- IMAGES